| Louis Untermeyer, ed. (18851977). Modern American Poetry. 1919. |
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| Amy Lowell. 1874 |
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| 58. Madonna of the Evening Flowers |
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| ALL day long I have been working | |
| Now I am tired. | |
| I call: "Where are you?" | |
| But there is only the oak tree rustling in the wind. | |
| The house is very quiet, | 5 |
| The sun shines in on your books, | |
| On your scissors and thimble just put down, | |
| But you are not there. | |
| Suddenly I am lonely: | |
| Where are you? | 10 |
| I go about searching. | |
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| Then I see you, | |
| Standing under a spire of pale blue larkspur, | |
| With a basket of roses on your arm. | |
| You are cool, like silver, | 15 |
| And you smile. | |
| I think the Canterbury bells are playing little tunes, | |
| You tell me that the peonies need spraying, | |
| That the columbines have overrun all bounds, | |
| That the pyrus japonica should be cut back and rounded. | 20 |
| You tell me these things. | |
| But I look at you, heart of silver, | |
| White heart-flame of polished silver, | |
| Burning beneath the blue steeples of the larkspur, | |
| And I long to kneel instantly at your feet, | 25 |
| While all about us peal the loud, sweet Te Deums of the Canterbury bells. | |
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