| Alfred H. Miles, ed. Women Poets of the Nineteenth Century. 1907. | | | Preludes (1875) V. To the Belovèd Dead | | By Alice Meynell (18471922) |
| | A Lament BELOVÈD, thou art like a tune that idle fingers | |
| Play on a window-pane. | |
| The time is there, the form of music lingers; | |
| But O thou sweetest strain, | |
| Where is thy soul? Thou liest i the wind and rain. | 5 |
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| Even as to him who plays that idle air, | |
| It seems a melody, | |
| For his own soul is full of it, so, my Fair, | |
| Dead, thou dost live in me, | |
| And all this lonely soul is full of thee. | 10 |
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| Thou song of songs!not music as before | |
| Unto the outward ear; | |
| My spirit sings thee inly evermore, | |
| Thy falls with tear on tear. | |
| I fail for thee, thou art too sweet, too dear. | 15 |
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| Thou silent song, thou ever voiceless rhyme, | |
| Is there no pulse to move thee, | |
| At windy dawn, with a wild heart beating time, | |
| And falling tears above thee, | |
| O music stifled from the ears that love thee? | 20 |
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| Oh, for a strain of thee from outer air! | |
| Soul wearies soul, I find. | |
| Of thee, thee, thee, I am mournfully aware, | |
| Contained in one poor mind, | |
| Who wert in tune and time to every wind. | 25 |
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| Poor grave, poor lost belovèd! but I burn | |
| For some more vast To be. | |
| As he that played that bootless tune may turn | |
| And strike it on a lyre triumphantly, | |
| I wait some future, all one lyre for thee. | 30 | | | |
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