Edward Sapir > Language: An Introduction to the Study of Speech > Subject Index > Page 244
Edward Sapir (1884–1939).  Language: An Introduction to the Study of Speech.  1921.

Page 244
compact luxuriance of Latin style has its loveliness too. There are almost as many natural ideals of literary style as there are languages. Most of these are merely potential, awaiting the hand of artists who will never come. And yet in the recorded texts of primitive tradition and song there are many passages of unique vigor and beauty. The structure of the language often forces an assemblage of concepts that impresses us as a stylistic discovery. Single Algonkin words are like tiny imagist poems. We must be careful not to exaggerate a freshness of content that is at least half due to our freshness of approach, but the possibility is indicated none the less of utterly alien literary styles, each distinctive with its disclosure of the search of the human spirit for beautiful form.
  Probably nothing better illustrates the formal dependence of literature on language than the prosodic aspect of poetry. Quantitative verse was entirely natural to the Greeks, not merely because poetry grew up in connection with the chant and the dance, 11 but because alternations of long and short syllables were keenly live facts in the daily economy of the language. The tonal accents, which were only secondarily stress phenomena, helped to give the syllable its quantitative individuality. When the Greek meters were carried over into Latin verse, there was comparatively little strain, for Latin too was characterized by an acute awareness of quantitative distinctions. However, the Latin accent was more markedly stressed than that of Greek. Probably, therefore, the purely quantitative meters modeled after
Note 11.  Poetry everywhere is inseparable in its origins from the singing voice and the measure of the dance. Yet accentual and syllabic types of verse, rather than quantitative verse, seem to be the prevailing norms. [back]

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