that she would do her first magazine work for him. That promise was kept monthly, and for nearly two years her articles appeared, with satisfaction to Miss Greenaway and with great success to the magazine.
The next opposition to Boks plans arose from the soreness generated by the absence of copyright laws between the United States and Great Britain and Europe. The editor, who had been publishing a series of musical compositions, solicited the aid of Sir Arthur Sullivan. But it so happened that Sir Arthurs most famous composition, The Lost Chord, had been taken without leave by American music publishers, and sold by the hundreds of thousands with the composer left out on pay-day. Sir Arthur held forth on this injustice, and said further that no accurate copy of The Lost Chord had, so far as he knew, ever been printed in the United States. Bok saw his chance, and also an opportunity for a little Americanization.
Very well, Sir Arthur, suggested Bok; with your consent, I will rectify both the inaccuracy and the injustice. Write out a correct version of The Lost Chord; I will give it to nearly a million readers, and so render obsolete the incorrect copies; and I shall be only too happy to pay you the first honorarium for an American publication of the song. You can add to the copy the statement that this is the first American honorarium you have ever received, and so shame the American publishers for their dishonesty.
This argument appealed strongly to the composer, who made a correct transcript of his famous song, and published it with the following note: