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Home  »  An American Anthology, 1787–1900  »  1013 On the Proposal to Erect a Monument in England to Lord Byron

Edmund Clarence Stedman, ed. (1833–1908). An American Anthology, 1787–1900. 1900.

By EmmaLazarus

1013 On the Proposal to Erect a Monument in England to Lord Byron

THE GRASS of fifty Aprils hath waved green

Above the spent heart, the Olympian head,

The hands crost idly, the shut eyes unseen,

Unseeing, the locked lips whose song hath fled;

Yet mystic-lived, like some rich, tropic flower,

His fame puts forth fresh blossoms hour by hour;

Wide spread the laden branches dropping dew

On the low, laurelled brow misunderstood,

That bent not, neither bowed, until subdued

By the last foe who crowned while he o’er-threw.

Fair was the Easter Sabbath morn when first

Men heard he had not wakened to its light:

The end had come, and time had done its worst,

For the black cloud had fallen of endless night.

Then in the town, as Greek accosted Greek,

’T was not the wonted festal words to speak,

“Christ is arisen,” but “Our chief is gone,”

With such wan aspect and grief-smitten head

As when the awful cry of “Pan is dead!”

Filled echoing hill and valley with its moan.

“I am more fit for death than the world deems,”

So spake he as life’s light was growing dim,

And turned to sleep as unto soothing dreams.

What terrors could its darkness hold for him,

Familiar with all anguish, but with fear

Still unacquainted? On his martial bier

They laid a sword, a helmet, and a crown—

Meed of the warrior, but not these among

His voiceless lyre, whose silent chords unstrung

Shall wait—how long?—for touches like his own.

An alien country mourned him as her son,

And hailed him hero: his sole, fitting tomb

Were Theseus’ temple or the Parthenon,

Fondly she deemed. His brethren bare him home,

Their exiled glory, past the guarded gate

Where England’s Abbey shelters England’s great.

Afar he rests whose very name hath shed

New lustre on her with the song he sings.

So Shakespeare rests who scorned to lie with kings,

Sleeping at peace midst the unhonored dead.

And fifty years suffice to overgrow

With gentle memories the foul weeds of hate

That shamed his grave. The world begins to know

Her loss, and view with other eyes his fate.

Even as the cunning workman brings to pass

The sculptor’s thought from out the un-wieldy mass

Of shapeless marble, so Time lops away

The stony crust of falsehood that concealed

His just proportions, and, at last revealed,

The statue issues to the light of day,

Most beautiful, most human. Let them fling

The first stone who are tempted even as he,

And have not swerved. When did that rare soul sing

The victim’s shame, the tyrant’s eulogy,

The great belittle, or exalt the small,

Or grudge his gift, his blood, to disenthrall

The slaves of tyranny or ignorance?

Stung by fierce tongues himself, whose rightful fame

Hath he reviled? Upon what noble name

Did the winged arrows of that barbed wit glance?

The years’ thick, clinging curtains backward pull,

And show him as he is, crowned with bright beams,

“Beauteous, and yet not all as beautiful

As he hath been or might be; Sorrow seems

Half of his immortality.” He needs

No monument whose name and song and deeds

Are graven in all foreign hearts; but she,

His mother, England, slow and last to wake,

Needs raise the votive shaft for her fame’s sake:

Hers is the shame if such forgotten be!