| |
| I WALK down the garden paths, | |
| And all the daffodils | |
| Are blowing, and the bright blue squills. | |
| I walk down the patterned garden paths | |
| In my stiff, brocaded gown. | 5 |
| With my powdered hair and jewelled fan, | |
| I too am a rare | |
| Pattern. As I wander down | |
| The garden paths. | |
| |
| My dress is richly figured, | 10 |
| And the train | |
| Makes a pink and silver stain | |
| On the gravel, and the thrift | |
| Of the borders. | |
| Just a plate of current fashion, | 15 |
| Tripping by in high-heeled, ribboned shoes. | |
| Not a softness anywhere about me, | |
| Only a whale-bone and brocade. | |
| And I sink on a seat in the shade | |
| Of a lime tree. For my passion | 20 |
| Wars against the stiff brocade. | |
| The daffodils and squills | |
| Flutter in the breeze | |
| As they please. | |
| And I weep; | 25 |
| For the lime tree is in blossom | |
| And one small flower has dropped upon my bosom. | |
| |
| And the splashing of waterdrops | |
| In the marble fountain | |
| Comes down the garden paths. | 30 |
| The dripping never stops. | |
| Underneath my stiffened gown | |
| Is the softness of a woman bathing in a marble basin, | |
| A basin in the midst of hedges grown | |
| So thick, she cannot see her lover hiding, | 35 |
| But she guesses he is near, | |
| And the sliding of the water | |
| Seems the stroking of a dear | |
| Hand upon her. | |
| What is Summer in a fine brocaded gown! | 40 |
| I should like to see it lying in a heap upon the ground. | |
| All the pink and silver crumpled up upon the ground. | |
| |
| I would be the pink and silver as I ran along the paths, | |
| And he would stumble after, | |
| Bewildered by my laughter. | 45 |
| I should see the sun flashing from his sword hilt and the buckles on his shoes. | |
| I would choose | |
| To lead him in a maze along the patterned paths, | |
| A bright and laughing maze for my heavy-booted lover, | |
| Till he caught me in the shade, | 50 |
| And the buttons of his waistcoat bruised my body as he clasped me, | |
| Aching, melting, unafraid. | |
| With the shadows of the leaves and the sundrops, | |
| And the plopping of the waterdrops, | |
| All about us in the open afternoon | 55 |
| I am very like to swoon | |
| With the weight of this brocade, | |
| For the sun sifts through the shade. | |
| Underneath the fallen blossom | |
| In my bosom, | 60 |
| Is a letter I have hid. | |
| It was brought to me this morning by a rider from the Duke. | |
| Madam, we regret to inform you that Lord Hartwell | |
| Died in action Thursday sennight. | |
| As I read it in the white morning sunlight. | 65 |
| The letters squirmed like snakes. | |
| Any answer, Madam, said my footman. | |
| No, I told him. | |
| See that the messenger takes some refreshment. | |
| No, no answer. | 70 |
| And I walked into the garden, | |
| Up and down the patterned paths, | |
| In my stiff, correct brocade. | |
| The blue and yellow flowers stood up proudly in the sun, | |
| Each one. | 75 |
| I stood upright too, | |
| Held rigid to the pattern | |
| By the stiffness of my gown. | |
| Up and down I walked, | |
| Up and down. | 80 |
| |
| In a month be would have been my husband, | |
| In a month, here, underneath this lime, | |
| We would have broke the pattern; | |
| He for me, and I for him, | |
| He as Colonel, I as lady, | 85 |
| On this shady seat. | |
| He had a whim | |
| That sunlight carried blessing. | |
| And I answered, It shall be as you have said. | |
| Now he is dead. | 90 |
| In Summer and in Winter I shall walk | |
| Up and down | |
| The patterned garden paths | |
| In my stiff, brocaded gown. | |
| The squills and the daffodils | 95 |
| Will give place to pillared roses, and to asters, and to snow. | |
| |
| I shall go | |
| Up and down, | |
| In my gown. | |
| Gorgeously arrayed, | 100 |
| Boned and stayed. | |
| And the softness of my body will be guarded from embrace | |
| By each button, hook and lace. | |
| For the man who should loose me is dead, | |
| Fighting with the Duke in Flanders, | 105 |
| In a pattern called a war. | |
| Christ! What are patterns for? | |
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