Select Search ----- All Bartleby.com ----- All Reference ----- Columbia Encyclopedia World History Encyclopedia Cultural Literacy World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations Respectfully Quoted English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Brewer's Phrase & Fable Bulfinch's Mythology Frazer's Golden Bough ----- All Verse ----- Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. ----- All Nonfiction ----- Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals ----- All Fiction ----- Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference > Quotations > John Bartlett, comp. > Familiar Quotations, 10th ed. > Page 74   PREVIOUS NEXT   CONTENTS · BIBLIOGRAPHIC RECORD · AUTHOR INDEX · CONCORDANCE INDEX John Bartlett (1820–1905).  Familiar Quotations, 10th ed.  1919.   Page 74     William Shakespeare. (1564–1616) (continued)   810     The web of our life is of a mingled yarn, good and ill together.           All ’s Well that Ends Well. Act iv. Sc. 3. 811     Whose words all ears took captive.           All ’s Well that Ends Well. Act v. Sc. 3. 812     Praising what is lost Makes the remembrance dear.           All ’s Well that Ends Well. Act v. Sc. 3. 813     The inaudible and noiseless foot of Time. 1           All ’s Well that Ends Well. Act v. Sc. 3. 814     All impediments in fancy’s course Are motives of more fancy.           All ’s Well that Ends Well. Act v. Sc. 3. 815     The bitter past, more welcome is the sweet.           All ’s Well that Ends Well. Act v. Sc. 3. 816     If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o’er my ear like the sweet sound 2 That breathes upon a bank of violets, Stealing and giving odour!           Twelfth Night. Act i. Sc. 1. 817     I am sure care ’s an enemy to life.           Twelfth Night. Act i. Sc. 3. 818     At my fingers’ ends. 3           Twelfth Night. Act i. Sc. 3. 819     Wherefore are these things hid?           Twelfth Night. Act i. Sc. 3. 820     Is it a world to hide virtues in?           Twelfth Night. Act i. Sc. 3. 821     One draught above heat makes him a fool; the second mads him; and a third drowns him.           Twelfth Night. Act i. Sc. 5. 822     We will draw the curtain and show you the picture.           Twelfth Night. Act i. Sc. 5. 823     ’T is beauty truly blent, whose red and white Nature’s own sweet and cunning hand laid on: Lady, you are the cruell’st she alive If you will lead these graces to the grave And leave the world no copy.           Twelfth Night. Act i. Sc. 5.   Note 1. How noiseless falls the foot of time!—W. R. Spencer: Lines to Lady A. Hamilton. [back] Note 2. ”Like the sweet south” in Dyce and Singer. This change was made at the suggestion of Pope. [back] Note 3. See Heywood, Quotation 34. [back]   CONTENTS · BIBLIOGRAPHIC RECORD · AUTHOR INDEX · CONCORDANCE INDEX   PREVIOUS NEXT     Click here to shop the Bartleby Bookstore. Welcome · Press · Advertising · Linking · Terms of Use · © 2008 Bartleby.com