| Carl Sandburg (18781967). Smoke and Steel. 1922. |
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| VIII. Circles of Doors |
| 1. Circles of Doors |
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| I LOVE him, I love him, ran the patter of her lips | |
| And she formed his name on her tongue and sang | |
| And she sent him word she loved him so much, | |
| So much, and death was nothing; work, art, home, | |
| All was nothing if her love for him was not first | 5 |
| Of all; the patter of her lips ran, I love him, | |
| I love him; and he knew the doors that opened | |
| Into doors and more doors, no end of doors, | |
| And full length mirrors doubling and tripling | |
| The apparitions of doors: circling corridors of | 10 |
| Looking glasses and doors, some with knobs, some | |
| With no knobs, some opening slow to a heavy push, | |
| And some jumping open at a touch and a hello. | |
| And he knew if he so wished he could follow her | |
| Swift running through circles of doors, hearing | 15 |
| Sometimes her whisper, I love him, I love him, | |
| And sometimes only a high chaser of laughter | |
| Somewhere five or ten doors ahead or five or ten | |
| Doors behind, or chittering h-st, h-st, among corners | |
| Of the tall full-length dusty looking glasses. | 20 |
| I love, I love, I love, she sang short and quick in | |
| High thin beaten soprano and he knew the meanings, | |
| The high chaser of laughter, the doors on doors | |
| And the looking glasses, the room to room hunt, | |
| The ends opening into new ends always. | 25 |
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