Harriet Monroe, ed. (1860–1936). Poetry: A Magazine of Verse. 1912–22.
Chronological Index
| Volume I. No. 1. October, 1912 | ||
| Poetry by Arthur Davison Ficke | ||
| I Am the Woman by William Vaughan Moody | ||
| To Whistler, American by Ezra Pound | ||
| Middle-Aged by Ezra Pound | ||
| Fish of the Flood by Emilia Stuart Lorimer | ||
| To One Unknown by Helen Dudley | ||
| Symphony of a Mexican Garden by Grace Hazard Conkling | ||
| The Piper by Joseph Campbell | ||
| Volume I. No. 2. November, 1912 | ||
| Beyond the Stars by Charles Hanson Towne | ||
| Choricos by Richard Aldington | ||
| To a Greek Marble by Richard Aldington | ||
| Au Vieux Jardin by Richard Aldington | ||
| Under Two Windows by Mrs. Schuyler Van Rensselaer | ||
| The Singing Place by Lily A. Long | ||
| Immured by Lily A. Long | ||
| Nogi by Harriet Monroe | ||
| The Jester by Margaret Widdemer | ||
| The Beggars by Margaret Widdemer | ||
| Volume I. No. 3. December, 1912 | ||
| The Mountain Tomb by William Butler Yeats | ||
| To a Child Dancing upon the Shore by William Butler Yeats | ||
| Fallen Majesty by William Butler Yeats | ||
| Love and the Bird by William Butler Yeats | ||
| The Realists by William Butler Yeats | ||
| Sangar by John Reed | ||
| A Legend of the Dove by George Sterling | ||
| At the Grand Cañon by George Sterling | ||
| Kindred by George Sterling | ||
| Remembered Light by Clark Ashton Smith | ||
| Sorrowing of Winds by Clark Ashton Smith | ||
| America by Alice Corbin | ||
| Symbols by Alice Corbin | ||
| The Star by Alice Corbin | ||
| Nodes by Alice Corbin | ||
| Poems by Rabindranath Tagore | ||
| Volume I. No. 4. January, 1913 | ||
| General William Booth Enters into Heaven by Vachel Lindsay | ||
| Waste Land by Madison Cawein | ||
| My Lady of the Beeches by Madison Cawein | ||
| The Wayfarers by Anita Fitch | ||
| Les Cruels Amoureux by Anita Fitch | ||
| Love-Songs of the Open Road by Kendall Banning | ||
| Sympathy by Edith Wyatt | ||
| A Song of Happiness by Ernest Rhys | ||
| Helen Is Ill by Roscoe W. Brink | ||
| Hermes of the Ways by H. D. | ||
| Priapus by H. D. | ||
| Epigram by H. D. | ||
| Volume I. No. 5. February, 1913 | ||
| Swinburne, an Elegy by Arthur Davison Ficke | ||
| To a Child Twenty Years Hence by Arthur Davison Ficke | ||
| Portrait of an Old Woman by Arthur Davison Ficke | ||
| The Three Sisters by Arthur Davison Ficke | ||
| Among Shadows by Arthur Davison Ficke | ||
| A Watteau Melody by Arthur Davison Ficke | ||
| Apollo Troubadour by Witter Bynner | ||
| One of the Crowd by Witter Bynner | ||
| Neighbors by Witter Bynner | ||
| The Hills of San Jose by Witter Bynner | ||
| Grieve Not for Beauty by Witter Bynner | ||
| The Mystic by Witter Bynner | ||
| Passing Near by Witter Bynner | ||
| Volume I. No. 6. March, 1913 | ||
| The Silent House by Agnes Lee | ||
| The Oracle by Edmund Kemper Broadus | ||
| A Gargoyle on Notre Dame by Edmund Kemper Broadus | ||
| Santa Barbara Beach by Ridgely Torrence | ||
| Maternity by Alice Meynell | ||
| Profits by Fannie Stearns Davis | ||
| Two Songs of Conn the Fool by Fannie Stearns Davis | ||
| Storm Dance by Fannie Stearns Davis | ||
| Dirge for a Dead Admiral by Samuel McCoy | ||
| Spring-Song by Samuel McCoy | ||
| A Sweetheart: Thompson Street by Samuel McCoy | ||
| The Off-Shore Wind by Samuel McCoy | ||
| “The Hill-Flowers” by Alfred Noyes | ||
| Volume II. No. 1. April, 1913 | ||
| Tenzone by Ezra Pound | ||
| The Condolence by Ezra Pound | ||
| The Garret by Ezra Pound | ||
| The Garden by Ezra Pound | ||
| Ortus by Ezra Pound | ||
| Dance Figure by Ezra Pound | ||
| Salutation by Ezra Pound | ||
| Salutation the Second by Ezra Pound | ||
| Pax Saturni by Ezra Pound | ||
| Commission by Ezra Pound | ||
| A Pact by Ezra Pound | ||
| In a Station of the Metro by Ezra Pound | ||
| Mother Earth by Harriet Monroe | ||
| The Grey Rock by William Butler Yeats | ||
| Volume II. No. 2. May, 1913 | ||
| The Death of Agrippina by John G. Neihardt | ||
| Volume II. No. 3. June, 1913 | ||
| Poems by Rabindranath Tagore | ||
| To My Friend by Francis Thompson | ||
| Peace on Earth by William Carlos Williams | ||
| Sicilian Emigrant’s Song by William Carlos Williams | ||
| Postlude by William Carlos Williams | ||
| Proof of Immortality by William Carlos Williams | ||
| Contrast by Harrison S. Morris | ||
| The Wife by Helen Cowles Le Cron | ||
| Bird of Passion by Rollo Britten | ||
| Simaetha by Frederic Manning | ||
| At Even by Frederic Manning | ||
| From Demeter by Frederic Manning | ||
| Volume II. No. 4. July, 1913 | ||
| The Moon is a Mirror—Twelve Poems by Vachel Lindsay | ||
| Partings by Elizabeth Gibson Cheyne | ||
| A Very Old Song by William Laird | ||
| Stone Walls by Mary Eastwood Knevels | ||
| Rocks by Mary Eastwood Knevels | ||
| An Impression by Richard Burton | ||
| Song of Earth’s Meaning by Richard Burton | ||
| Apology by Amy Lowell | ||
| A Blockhead by Amy Lowell | ||
| Four Poems in Unrhymed Cadence by F. S. Flint | ||
| Volume II. No. 5. August, 1913 | ||
| A Woman at Dusk by Arthur Stringer | ||
| Ellis Park by Helen Hoyt | ||
| Trees by Joyce Kilmer | ||
| O Drimin Dhu Deelish by Alfred Perceval Graves | ||
| The Sea Singer by Alfred Perceval Graves | ||
| Triumph of the Singer by John Hall Wheelock | ||
| The Thunder-shower by John Hall Wheelock | ||
| Song by John Hall Wheelock | ||
| I Heard a Flute by Ruth Gaines | ||
| Teresina’s Face by Margaret Widdemer | ||
| Gloire by Charles Vildrac | ||
| Poems in Prose and Verse by Skipwith Cannéll | ||
| Volume II. No. 6. September, 1913 | ||
| Scented Leaves—From a Chinese Jar by Allen Upward | ||
| The Idol by Tudor Jenks | ||
| Farmer’s Blood by Winifred Webb | ||
| The Heartening by Winifred Webb | ||
| Contentment by Winifred Webb | ||
| Quest by Winifred Webb | ||
| The Hunting-song of Them That Did Not Hunt by Ernest Rhys | ||
| Dagonet’s Canzonet by Ernest Rhys | ||
| Swan Creek by Williston Fish | ||
| Song of the Mechanics by George W. Priest | ||
| Dancing to a Chewink’s Song by Francis Buzzell | ||
| Volume III. No. 1. October, 1913 | ||
| The Two Kings by William Butler Yeats | ||
| Indian Summer by William Ellery Leonard | ||
| To a Mocking Bird by Owen F. Aldis | ||
| Sea and Land by Herbert J. Hall | ||
| An Aeroplane at Stonehenge by Edmund Kemper Broadus | ||
| To Thee by Clara Shanafelt | ||
| Caprice by Clara Shanafelt | ||
| The Old Home by Madison Cawein | ||
| Wander Song by Alfred Hitch | ||
| Alone by Alfred Hitch | ||
| Quatrains by Alfred Hitch | ||
| The Desert by Alfred Hitch | ||
| Volume III. No. 2. November, 1913 | ||
| Magic by Hamlin Garland | ||
| A Gray Sunset by Hamlin Garland | ||
| To a Captive Crane by Hamlin Garland | ||
| The Mountains Are a Lonely Folk by Hamlin Garland | ||
| The Coming of Hippolytus by Margaret Sackville | ||
| The Procession by M. D. Armstrong | ||
| The Irish Fairies by Joseph Campbell | ||
| The Puca by Joseph Campbell | ||
| “Passe Rosa” by Louise Driscoll | ||
| Ancora by Ezra Pound | ||
| Surgit Fama by Ezra Pound | ||
| The Choice by Ezra Pound | ||
| April by Ezra Pound | ||
| Gentildonna by Ezra Pound | ||
| Lustra by Ezra Pound | ||
| Xenia by Ezra Pound | ||
| Volume III. No. 3. December, 1913 | ||
| Temple of Gold by Rabindranath Tagore | ||
| The Price by Rabindranath Tagore | ||
| Union by Rabindranath Tagore | ||
| The Gift by Rabindranath Tagore | ||
| The Tryst by Rabindranath Tagore | ||
| Vision by Alice Brown | ||
| Our Lady of Idleness by Florence Wilkinson | ||
| Irradiations by John Gould Fletcher | ||
| The Foundling Hospital by Rosalie Jonas | ||
| The Malay to His Master by Cale Young Rice | ||
| The Sharing by Agnes Lee | ||
| Volume III. No. 4. January, 1914 | ||
| Green by D. H. Lawrence | ||
| All of Roses by D. H. Lawrence | ||
| Fireflies in the Corn by D. H. Lawrence | ||
| A Woman and Her Dead Husband by D. H. Lawrence | ||
| The Wind, the Rascal by D. H. Lawrence | ||
| The Mother of Sons by D. H. Lawrence | ||
| Illicit by D. H. Lawrence | ||
| Birthday by D. H. Lawrence | ||
| A Day for Wandering by Clinton Scollard | ||
| Heart’s Holiday by Grace Fallow Norton | ||
| Iolé by Grace Fallow Norton | ||
| Oh Hush, My Heart! by Grace Fallow Norton | ||
| Allegra Agonistes by Grace Fallow Norton | ||
| To a Friend by Minor Watson | ||
| The Rose by John Cournos | ||
| “I have drifted along this river” by Richard Aldington | ||
| Lesbia by Richard Aldington | ||
| Argyria by Richard Aldington | ||
| The Poplar by Richard Aldington | ||
| Glaucopis by Richard Aldington | ||
| Volume III. No. 5. February, 1914 | ||
| Our Canal by Harriet Monroe | ||
| Love Songs by Harriet Monroe | ||
| Lullaby by Harriet Monroe | ||
| The Inner Silence by Harriet Monroe | ||
| Now by Harriet Monroe | ||
| Hermonax by H. D. | ||
| Acon by H. D. | ||
| The Code—Heroics by Robert Frost | ||
| Songs of Deliverance by Orrick Johns | ||
| Volume III. No. 6. March, 1914 | ||
| Chicago by Carl Sandburg | ||
| Jan Kubelik by Carl Sandburg | ||
| The Harbor by Carl Sandburg | ||
| The Hammer by Carl Sandburg | ||
| At a Window by Carl Sandburg | ||
| Lost by Carl Sandburg | ||
| Who Am I? by Carl Sandburg | ||
| Momus by Carl Sandburg | ||
| The Road and the End by Carl Sandburg | ||
| Old Love and New by Sara Teasdale | ||
| Over the Roofs by Sara Teasdale | ||
| Debt by Sara Teasdale | ||
| September Midnight by Sara Teasdale | ||
| Who Loves the Rain by Frances Shaw | ||
| The Child’s Quest by Frances Shaw | ||
| Cologne Cathedral by Frances Shaw | ||
| Skeletons by Frances Shaw | ||
| Star Thought by Frances Shaw | ||
| Little Pagan Rain Song by Frances Shaw | ||
| Eros Turannos by Edwin Arlington Robinson | ||
| Three Irish Spinning Songs by Padraic Colum | ||
| The Sea Bird to the Wave by Padraic Colum | ||
| Volume IV. No. 1. April, 1914 | ||
| The Cyclists by Amy Lowell | ||
| The Foreigner by Amy Lowell | ||
| A Lady by Amy Lowell | ||
| Music by Amy Lowell | ||
| The Bungler by Amy Lowell | ||
| Anticipation by Amy Lowell | ||
| A Gift by Amy Lowell | ||
| The Forsaken by Amy Lowell | ||
| Aladdin and the Jinn by Vachel Lindsay | ||
| Easter by Joyce Kilmer | ||
| The Night Sky by John Reed | ||
| Lyra Vernalis by Arthur Johnson | ||
| The House of Takumi by A. J. Russell | ||
| To Celia by Witter Bynner | ||
| Volume IV. No. 2. May, 1914 | ||
| Nishikigi by Ernest Fenollosa | ||
| The Rainbird by Bliss Carman | ||
| Ikons by Skipwith Cannéll | ||
| The Blind Man by Skipwith Cannéll | ||
| The Dwarf Speaks by Skipwith Cannéll | ||
| Epilogue to the Crows by Skipwith Cannéll | ||
| To a Friend Whose Work Has Come to Nothing by William Butler Yeats | ||
| Paudeen by William Butler Yeats | ||
| To a Shade by William Butler Yeats | ||
| When Helen Lived by William Butler Yeats | ||
| Beggar to Beggar Cried by William Butler Yeats | ||
| The Witch by William Butler Yeats | ||
| The Peacock by William Butler Yeats | ||
| Running to Paradise by William Butler Yeats | ||
| The Player Queen by William Butler Yeats | ||
| To a Child Dancing in the Wind by William Butler Yeats | ||
| The Magi by William Butler Yeats | ||
| A Coat by William Butler Yeats | ||
| Volume IV. No. 3. June, 1914 | ||
| On Heaven by Ford Madox Hueffer | ||
| Iron by Carl Sandburg | ||
| The Falconer of God by William Rose Benét | ||
| To the Mexican Nightingale by Grace Hazard Conkling | ||
| Ave Venezia by Grace Hazard Conkling | ||
| “I Will Not Give Thee All My Heart” by Grace Hazard Conkling | ||
| The Little Town by Grace Hazard Conkling | ||
| The Tram by Wilfrid Wilson Gibson | ||
| On Hampstead Heath by Wilfrid Wilson Gibson | ||
| A Catch for Singing by Wilfrid Wilson Gibson | ||
| Volume IV. No. 4. July, 1914 | ||
| The Firemen’s Ball by Vachel Lindsay | ||
| The Santa Fé Trail—A Humoresque by Vachel Lindsay | ||
| The Black Hawk War of the Artists by Vachel Lindsay | ||
| From a Club Window by Richard Butler Glaenzer | ||
| Rodin by Richard Butler Glaenzer | ||
| Star-Magic by Richard Butler Glaenzer | ||
| Sitting Blind by the Sea by Ruth McEnery Stuart | ||
| We Want Land by Maurice Aisen, trans. | ||
| Peasant Love Songs by Maurice Aisen, trans. | ||
| The Conscript by Maurice Aisen, trans. | ||
| Volume IV. No. 5. August, 1914 | ||
| Tò Kalón by Ezra Pound | ||
| The Study in Aesthetics by Ezra Pound | ||
| The Bellaires by Ezra Pound | ||
| Salvationists by Ezra Pound | ||
| Amitiés by Ezra Pound | ||
| Ladies by Ezra Pound | ||
| The Seeing Eye by Ezra Pound | ||
| Abu Salammamm—A Song of Empire by Ezra Pound | ||
| The Coal Picker by Amy Lowell | ||
| The Bubbling Fountain by Helen Hoyt | ||
| The Dance before the Arch by Allan Updegraff | ||
| Song by Helen Dudley | ||
| The Interne by Maxwell Bodenheim | ||
| The Old Jew by Maxwell Bodenheim | ||
| The Miner by Maxwell Bodenheim | ||
| To an Enemy by Maxwell Bodenheim | ||
| To a Discarded Steel Rail by Maxwell Bodenheim | ||
| The Waste Places by James Stephens | ||
| Hawks by James Stephens | ||
| The Liar by James Stephens | ||
| Dark Wings by James Stephens | ||
| Volume IV. No. 6. September, 1914 | ||
| The Prayer by Skipwith Cannéll | ||
| The Red Bridge by Skipwith Cannéll | ||
| The King by Skipwith Cannéll | ||
| The Blue Symphony by John Gould Fletcher | ||
| The Seringa by John Alford | ||
| Calle Memo O Loredan by Douglas Goldring | ||
| Hill House by Douglas Goldring | ||
| Traümerei at Ostendorff’s by William Laird | ||
| Ascription by William Laird | ||
| The Steam Shovel by Eunice Tietjens | ||
| The Ocean Liner by Harriet Monroe | ||
| A Garden in the Desert by Harriet Monroe | ||
| The Giant Cactus of Arizona by Harriet Monroe | ||
| In the Louvre by Harriet Monroe | ||
| The Tower by Harriet Monroe | ||
| The Childless Woman by Harriet Monroe | ||
| The Wonder of It by Harriet Monroe | ||
| Volume V. No. 1. October, 1914 | ||
| The Chief’s Prayer after the Salmon Catch by Constance Lindsay Skinner | ||
| Song of the Search by Constance Lindsay Skinner | ||
| Song of the Conqueror of Women by Constance Lindsay Skinner | ||
| Song of the Full Catch by Constance Lindsay Skinner | ||
| The Change-song by Constance Lindsay Skinner | ||
| Song of the Little Son by Constance Lindsay Skinner | ||
| Song of Whip-plaiting by Constance Lindsay Skinner | ||
| Song of the Young Mother by Constance Lindsay Skinner | ||
| No Answer Is Given by Constance Lindsay Skinner | ||
| In the Laboratory by Thomas Wood Stevens | ||
| To J. L. by Florence Kiper Frank | ||
| A Girl Strike-leader by Florence Kiper Frank | ||
| City of Huge Buildings by Florence Kiper Frank | ||
| On the Jail Steps by Agnes Lee | ||
| A Statue in a Garden by Agnes Lee | ||
| Retrospect by Rupert Brooke | ||
| Volume V. No. 2. November, 1914 | ||
| The Metal Checks by Louise Driscoll | ||
| Chant of the Shroud Maker by Marian Ramié | ||
| If War Is Right by Parke Farley | ||
| The Hero by John Russell McCarthy | ||
| The Bombardment by Amy Lowell | ||
| Among the Red Guns by Carl Sandburg | ||
| The Camp Follower by Maxwell Bodenheim | ||
| The Jewish Conscript by Florence Kiper Frank | ||
| Whence Comes the Stranger by Joseph Campbell | ||
| Phases by Wallace Stevens | ||
| Fallen by Alice Corbin | ||
| The Wakened God by Margaret Widdemer | ||
| Unser Gott by Karle Wilson Baker | ||
| War Yawp by Richard Aldington | ||
| Volume V. No. 3. December, 1914 | ||
| O World by Alice Corbin | ||
| Humoresque by Alice Corbin | ||
| Two Voices by Alice Corbin | ||
| Love Me at Last by Alice Corbin | ||
| Grief by D. H. Lawrence | ||
| Memories by D. H. Lawrence | ||
| Weariness by D. H. Lawrence | ||
| Service of All the Dead by D. H. Lawrence | ||
| Don Juan by D. H. Lawrence | ||
| Song by D. H. Lawrence | ||
| My Sorrow by Seumas O’Sullivan | ||
| Splendid and Terrible by Seumas O’Sullivan | ||
| The Others by Seumas O’Sullivan | ||
| Christmas at Saint Luke’s Hospital by Eunice Tietjens | ||
| Charwomen by Philip Becker Goetz | ||
| I Walked in the Open by Francis Howard Williams | ||
| After the Martyrdom by Scharmel Iris | ||
| Lament by Scharmel Iris | ||
| The Mad Woman by Scharmel Iris | ||
| Early Nightfall by Scharmel Iris | ||
| The Treasure Drawer by Antoinette De Coursey Patterson | ||
| London Night by John Rodker | ||
| Volume V. No. 4. January, 1915 | ||
| The Troubadour by Madison Cawein | ||
| Clover by Edith Wyatt | ||
| April Weather by Edith Wyatt | ||
| Summer Hail by Edith Wyatt | ||
| To F. W. by Edith Wyatt | ||
| On the Great Plateau by Edith Wyatt | ||
| Annie Shore and Johnnie Doon by Patrick Orr | ||
| In the Mohave by Patrick Orr | ||
| The Lost Kingdom by Ethel Talbot Scheffauer | ||
| Conquered by Zoë Akins | ||
| The Wanderer by Zoë Akins | ||
| Epigrammes by Remy de Gourmont | ||
| Pageant by Frances Gregg | ||
| To H. D. by Frances Gregg | ||
| Qualche Cosa Veduta by Hall Roffey | ||
| The Musicmaker’s Child by Miriam Allen de Ford | ||
| Modern Music by Alice Ormond Campbell | ||
| The Temple by Lee Wilson Dodd | ||
| Only Not to Be Too Early Old by Lee Wilson Dodd | ||
| The Comrade by Lee Wilson Dodd | ||
| Volume V. No. 5. February, 1915 | ||
| The Chinese Nightingale by Vachel Lindsay | ||
| Silence by Edgar Lee Masters | ||
| The Idler by Victor Starbuck | ||
| The Poet by Victor Starbuck | ||
| The Fisher Lad by Francis Buzzell | ||
| A Lost Friend by Margaret Widdemer | ||
| The Net by Margaret Widdemer | ||
| The Singer at the Gate by Margaret Widdemer | ||
| The Last Song of Bilitis by Margaret Widdemer | ||
| A Call in Hell by Violet Hunt | ||
| Dancers by Richard Aldington | ||
| Interlude by Richard Aldington | ||
| Sister of the Rose by Orrick Johns | ||
| The Rain by Orrick Johns | ||
| The Haunt by Orrick Johns | ||
| Volume V. No. 6. March, 1915 | ||
| Provincia Deserta by Ezra Pound | ||
| Image from D’Orleans by Ezra Pound | ||
| The Spring by Ezra Pound | ||
| The Coming of War: Actaeon by Ezra Pound | ||
| The Gipsy by Ezra Pound | ||
| Dogmatic Statement Concerning the Game of Chess: Theme for a Series of Pictures by Ezra Pound | ||
| Exile’s Letter by Ezra Pound, trans. | ||
| Liadain to Curithir by Moireen Fox | ||
| The Wind Sleepers by H. D. | ||
| Storm by H. D. | ||
| The Pool by H. D. | ||
| The Garden by H. D. | ||
| Moonrise by H. D. | ||
| In an Old Logging-house by Fannie Stearns Davis | ||
| Tonight by Fannie Stearns Davis | ||
| The Bacchante to Her Babe by Eunice Tietjens | ||
| I Am Weary of Being Bitter by Arthur Davison Ficke | ||
| The Birdcage by Arthur Davison Ficke | ||
| Don Giovanni by Arthur Davison Ficke | ||
| Like Him Whose Spirit by Arthur Davison Ficke | ||
| Snowtime by Arthur Davison Ficke | ||
| Meeting by Arthur Davison Ficke | ||
| Volume VI. No. 1. April, 1915 | ||
| Passages from a Poem: The New World by Witter Bynner | ||
| Venus Transiens by Amy Lowell | ||
| Solitaire by Amy Lowell | ||
| Red Slippers by Amy Lowell | ||
| Our Daily Bread by Rita Benton | ||
| Heartily Know by E. Preston Dargan | ||
| Erect by E. Preston Dargan | ||
| For a Map of Mars by E. Preston Dargan | ||
| On First Looking into the Manuscript of Endymion by Charles Hanson Towne | ||
| Peace by Rupert Brooke | ||
| The Dead by Rupert Brooke | ||
| The Soldier by Rupert Brooke | ||
| The Bird and the Tree by Ridgely Torrence | ||
| The Wayfarer by Padraic Colum | ||
| In the Orchestra by Wilfrid Wilson Gibson | ||
| Volume VI. No. 2. May, 1915 | ||
| Rue Bonaparte by Joseph Warren Beach | ||
| The View at Gunderson’s by Joseph Warren Beach | ||
| The Masseur by Joseph Warren Beach | ||
| The Point of View by Joseph Warren Beach | ||
| Jenny’s Dancing by Joseph Warren Beach | ||
| Cave Talk by Joseph Warren Beach | ||
| The Shadow by William Carlos Williams | ||
| Metric Figure by William Carlos Williams | ||
| Sub Terra by William Carlos Williams | ||
| Slow Movement by William Carlos Williams | ||
| A Confidence by William Carlos Williams | ||
| Apologia by Floyd Dell | ||
| Invocation by Clara Shanafelt | ||
| A Vivid Girl by Clara Shanafelt | ||
| Provincial by Clara Shanafelt | ||
| That Harp You Play So Well by Marianne Moore | ||
| To an Intra-mural Rat by Marianne Moore | ||
| Counseil to a Bachelor by Marianne Moore | ||
| Apellate Jurisdiction by Marianne Moore | ||
| The Wizard in Words by Marianne Moore | ||
| Creative by Horace Holley | ||
| Twilight at Versailles by Horace Holley | ||
| Lovers by Horace Holley | ||
| A Spring Song by Mabel D. Carry | ||
| The Lilacs by Louise Driscoll | ||
| A Village Church by Louise Driscoll | ||
| The World Cry by Mary Aldis | ||
| Nightfall by Maurice Browne | ||
| Voyages by Douglas Goldring | ||
| Volume VI. No. 3. June, 1915 | ||
| The Syrian Lover in Exile Remembers Thee, Light of My Land by Ajan Syrian | ||
| Alma Mater by Ajan Syrian | ||
| After Vespers by Ajan Syrian | ||
| To Rupert Brooke by Arthur Davison Ficke | ||
| Lord of Morning by Bliss Carman | ||
| Noon by Bliss Carman | ||
| La Rue de la Montagne Sainte-Gèneviève by Dorothy Dudley | ||
| The Walk on the Moor by Georgia Wood Pangborn | ||
| Morning on the Beach by Georgia Wood Pangborn | ||
| Hadleyburg by William Griffith | ||
| Little Songs of the Forest by William Griffith | ||
| The Crown, the Plate and the Bowl by Skipwith Cannéll | ||
| The Temple of Hunger by Skipwith Cannéll | ||
| A Riddle by Skipwith Cannéll | ||
| The Lean Gray Rats by Skipwith Cannéll | ||
| The Love Song of J. Alfred Prufrock by T. S. Eliot | ||
| Volume VI. No. 4. July, 1915 | ||
| Polonius and the Ballad Singers by Padraic Colum | ||
| The Ragpicker by Frances Shaw | ||
| The Beckoning Moon by Frances Shaw | ||
| The City Lights from a Skyscraper by Frances Shaw | ||
| The Harp of the Wind by Frances Shaw | ||
| The Organ Angels by Frances Shaw | ||
| Silent Ones by Frances Shaw | ||
| Three Voices by Frances Shaw | ||
| O Brother Tree by Max Michelson | ||
| The Bird by Max Michelson | ||
| Haunted Reaping by Leyland Huckfield | ||
| The Muse in Church by Leyland Huckfield | ||
| The Return by Louise Ayres Garnett | ||
| Ecce Mysterium by Rebecca Park Lawrence | ||
| Fire of Snow by Clark Ashton Smith | ||
| In the Wind by Clark Ashton Smith | ||
| Cotton Fields by Madeline Yale Wynne | ||
| Early Morning at Bargis by Hermann Hagedorn | ||
| The Old South by John Gould Fletcher | ||
| New York by John Gould Fletcher | ||
| Volume VI. No. 5. August, 1915 | ||
| The Water Ouzel by Harriet Monroe | ||
| The Pine at Timber-line by Harriet Monroe | ||
| A Lady of the Snows by Harriet Monroe | ||
| On the Porch by Harriet Monroe | ||
| Mountain Song by Harriet Monroe | ||
| Post Annos by James Branch Cabell | ||
| The Apple-tree by Nancy Campbell | ||
| The Monkey by Nancy Campbell | ||
| The Waterfall by Ellwood Colahan | ||
| The Summer Sea by Nathan Haskell Dole | ||
| The Crag by Louise Mallinkrodt Kueffner | ||
| Annunciation by Helen Hoyt | ||
| The New-born by Helen Hoyt | ||
| Rain at Night by Helen Hoyt | ||
| Since I Have Felt the Sense of Death by Helen Hoyt | ||
| Action Poem by Helen Hoyt | ||
| The City by Max Endicoff | ||
| On a Window Display in a Western City by William Rose Benét | ||
| Death and the Aviator by Wanda Petrunkevitch | ||
| Inconsistency by Wanda Petrunkevitch | ||
| One Listens by Louise Adèle Carter | ||
| The Going by Wilfrid Wilson Gibson | ||
| The Joke by Wilfrid Wilson Gibson | ||
| Nightmare by Wilfrid Wilson Gibson | ||
| In the Ambulance by Wilfrid Wilson Gibson | ||
| Hit by Wilfrid Wilson Gibson | ||
| The Housewife by Wilfrid Wilson Gibson | ||
| Hill-born by Wilfrid Wilson Gibson | ||
| The Fear by Wilfrid Wilson Gibson | ||
| Back by Wilfrid Wilson Gibson | ||
| Volume VI. No. 6. September, 1915 | ||
| Lead Soldiers by Amy Lowell | ||
| Vernal Equinox by Amy Lowell | ||
| Fenway Park by Amy Lowell | ||
| May Evening in Central Park by Amy Lowell | ||
| Aliens by Amy Lowell | ||
| Strain by Amy Lowell | ||
| The Painter on Silk by Amy Lowell | ||
| Fatherland by Hermann Hagedorn | ||
| Aglavaine by Lewis Worthington Smith | ||
| Driftwood by Lewis Worthington Smith | ||
| A Poet to His Poems by Elizabeth Gibson Cheyne | ||
| Three Guests by Agnes Lee | ||
| At Dawn by Agnes Lee | ||
| Long Distance Line by Agnes Lee | ||
| Discordants by Conrad Aiken | ||
| Bokardo by Edwin Arlington Robinson | ||
| Volume VII. No. 1. October, 1915 | ||
| Sketch by Carl Sandburg | ||
| Nocturne in a Deserted Brickyard by Carl Sandburg | ||
| Alone by Carl Sandburg | ||
| Monotone by Carl Sandburg | ||
| Under the Harvest Moon by Carl Sandburg | ||
| Joy by Carl Sandburg | ||
| The Great Hunt by Carl Sandburg | ||
| Days by Carl Sandburg | ||
| Handfuls by Carl Sandburg | ||
| They Will Say by Carl Sandburg | ||
| A Fence by Carl Sandburg | ||
| The Poor by Carl Sandburg | ||
| Killers by Carl Sandburg | ||
| Choose by Carl Sandburg | ||
| Kin by Carl Sandburg | ||
| Places by Carl Sandburg | ||
| Our Prayer of Thanks by Carl Sandburg | ||
| Leaves by Sara Teasdale | ||
| Morning by Sara Teasdale | ||
| The Answer by Sara Teasdale | ||
| Pictures by Wilton Agnew Barrett | ||
| A New England Church by Wilton Agnew Barrett | ||
| The Scarlet Thread by Charles Hamilton Musgrove | ||
| Mirella Dances by Lee Wilson Dodd | ||
| The Boston Evening Transcript by T. S. Eliot | ||
| Aunt Helen by T. S. Eliot | ||
| Cousin Nancy by T. S. Eliot | ||
| Images by Richard Aldington | ||
| Old Ruthenian Folk-song by Florence Randal Livesay | ||
| Song of the Cossack by Florence Randal Livesay | ||
| Where Luck Lies by Florence Randal Livesay | ||
| The Lover—In Strawberry Time by Florence Randal Livesay | ||
| The Day before the Wedding by Florence Randal Livesay | ||
| Volume VII. No. 2. November, 1915 | ||
| The Conversation by Edgar Lee Masters | ||
| Arabel by Edgar Lee Masters | ||
| November in the Park by Dorothy Dudley | ||
| Songs for a Violin by Glenn Ward Dresbach | ||
| Refugees by Grace Hazard Conkling | ||
| “The Little Rose Is Dust, My Dear” by Grace Hazard Conkling | ||
| War by Catherine Wells | ||
| A Man to a Dead Woman by Maxwell Bodenheim | ||
| The Crucifixion by Maxwell Bodenheim | ||
| Thoughts While Walking by Maxwell Bodenheim | ||
| Streets by Maxwell Bodenheim | ||
| The Steam-shovel by Maxwell Bodenheim | ||
| Alone by John Hall Wheelock | ||
| Song at Night by John Hall Wheelock | ||
| Beethoven by John Hall Wheelock | ||
| The Housemother by Karle Wilson Baker | ||
| The Charwoman by Marguerite Wilkinson | ||
| Birth by Marguerite Wilkinson | ||
| November Sun by J. C. Chadwick | ||
| Sunday Morning by Wallace Stevens | ||
| Volume VII. No. 3. December, 1915 | ||
| Near Perigord by Ezra Pound | ||
| Villanelle: The Psychological Hour by Ezra Pound | ||
| Sunrise on Rydal Water by John Drinkwater | ||
| The Magi by Nancy Campbell | ||
| The Cabaret Dancer by Hermann Hagedorn | ||
| The Tapestry by Richard Butler Glaenzer | ||
| The Chasm by Richard Butler Glaenzer | ||
| Pomegranate by Richard Butler Glaenzer | ||
| The Heart on the Highroad by J. K. Wetherill | ||
| Chinoiserie by J. K. Wetherill | ||
| Cloistered by Mary Carolyn Davies | ||
| The Death Watch by Mary Carolyn Davies | ||
| Intuition by Mary Carolyn Davies | ||
| Through the Window near His Bed by H. C. Long | ||
| The Ides of March by H. C. Long | ||
| Belgium by Katharine Howard | ||
| Fly On! by Grace Fallow Norton | ||
| Make No Vows by Grace Fallow Norton | ||
| Hark to the Wind of the World by Grace Fallow Norton | ||
| If My Mother Knew by Grace Fallow Norton | ||
| I Give Thanks by Grace Fallow Norton | ||
| Volume VII. No. 4. January, 1916 | ||
| Once City Only by Alice Corbin | ||
| Music by Alice Corbin | ||
| The Pool by Alice Corbin | ||
| Apparitions by Alice Corbin | ||
| Color Note by Alice Corbin | ||
| Song by Alice Corbin | ||
| Summer Dawn by Constance Lindsay Skinner | ||
| Kan-Il-Lak the Singer by Constance Lindsay Skinner | ||
| Footnotes by Muna Lee | ||
| The Home-coming by Ralph Cheever Dunning | ||
| Under the Trees by John Rodker | ||
| Saint John of Nepomuc by Ruth Comfort Mitchell | ||
| Students by Florence Wilkinson | ||
| The Little Café by Florence Wilkinson | ||
| Blanche of the Quarter by Florence Wilkinson | ||
| Volume VII. No. 5. February, 1916 | ||
| The Dawn by William Butler Yeats | ||
| On Woman by William Butler Yeats | ||
| The Fisherman by William Butler Yeats | ||
| The Hawk by William Butler Yeats | ||
| Memory by William Butler Yeats | ||
| The Thorn Tree by William Butler Yeats | ||
| The Phoenix by William Butler Yeats | ||
| There Is a Queen in China by William Butler Yeats | ||
| The Scholars by William Butler Yeats | ||
| Cones by F. S. Flint | ||
| Gloom by F. S. Flint | ||
| Terror by F. S. Flint | ||
| Evil by F. S. Flint | ||
| War-time by F. S. Flint | ||
| Buds by William Laird | ||
| Eastland Waters by Agnes Lee | ||
| The Lacemaker of Ypres by G. Tucker Bispham | ||
| Dread by G. Tucker Bispham | ||
| Nocturne by G. Tucker Bispham | ||
| Failure by G. Tucker Bispham | ||
| Charm by G. Tucker Bispham | ||
| Old Manuscript by Alfred Kreymborg | ||
| Postponement by Henry B. Fuller | ||
| Volume VII. No. 6. March, 1916 | ||
| The Well in the Desert by John Gould Fletcher | ||
| Mexican Quarter by John Gould Fletcher | ||
| Cliff Dwelling by John Gould Fletcher | ||
| Rain in the Desert by John Gould Fletcher | ||
| Color by Wilfrid Wilson Gibson | ||
| Oblivion by Wilfrid Wilson Gibson | ||
| Tenants by Wilfrid Wilson Gibson | ||
| Gold by Wilfrid Wilson Gibson | ||
| Spring Sorrow by Julia Cooley | ||
| In a Corridor of Statues by Julia Cooley | ||
| Concerning a Nobelman by Caroline Dudley | ||
| Chaotic Peace by Caroline Dudley | ||
| The Recluse by Maria Elmendorf Lillie | ||
| Pierrot Sings by John Pierre Roche | ||
| To His Lady, Philosophy by John McClure | ||
| On Waking by Joseph Campbell | ||
| At Harvest by Joseph Campbell | ||
| All Life in a Life by Edgar Lee Masters | ||
| Volume VIII. No. 1. April, 1916 | ||
| April Romance by Ernest Rhys | ||
| A Breton Night by Ernest Rhys | ||
| Sonnetina: Punch and Judy by Ernest Rhys | ||
| The Woman of Sorrows by Ernest Rhys | ||
| Nesta’s Morning Song by Ernest Rhys | ||
| Death and the Jester by Ernest Rhys | ||
| The Professor Muses by Howard Mumford Jones | ||
| Aphrodite by Howard Mumford Jones | ||
| The Wild Honey of Wisdom by Arthur V. Kent | ||
| The Leader by Arthur V. Kent | ||
| Spring-piece by Clement Wood | ||
| The Link by Clement Wood | ||
| Shakespeare by Agnes Lee | ||
| The Horse Thief by William Rose Benét | ||
| Cross Patch by Horace Holley | ||
| Volume VIII. No. 2. May, 1916 | ||
| Baldur by Allen Upward | ||
| Holidays by Allen Upward | ||
| Finis by Allen Upward | ||
| The Newcomers by Max Michelson | ||
| Love-Lyric by Max Michelson | ||
| Midnight by Max Michelson | ||
| The Willow Tree by Max Michelson | ||
| Storm by Max Michelson | ||
| The Red Light by Max Michelson | ||
| In the Park by Max Michelson | ||
| A Hymn to Night by Max Michelson | ||
| To a Golden-Crowned Thrush by Richard Hunt | ||
| Sheila Eileen by Antoinette De Coursey Patterson | ||
| Carnage by Antoinette De Coursey Patterson | ||
| Indiana by Daphne Kieffer Thompson | ||
| An Old Song by Daphne Kieffer Thompson | ||
| Forgiveness by Charles L. O’Donnell | ||
| Columns of Evening by Maxwell Bodenheim | ||
| Happiness by Maxwell Bodenheim | ||
| Suffering by Maxwell Bodenheim | ||
| A Man to a Dead Woman by Maxwell Bodenheim | ||
| The Window-washers by Maxwell Bodenheim | ||
| The Department Store by Maxwell Bodenheim | ||
| Pyrotechnics by Amy Lowell | ||
| To a Flower by Suzette Herter | ||
| A Little Girl by Mary Aldis | ||
| Volume VIII. No. 3. June, 1916 | ||
| Booker Washington Trilogy by Vachel Lindsay | ||
| Device by Clara Shanafelt | ||
| Jeune Fille by Clara Shanafelt | ||
| Pastel by Clara Shanafelt | ||
| A Gallant Woman by Clara Shanafelt | ||
| Scherzo by Clara Shanafelt | ||
| Vision by Rosalind Mason | ||
| Fair Weather and I Happy by Rosalind Mason | ||
| Happiness by Rosalind Mason | ||
| A Child’s Grace by Rosalind Mason | ||
| Magic by Louis Untermeyer | ||
| Beauty by Louis Untermeyer | ||
| Moon in the Morning by Mary Eleanor Roberts | ||
| Echo by Charlotte Becker | ||
| The Wood Brook by Madison Cawein | ||
| The Dead Child by Madison Cawein | ||
| Desire by H. Thompson Rich | ||
| The Drinker by H. Thompson Rich | ||
| You Came and Went by H. Thompson Rich | ||
| Lament by Kleofas Jurgelionis, trans. | ||
| Volume VIII. No. 4. July, 1916 | ||
| Three Travelers Watch a Sunrise by Wallace Stevens | ||
| In Memory of Bryan Lathrop by Edgar Lee Masters | ||
| Sacrifice by Frederic Manning | ||
| The Wild Bird by Gretchen Warren | ||
| He Buildeth His House by Lily A. Long | ||
| The Poet’s Part by Lily A. Long | ||
| The Wind in the Trees by Lulu W. Knight | ||
| Good Morning by Peter Norden | ||
| To a Certain Fair Lady by Lyman Bryson | ||
| A Colloquy in Sleep by John Regnault Ellyson | ||
| The Fledging by Iris Barry | ||
| Impression by Iris Barry | ||
| Study by Iris Barry | ||
| Domestic by Iris Barry | ||
| Double by Iris Barry | ||
| Town-mouse by Iris Barry | ||
| Enough Has Been Said of Sunset by Iris Barry | ||
| Impression by Iris Barry | ||
| Volume VIII. No. 5. August, 1916 | ||
| 1777 by Amy Lowell | ||
| Praise of Love by Jean O’Brien | ||
| Prayer by Jean O’Brien | ||
| Summer in Coronado by Marguerite Wilkinson | ||
| At Thirty He Sings of a Day in Spring by Clinton Joseph Masseck | ||
| Down the Wind by Clinton Joseph Masseck | ||
| Branded by Amy Sebree-Smith | ||
| Quatrains by Ruth Hall | ||
| Night for Adventures by Victor Starbuck | ||
| The Faeries’ Fool by Anna Fitch | ||
| Adventuring by John Russell McCarthy | ||
| Goldenrod by John Russell McCarthy | ||
| Isaac and Rebekah by T. Sturge Moore | ||
| Volume VIII. No. 6. September, 1916 | ||
| The Fish and the Shadow by Ezra Pound | ||
| O Atthis by Ezra Pound | ||
| The Three Poets by Ezra Pound | ||
| Pagani’s by Ezra Pound | ||
| The Lake Isle by Ezra Pound | ||
| Impressions of François-Marie Arouet (de Voltaire) by Ezra Pound | ||
| Homage to Quintus Septimius Florentis Christianus by Ezra Pound | ||
| Dans un Omnibus de Londres by Ezra Pound | ||
| Epigrams by Rabindranath Tagore | ||
| Strange Meetings by Harold Monro | ||
| Fireflies by Adolf Wolff | ||
| Conversation Galante by T. S. Eliot | ||
| La Figlia che Piange by T. S. Eliot | ||
| Mr. Apollinax by T. S. Eliot | ||
| Morning at the Window by T. S. Eliot | ||
| To My Mountain by Mahdah Payson | ||
| Home by Louis Untermeyer | ||
| Ravage by John S. Miller, Jr. | ||
| Invocation by John Drinkwater | ||
| He Forgets Yvonne by William Griffith | ||
| Pierrette Goes by William Griffith | ||
| A Thrush in the Moonlight by Witter Bynner | ||
| A Mocking-bird by Witter Bynner | ||
| The Dead Loon by Witter Bynner | ||
| To No One in Particular by Witter Bynner | ||
| At the Touch of You by Witter Bynner | ||
| The Earth-clasp by Witter Bynner | ||
| He Brought Us Clover-leaves by Witter Bynner | ||
| Wisdom by Witter Bynner | ||
| Ecce Homo by Witter Bynner | ||
| Volume IX. No. 1. October, 1916 | ||
| Grotesques by Cloyd Head | ||
| Volume IX. No. 2. November, 1916 | ||
| Snow by Robert Frost | ||
| To W. J. C. by Harriet Monroe | ||
| Old Folk-songs of Ukraina by Florence Randal Livesay, trans. | ||
| Four Japanese Paintings by Arthur Davison Ficke | ||
| Love Song by William Carlos Williams | ||
| Naked by William Carlos Williams | ||
| Marriage by William Carlos Williams | ||
| Apology by William Carlos Williams | ||
| Summer Song by William Carlos Williams | ||
| The Old Worshipper by William Carlos Williams | ||
| Volume IX. No. 3. December, 1916 | ||
| Sleep by Edith Wyatt | ||
| City Whistles by Edith Wyatt | ||
| Martin of Tours by Charles L. O’Donnell | ||
| The Story Teller by Eunice Tietjens | ||
| Our Chinese Acquaintance by Eunice Tietjens | ||
| A Scholar by Eunice Tietjens | ||
| Chinese New Year by Eunice Tietjens | ||
| The Most-Sacred Mountain by Eunice Tietjens | ||
| Enough by Winifred Webb | ||
| The Black Land by Joseph Warren Beach | ||
| Succession by Joseph Warren Beach | ||
| The Red Land by Joseph Warren Beach | ||
| November on the Lake Michigan Dunes by Howard Mumford Jones | ||
| Marching by Isaac Rosenberg | ||
| Break of Day in the Trenches by Isaac Rosenberg | ||
| Maternity by Marjorie Allen Seiffert | ||
| Epitaphs by Marjorie Allen Seiffert | ||
| Religion by Martha Foote Crow | ||
| Ghosts of Past Time by Martha Foote Crow | ||
| The Counsels of O’Riordan, the Rannmaker by T. D. O’Bolger | ||
| Give and Take by John Gould Fletcher | ||
| The Everlasting Contradiction by John Gould Fletcher | ||
| Blind People by John Gould Fletcher | ||
| Why the War? by John Gould Fletcher | ||
| Volume IX. No. 4. January, 1917 | ||
| The News by Wilfrid Wilson Gibson | ||
| A Letter of Farewell by Harriet Monroe | ||
| Seedtime by Clement Wood | ||
| Supreme Laughter by Travis Hoke | ||
| The Ultimate by Travis Hoke | ||
| The Ploughman by Gordon Bottomley | ||
| My Lady Surrenders by Anna Wickham | ||
| The Silence by Anna Wickham | ||
| Sentiments by Anna Wickham | ||
| Completion by Anna Wickham | ||
| After Annunciation by Anna Wickham | ||
| A Man by Jean Starr Untermeyer | ||
| Rain by Jean Starr Untermeyer | ||
| Anacreontic by Frederic Manning | ||
| To a Mountain Pine by Anne Spencer Twitchell | ||
| Survivors by Ridgely Torrence | ||
| Toward Childhood by Henry B. Fuller | ||
| Volume IX. No. 5. February, 1917 | ||
| The Tom-tom by Frank S. Gordon | ||
| Sa-a Naraï by Frank S. Gordon | ||
| On the War-path by Frank S. Gordon | ||
| Night by Frank S. Gordon | ||
| In the Desert by Alice Corbin | ||
| Indian Songs by Alice Corbin | ||
| Neither Spirit nor Bird by Mary Austin | ||
| Prayer to the Mountain Spirit by Mary Austin | ||
| Spring to the Earth-Witch by Constance Lindsay Skinner | ||
| Chief Capilano Greets His Namesake at Dawn by Constance Lindsay Skinner | ||
| Old Man by Edward Eastaway | ||
| The Word by Edward Eastaway | ||
| The Unknown by Edward Eastaway | ||
| Volume IX. No. 6. March, 1917 | ||
| Poem to Be Danced by Helen Hoyt | ||
| Under the Tree by Helen Hoyt | ||
| The Dancer by Helen Hoyt | ||
| To a Vine the Workmen Cut Down by Helen Hoyt | ||
| Arches by Helen Hoyt | ||
| Continuance by Helen Hoyt | ||
| Sky-Humor by Helen Hoyt | ||
| The Letter by Helen Hoyt | ||
| Kin by Helen Hoyt | ||
| Hey Nonino by Helen Hoyt | ||
| Men-folks by Helen Hoyt | ||
| Old Youth by Orrick Johns | ||
| The Door by Orrick Johns | ||
| The Tree Toad by Orrick Johns | ||
| The Horns of Peace by Orrick Johns | ||
| Dilemma by Orrick Johns | ||
| A Blue Valentine by Joyce Kilmer | ||
| The Thorn by Joyce Kilmer | ||
| A Nun by Odell Shepard | ||
| What the Orderly Dog Saw by Ford Madox Hueffer | ||
| What the Civilian Saw by Violet Hunt Hueffer | ||
| “Newly Seeded” by Max Michelson | ||
| Night Moods by Max Michelson | ||
| On a Windy Afternoon by Max Michelson | ||
| Off by Max Michelson | ||
| Fire by Max Michelson | ||
| Knowledge by Max Michelson | ||
| The Adversary by Max Michelson | ||
| A Polish Girl by Max Michelson | ||
| Portrait by Max Michelson | ||
| Gone by Max Michelson | ||
| Playing Horse by Max Michelson | ||
| Traveler by Max Michelson | ||
| Streets by Amy Lowell | ||
| Desolation by Amy Lowell | ||
| Sunshine by Amy Lowell | ||
| Illusion by Amy Lowell | ||
| A Year Passes by Amy Lowell | ||
| A Lover by Amy Lowell | ||
| To a Husband by Amy Lowell | ||
| From China by Amy Lowell | ||
| Autumn by Amy Lowell | ||
| Ephemera by Amy Lowell | ||
| Document by Amy Lowell | ||
| The Emperor’s Garden by Amy Lowell | ||
| One of the “Hundred Views of Fuji,” by Hokusai by Amy Lowell | ||
| Disillusion by Amy Lowell | ||
| Paper Fishes by Amy Lowell | ||
| Meditation by Amy Lowell | ||
| The Camellia Tree of Matsue by Amy Lowell | ||
| Volume X. No. 1. April, 1917 | ||
| Loam by Carl Sandburg | ||
| The Year by Carl Sandburg | ||
| Chicago Poet by Carl Sandburg | ||
| Street Window by Carl Sandburg | ||
| Adelaide Crapsey by Carl Sandburg | ||
| Repetitions by Carl Sandburg | ||
| Throw Roses by Carl Sandburg | ||
| Fire-logs by Carl Sandburg | ||
| Baby Face by Carl Sandburg | ||
| Early Moon by Carl Sandburg | ||
| Alix by Carl Sandburg | ||
| Gargoyle by Carl Sandburg | ||
| Prairie Waters by Night by Carl Sandburg | ||
| Moonset by Carl Sandburg | ||
| Garden Wireless by Carl Sandburg | ||
| In Tall Grass by Carl Sandburg | ||
| Bringers by Carl Sandburg | ||
| The Reawakening by Walter de la Mare | ||
| Two Epitaphs by Walter de la Mare | ||
| Prussians Don’t Believe in Dreams by Morris Gilbert | ||
| To a French Aviator Fallen in Battle by Morris Gilbert | ||
| Valardena Sunset by Grace Hazard Conkling | ||
| Santa Maria del Rio by Grace Hazard Conkling | ||
| The Museum by Grace Hazard Conkling | ||
| Gulf View by Grace Hazard Conkling | ||
| Spring Day by Grace Hazard Conkling | ||
| Patio Scene by Grace Hazard Conkling | ||
| The Fugitive by Gladys Cromwell | ||
| The Crowning Gift by Gladys Cromwell | ||
| Easter Evening by James Church Alvord | ||
| A Woman by Scudder Middleton | ||
| The Stranger by Scudder Middleton | ||
| To an Old Couple by Scudder Middleton | ||
| Praise by William Saphier | ||
| To …. by William Saphier | ||
| Love Was Dead All Day by Alfred Kreymborg | ||
| Lanes by Alfred Kreymborg | ||
| Again by Alfred Kreymborg | ||
| Courtship by Alfred Kreymborg | ||
| Sir Hobbledehoy by Alfred Kreymborg | ||
| 1914 by Alfred Kreymborg | ||
| Dirge by Alfred Kreymborg | ||
| Volume X. No. 2. May, 1917 | ||
| War by Eloise Robinson | ||
| The Answer by Agnes Lee | ||
| Evening by Agnes Lee | ||
| The Doll by Agnes Lee | ||
| Prayer for Sophistication by Mark Turbyfill | ||
| Strangers by Mark Turbyfill | ||
| Pulse of Spring by Mark Turbyfill | ||
| Oh That Love Has Come at All! by Mark Turbyfill | ||
| To a Cool Breeze by Mark Turbyfill | ||
| Wood Paths by the Sea by Mary Eastwood Knevels | ||
| The Hills by Mary Eastwood Knevels | ||
| Simples by James Joyce | ||
| Tutto è Sciolto by James Joyce | ||
| Flood by James Joyce | ||
| A Flower Given to My Daughter by James Joyce | ||
| Night Piece by James Joyce | ||
| The Abandoned Farm by William Zorach | ||
| Bluebell Night by Muriel Stuart | ||
| The Birds of God by Frances Shaw | ||
| The Dream Gift by Frances Shaw | ||
| Little Lonesome Soul by Frances Shaw | ||
| Spring by Mabel Linn | ||
| Madrigal by Mabel Linn | ||
| Bathsheba by Robert Calvin Whitford | ||
| At the Three Fountains by Arthur Symons | ||
| Love by Moireen Fox | ||
| Foreboding by Moireen Fox | ||
| In Absence by Moireen Fox | ||
| Volume X. No. 3. June, 1917 | ||
| Three Cantos: I by Ezra Pound | ||
| Bermuda by Richard Butler Glaenzer | ||
| Quandary by Richard Butler Glaenzer | ||
| The Passage by Richard Butler Glaenzer | ||
| Barter by Sara Teasdale | ||
| Spirit’s House by Sara Teasdale | ||
| Lessons by Sara Teasdale | ||
| Refuge by Sara Teasdale | ||
| Wood Song by Sara Teasdale | ||
| Beside the Master by Joseph Walleser | ||
| Holy Light by John Hall Wheelock | ||
| Fiametta by Ella Young | ||
| Greeting by Ella Young | ||
| One Face in the Crowd by Glenn Ward Dresbach | ||
| Two Songs by Glenn Ward Dresbach | ||
| Notes by Jane Heap | ||
| Dead Queens by John Rodker | ||
| Because Some Lover by John Rodker | ||
| In a Garden by John Rodker | ||
| Resurrection by D. H. Lawrence | ||
| Volume X. No. 4. July, 1917 | ||
| Our Mother Pocahontas by Vachel Lindsay | ||
| Niagara by Vachel Lindsay | ||
| Mark Twain and Joan of Arc by Vachel Lindsay | ||
| The Great Air Birds Go Swiftly by by Alice Corbin | ||
| The City by Lyon Sharman | ||
| Cloud-loved by Lyon Sharman | ||
| Magicians and the Gods by Lyon Sharman | ||
| A Swallow by Lyon Sharman | ||
| Fish by Lyon Sharman | ||
| Porcelains by Lyon Sharman | ||
| Three Cantos: II by Ezra Pound | ||
| Paderewski by Dorothy Dudley | ||
| The Moon by Dorothy Dudley | ||
| The Host of Dreams by Katherine Howard | ||
| Summons to Youth by Rudolph Altrocchi | ||
| Moses by Morris Abel Beer | ||
| Old China by Morris Abel Beer | ||
| To Walden by Robert Alden Sanborn | ||
| The Island by Robert Alden Sanborn | ||
| History by William Carlos Williams | ||
| Smell! by William Carlos Williams | ||
| Volume X. No. 5. August, 1917 | ||
| High Chin Bob by Anonymous | ||
| A Song of Happiness by Muna Lee | ||
| Mahhavis by Muna Lee | ||
| Shadows by Muna Lee | ||
| Wind-blown by Muna Lee | ||
| Compensation by Muna Lee | ||
| Kites by William Rose Benét | ||
| Kin to Sorrow by Edna St. Vincent Millay | ||
| The Little Tavern by Edna St. Vincent Millay | ||
| Afternoon on a Hill by Edna St. Vincent Millay | ||
| When I Heard You Were Dead by Wilton Agnew Barrett | ||
| The Adventurer by Wilton Agnew Barrett | ||
| Coming out of Ether by John Reed | ||
| Clinic by John Reed | ||
| Operating Room by John Reed | ||
| Beauty by Alfred Hitch | ||
| The Beggar by Jeanne D’Orge | ||
| The Statue by Jeanne D’Orge | ||
| Matins by Jeanne D’Orge | ||
| Clothes by Viola T. Paradise | ||
| Sun Prayer by Mary Carolyn Davies | ||
| Wind Prayer by Mary Carolyn Davies | ||
| The Grapes by Mary Carolyn Davies | ||
| Dusk by Mary Carolyn Davies | ||
| A Girl’s Songs by Mary Carolyn Davies | ||
| Three Cantos: III by Ezra Pound | ||
| Volume X. No. 6. September, 1917 | ||
| Song of Stephen the Westerner by Sherwood Anderson | ||
| American Spring Song by Sherwood Anderson | ||
| A Visit by Sherwood Anderson | ||
| Song of the Drunken Business Man by Sherwood Anderson | ||
| Evening Song by Sherwood Anderson | ||
| Song of Industrial America by Sherwood Anderson | ||
| White Magic by Harley Graves | ||
| A Thought When Noon Is Hot by Harley Graves | ||
| Before Dawn in Camp by Harley Graves | ||
| I Came to Be Alone by Harley Graves | ||
| The Scarlet Tanager by Richard Hunt | ||
| A Simple Song for America by Karle Wilson Baker | ||
| The Dreamers by Glenn Ward Dresbach | ||
| Nocturne by Glenn Ward Dresbach | ||
| Old Timers by Carl Sandburg | ||
| Among the Rodins by John Cournos | ||
| Lake Michigan at Night by Scharmel Iris | ||
| Your Neighbor and Mine by Scharmel Iris | ||
| The Old Man by Scharmel Iris | ||
| War-time Cradle Song by Scharmel Iris | ||
| The Moonlight Sonata by John Hall Wheelock | ||
| Volume XI. No. 1. October, 1917 | ||
| Song of Men by Edgar Lee Masters | ||
| Song of Women by Edgar Lee Masters | ||
| Song of the Human Spirit by Edgar Lee Masters | ||
| The Price by William Rose Benét | ||
| Mid-October by Helen Louise Birch | ||
| Up in the Hills by Helen Louise Birch | ||
| Can This Be All? by Helen Louise Birch | ||
| Artist by Helen Louise Birch | ||
| Music by Helen Louise Birch | ||
| Forewarned by Helen Louise Birch | ||
| Prophets by Helen Louise Birch | ||
| A Voice Breaks in upon the Silence by Helen Louise Birch | ||
| The Soap-box by Vachel Lindsay | ||
| How Samson Bore away the Gates of Gaza by Vachel Lindsay | ||
| Hrolf’s Thrall—His Song by Willard Wattles | ||
| Difference by Willard Wattles | ||
| A Song of No Consequence by Willard Wattles | ||
| Heaven by Willard Wattles | ||
| The Builder by Willard Wattles | ||
| Ding Dong Bell by Willard Wattles | ||
| To a Portrait of Whistler in the Brooklyn Art Museum by Eleanor Rogers Cox | ||
| Whistler’s White Girl by Eleanor Rogers Cox | ||
| Youth-song by Margaret Widdemer | ||
| Vain Hiding by Margaret Widdemer | ||
| I Did Not Know by Margaret Widdemer | ||
| Prescience by Margaret Widdemer | ||
| Ego Dominus Tuus by William Butler Yeats | ||
| Volume XI. No. 2. November, 1917 | ||
| The Four Brothers by Carl Sandburg | ||
| I Come Singing by H. Thompson Rich | ||
| Afterwards by H. Thompson Rich | ||
| Reciprocity by John Drinkwater | ||
| November by Marjorie Allen Seiffert | ||
| On the Beach at Fontana by James Joyce | ||
| Alone by James Joyce | ||
| She Weeps over Rahoon by James Joyce | ||
| A Poet’s Epitaph by John Black | ||
| Barefoot Sandals by Mary White Slater | ||
| Lavender by Archie Austin Coates | ||
| Child Eyes by David O’Neil | ||
| Freedom by David O’Neil | ||
| Human Chords by David O’Neil | ||
| Enslaved by David O’Neil | ||
| The Peasants by David O’Neil | ||
| The Beach by David O’Neil | ||
| Reaches of the Desert by David O’Neil | ||
| The Ascent by David O’Neil | ||
| My Nicaragua by Salomón de la Selva | ||
| The Tiny Maiden by Salomón de la Selva | ||
| The Merchant by Salomón de la Selva | ||
| The Dead Pecos Town by Kate Buss | ||
| Los Conquistadores by Alice Corbin | ||
| Three Men Entered the Desert Alone by Alice Corbin | ||
| Old Timer by Alice Corbin | ||
| Pedro Montoya of Arroyo Hondo by Alice Corbin | ||
| In the Sierras by Alice Corbin | ||
| A Song from Old Spain by Alice Corbin | ||
| Volume XI. No. 3. December, 1917 | ||
| Carlos Among the Candles by Wallace Stevens | ||
| Pine River Bay by Dorothy Dudley | ||
| O Dear Brown Lands by Clement Wood | ||
| Coin of the Year by Clement Wood | ||
| Miniatures by Louis Grudin | ||
| Reed-song by Helen Dudley | ||
| Dirge by Helen Dudley | ||
| Guadalupe by Grace Hazard Conkling | ||
| Popocatapetl by Grace Hazard Conkling | ||
| Huasteca by Grace Hazard Conkling | ||
| Tampico by Grace Hazard Conkling | ||
| Cuernavaca by Grace Hazard Conkling | ||
| Durango by Grace Hazard Conkling | ||
| Orizaba by Grace Hazard Conkling | ||
| Amecameca by Grace Hazard Conkling | ||
| Vera Cruz by Grace Hazard Conkling | ||
| San Luis Potosi by Grace Hazard Conkling | ||
| Love Untold by Earl Marlatt | ||
| People by Earl Marlatt | ||
| With Child by Florence Kiper Frank | ||
| Attack by Florence Kiper Frank | ||
| The Moment by Florence Kiper Frank | ||
| Afterwards by Florence Kiper Frank | ||
| Within My Arms by Florence Kiper Frank | ||
| To a Child by Florence K. Mixter | ||
| Lake Front at Night by John Gould Fletcher | ||
| The Monadnock by John Gould Fletcher | ||
| La Salle Street—Evening by John Gould Fletcher | ||
| War Angles by John Gould Fletcher | ||
| Volume XI. No. 4. January, 1918 | ||
| The Landlady of the Whinton Inn Tells a Story by Amy Lowell | ||
| For Parents of the Slain by Charles Granville | ||
| The Question by Charles Granville | ||
| The Mourner by Charles Granville | ||
| The Bayonet Charge by Charles Granville | ||
| Under Orders by Charles Granville | ||
| Wolverine Winter by Paul F. Sifton | ||
| Sea-music by Babette Deutsch | ||
| Children by F. S. Flint | ||
| In the Cathedral by F. S. Flint | ||
| Americus by Florence Ripley Mastin | ||
| Roderick by Florence Ripley Mastin | ||
| Lucretia by Florence Ripley Mastin | ||
| Isidor by Florence Ripley Mastin | ||
| David by Florence Ripley Mastin | ||
| Mine by Lucia Peeples | ||
| Shang Ya by Arthur Waley, trans. | ||
| On Finding a Hairpin in a Disused Well by Arthur Waley, trans. | ||
| What Should a Man Want? by Arthur Waley, trans. | ||
| In a Jade Cup by Arthur Waley, trans. | ||
| On the Birth of a Son by Arthur Waley, trans. | ||
| The Pedlar of Spells by Arthur Waley, trans. | ||
| On Seeing Swallows in His Prison-cell by Arthur Waley, trans. | ||
| Volume XI. No. 5. February, 1918 | ||
| Oda Salvaje by José Santos Chocano | ||
| A Song of the Road by José Santos Chocano | ||
| El Charro by José Santos Chocano | ||
| The Magnolia by José Santos Chocano | ||
| Old Roofs by Louise Driscoll | ||
| Harbury by Louise Driscoll | ||
| Silence of the Night by Maurice Browne | ||
| Snow Monotones by Ben Hecht | ||
| Iris by Lucy Eddy | ||
| The Flowering Acacia by Lucy Eddy | ||
| Ophelia Roses by Lucy Eddy | ||
| Red Eucalyptus Blossoms by Lucy Eddy | ||
| The Jacaranda by Lucy Eddy | ||
| The Olive Tree by Lucy Eddy | ||
| Bougainvillea by Lucy Eddy | ||
| Sea-gardens—Avalon by Lucy Eddy | ||
| New-born by Lucy Eddy | ||
| Lullabies by Lucy Eddy | ||
| The Singing Sands by Lucy Eddy | ||
| The Orphan by Arthur Waley, trans. | ||
| Fighting at Lung-tou by Arthur Waley, trans. | ||
| On Barbarous Modern Instruments by Arthur Waley, trans. | ||
| The Tired Woman by Max Michelson | ||
| Volume XI. No. 6. March, 1918 | ||
| When the Willow Nods by Alfred Kreymborg | ||
| In This Hotel by Emanuel Carnevali | ||
| His Majesty the Letter-carrier by Emanuel Carnevali | ||
| Drôlatique-sérieux by Emanuel Carnevali | ||
| When it Has Passed by Emanuel Carnevali | ||
| To the Poets by Emanuel Carnevali | ||
| Sentimental Dirge by Emanuel Carnevali | ||
| Alchemy by Susan M. Boogher | ||
| The Harlot’s Child by Susan M. Boogher | ||
| War by Susan M. Boogher | ||
| Folded Power by Gladys Cromwell | ||
| The Mould by Gladys Cromwell | ||
| Autumn Communion by Gladys Cromwell | ||
| Star Song by Gladys Cromwell | ||
| The March Thaw by Edwin Curran | ||
| Vernon Castle by Harriet Monroe | ||
| Departure by Baker Brownell | ||
| The Number by Baker Brownell | ||
| Reveille by Baker Brownell | ||
| On the Road by Baker Brownell | ||
| Southward by Baker Brownell | ||
| Major Fitzpatrick by Baker Brownell | ||
| Freebourne’s Rifle by Baker Brownell | ||
| Private Rausch by Baker Brownell | ||
| The Hurricane by Baker Brownell | ||
| Taps by Baker Brownell | ||
| Volume XII. No. 1. April, 1918 | ||
| The Blue Ridge by Harriet Monroe | ||
| White by Harriet Monroe | ||
| The Oak by Harriet Monroe | ||
| Azaleas by Harriet Monroe | ||
| The Mocking-bird by Harriet Monroe | ||
| The Fringe-bush by Harriet Monroe | ||
| The Laurel by Harriet Monroe | ||
| My Porch by Harriet Monroe | ||
| The Mountaineer’s Wife by Harriet Monroe | ||
| The Rose-bush by Harriet Monroe | ||
| The Question by Harriet Monroe | ||
| The Meeting by Harriet Monroe | ||
| April—North Carolina by Harriet Monroe | ||
| Gas-lamp Ghost by Richard Hunt | ||
| Song in Early April by Richard Hunt | ||
| When Singing April Came by Isabel McKinney | ||
| Berkshires in April by Clement Wood | ||
| Spring—New Mexico by Rose Henderson | ||
| Blue Squills by Sara Teasdale | ||
| When I Am Old by Marjorie Allen Seiffert | ||
| To a Child by Marjorie Allen Seiffert | ||
| To a Poet by Marjorie Allen Seiffert | ||
| The Silver Music by Ford Madox Hueffer | ||
| The Sanctuary by Ford Madox Hueffer | ||
| Is It Worth While by Violet Hunt | ||
| Russia by John Gould Fletcher | ||
| Volume XII. No. 2. May, 1918 | ||
| “Lettres d’un Soldat” by Wallace Stevens | ||
| Thoughts by Viola I. Paradise | ||
| Early Spring Night by Viola I. Paradise | ||
| Midnight Rain by Viola I. Paradise | ||
| Wind and Moonlight by Viola I. Paradise | ||
| Death by Viola I. Paradise | ||
| The Minstrel by Ida Judith Johnson | ||
| Flood by Ida Judith Johnson | ||
| Northern Lights by J. Van Alstyne Weaver, Jr. | ||
| The Sowing by J. Van Alstyne Weaver, Jr. | ||
| We Who Have Lost by Howard Unger | ||
| Claude Debussy by Agnes Lee | ||
| In a Gale by Cecily Fryer | ||
| Conscience by Cecily Fryer | ||
| Pomegranates by Dean B. Lyman, Jr. | ||
| Love Lasts Like a Lily by Solomon J. D. Fendell | ||
| Kinship by Flora Shufelt Rivola | ||
| Voyage by Hortense Flexner | ||
| Bess by Orrick Johns | ||
| The Pageant by Thomas Wood Stevens | ||
| Song of Young Burbage by Haniel Long | ||
| The Herd Boy by Haniel Long | ||
| Shoes by Haniel Long | ||
| The Cuban in the States by Haniel Long | ||
| Madness by Haniel Long | ||
| Dead Men Tell No Tales by Haniel Long | ||
| A Book on Economics by Haniel Long | ||
| The Cause of This I Know Not by Haniel Long | ||
| Song by Haniel Long | ||
| Star-dust by Haniel Long | ||
| The Terror by Haniel Long | ||
| Seeger by Haniel Long | ||
| Volume XII. No. 3. June, 1918 | ||
| The Song of the Cheechas by John Curtis Underwood | ||
| At Bethlehem by John Curtis Underwood | ||
| The Red Coffins by John Curtis Underwood | ||
| Down Fifth Avenue by John Curtis Underwood | ||
| The Old Gods by Calvin Dill Wilson | ||
| Kol Nidre by Samuel Roth | ||
| Human Speech by Samuel Roth | ||
| First Fig by Edna St. Vincent Millay | ||
| Second Fig by Edna St. Vincent Millay | ||
| The Unexplorer by Edna St. Vincent Millay | ||
| Thursday by Edna St. Vincent Millay | ||
| The Penitent by Edna St. Vincent Millay | ||
| Deity by Louis Gilmore | ||
| Earth by Louis Gilmore | ||
| Pause by Louis Gilmore | ||
| Passers-by by Raymond Peckham Holden | ||
| The Lost Love by Fenton Johnson | ||
| How Long, O Lord! by Fenton Johnson | ||
| Who Is That A-walking in the Corn? by Fenton Johnson | ||
| Hoofs by Winifred Waldron | ||
| Swallows by Winifred Waldron | ||
| Morning Hymn by Frank S. Gordon | ||
| The Smoke Prayer by Frank S. Gordon | ||
| I Have but One Love by Frank S. Gordon | ||
| Startled Waters by Frank S. Gordon | ||
| Dirge for One Dying by Frank S. Gordon | ||
| By Genesseret by Frank S. Gordon | ||
| Volume XII. No. 4. July, 1918 | ||
| Prairie by Carl Sandburg | ||
| Island Song by Robert Paine Scripps | ||
| Moonrise by D. H. Lawrence | ||
| People by D. H. Lawrence | ||
| Sacrament by Pauline D. Partridge | ||
| The Trees by Eloise Robinson | ||
| Crépuscule by Maxwell Struthers Burt | ||
| There Was a Rose by Arthur L. Phelps | ||
| An Old Man’s Weariness by Arthur L. Phelps | ||
| The Screech Owl by J. E. Scruggs | ||
| Le Médecin Malgré Lui by William Carlos Williams | ||
| Plums by P. T. R. | ||
| To a Phrase by Hazel Hall | ||
| In the Frail Wood by Marsden Hartley | ||
| Spinsters by Marsden Hartley | ||
| Her Daughter by Marsden Hartley | ||
| After Battle by Marsden Hartley | ||
| Volume XII. No. 5. August, 1918 | ||
| Armenian Marching Song by Ajan Syrian | ||
| Syrian Mother’s Lullaby by Ajan Syrian | ||
| The Prayer Rug of Islam by Ajan Syrian | ||
| The Carpenter by James Church Alvord | ||
| The Veteran by Margaret I. Postgate | ||
| Return to the Front by Robert Redfield, Jr. | ||
| On the Ambulance by Robert Redfield, Jr. | ||
| In Moulins Wood by Robert Redfield, Jr. | ||
| A Song for Souls under Fire by Mark Turbyfill | ||
| My Heart, Like Hyacinth by Mark Turbyfill | ||
| The Adventurer by Mark Turbyfill | ||
| Mellow by Mark Turbyfill | ||
| Without Chaperon by Mark Turbyfill | ||
| The Forest of Dead Trees by Mark Turbyfill | ||
| Benediction by Mark Turbyfill | ||
| Song of the Vine, in England by Herbert Trench | ||
| To a Grey Dress by Arthur Symons | ||
| Dreams by Arthur Symons | ||
| The Windows by Theodosia Garrison | ||
| Gardens There Were by Leslie Nelson Jennings | ||
| God’s House by Leslie Nelson Jennings | ||
| Hay by Beatrice Stevens | ||
| A Girl Dancing on the Shore by Henry C. Thomas | ||
| With the Wind by Konstantin Balmont | ||
| On the Heights by Konstantin Balmont | ||
| Easy Parting by Mildrid Cummer Wood | ||
| Appuldurcombe Park by Amy Lowell | ||
| Volume XII. No. 6. September, 1918 | ||
| The Empire of China Is Crumbling Down by Vachel Lindsay | ||
| Mountain Trails by Marjorie Allen Seiffert | ||
| Freedom by Olive Runner | ||
| Sunrise at Santa Barbara by Pauline B. Barrington | ||
| The Pomegranate Bush by Pauline B. Barrington | ||
| The Sand Dunes by Janet Norris Bangs | ||
| The Birches by Antoinette De Coursey Patterson | ||
| The Moon Rose by Marguerite Zorach | ||
| Look, the Sea! by William Zorach | ||
| The Djinn by Robert Gilbert Welsh | ||
| Readers by Robert Gilbert Welsh | ||
| Quilts by Mary Willis Shuey | ||
| Clay Hills by Jean Starr Untermeyer | ||
| Discover Me Again by Jean Starr Untermeyer | ||
| Though One Should Strive by Nancy Byrd Turner | ||
| Driftwood Burning by Zoë Akins | ||
| Volume XIII. No. 1. October, 1918 | ||
| Fatherland by Eloise Robinson | ||
| Prelude by Cloyd Head | ||
| The Marne by Cloyd Head | ||
| They March through the Streets of Paris by Cloyd Head | ||
| The German Empire—Bismarck, von Moltke by Cloyd Head | ||
| Epilogue by Cloyd Head | ||
| Paris, 1917 by Ruth Gaines | ||
| Their Strange Eyes Hold No Vision by Howard Buck | ||
| Litany by Allene Gregory | ||
| The Lilies of France by Louise Ayres Garnett | ||
| Know Thyself by Louise Ayres Garnett | ||
| Comrades by Louise Ayres Garnett | ||
| Honors by Antoinette De Coursey Patterson | ||
| The Hope by John Cowper Powys | ||
| The Kind Heart by Julia Wickham Greenwood | ||
| Thrones by Mary Aldis | ||
| O Bitter Day by Mary Aldis | ||
| Embarcation by Mary Aldis | ||
| Go from Me by Mary Aldis | ||
| The Trenches by A. Alondra | ||
| Falltime by Carl Sandburg | ||
| Autumn Movement by Carl Sandburg | ||
| Valley Song by Carl Sandburg | ||
| “Old-fashioned Requited Love” by Carl Sandburg | ||
| The Next Child Waits by Carl Sandburg | ||
| Ashurnatsirpal the Third by Carl Sandburg | ||
| Bilbea by Carl Sandburg | ||
| The Song by Lola Ridge | ||
| Iron Wine by Lola Ridge | ||
| The Fiddler by Lola Ridge | ||
| Dawn-wind by Lola Ridge | ||
| The Edge by Lola Ridge | ||
| Volume XIII. No. 2. November, 1918 | ||
| The Blue Duck by Lew R. Sarett | ||
| Chippewa Flute Song by Lew R. Sarett | ||
| Prayers and Fantasies by Richard Aldington | ||
| Afterwards by Iris Tree | ||
| My Ten Buckeyes by Charles L. Sherwood | ||
| Somewhere in France by Isabel Howe Fiske | ||
| Rainy Days by Shirley Harvey | ||
| Reuben Roy by Harold Crawford Stearns | ||
| Laughing in the Moonlight by Helen Louise Birch | ||
| Vertigo by Helen Louise Birch | ||
| And So the Days Go by by Helen Louise Birch | ||
| A Helen by Max Michelson | ||
| Girls by Max Michelson | ||
| Myrrh by Max Michelson | ||
| Pain by Max Michelson | ||
| A Lady Talking to a Poet by Max Michelson | ||
| The Golden Apple by Max Michelson | ||
| A Dilettante by Max Michelson | ||
| The Traitor by Max Michelson | ||
| A Rich Gentleman by Max Michelson | ||
| A Petit Bourgeois by Max Michelson | ||
| La Mort de Paul Verlaine by Max Michelson | ||
| Death by Max Michelson | ||
| To a Woman Asleep in a Street-car by Max Michelson | ||
| Volume XIII. No. 3. December, 1918 | ||
| Peace by Agnes Lee | ||
| I Have Found My Beloved by Helen Hoyt | ||
| Stature by Helen Hoyt | ||
| Name by Helen Hoyt | ||
| Difference by Helen Hoyt | ||
| Unity by Helen Hoyt | ||
| Happiness Betrays Me by Helen Hoyt | ||
| Triumph by Helen Hoyt | ||
| Interlude by Helen Hoyt | ||
| At the Museum by Helen Hoyt | ||
| Memory by Helen Hoyt | ||
| Oh We Shall Meet by Helen Hoyt | ||
| Ascension by Helen Hoyt | ||
| The Root by Helen Hoyt | ||
| Tears, Idle Tears! by Arthur D. Rees | ||
| Cares That Infest the Day by Arthur D. Rees | ||
| Longings for Home by Arthur D. Rees | ||
| Unseeing the Seen by Arthur D. Rees | ||
| The Melancholy Plaint of the Russian Song by Arthur D. Rees | ||
| America by Harriet Monroe | ||
| La Neige à Poughkeepsie by Lysiane Bernhardt | ||
| The Garden of the West by Louise Driscoll | ||
| Volume XIII. No. 4. January, 1919 | ||
| The Only Jealousy of Emer by William Butler Yeats | ||
| Muy Vieja Mexicana by Alice Corbin | ||
| On the Acequia Madre by Alice Corbin | ||
| El Rito de Sante Fe by Alice Corbin | ||
| Candle-light by Alice Corbin | ||
| The Mask by Alice Corbin | ||
| Rain-prayer by Alice Corbin | ||
| Fame by Alice Corbin | ||
| Song of Sunlight by Alice Corbin | ||
| An Old Woman with Flowers by Agnes Lee | ||
| The Slacker by Agnes Lee | ||
| The Broken Tie by Agnes Lee | ||
| Bark-bound by Agnes Lee | ||
| In the Morgue by Agnes Lee | ||
| The Sweeper by Agnes Lee | ||
| The Old Woman by Marjorie Allen Seiffert | ||
| Volume XIII. No. 5. February, 1919 | ||
| An Evening Meeting by Florence Ayscough and Amy Lowell, trans. | ||
| The Emperor’s Return from a Journey to the South by Florence Ayscough and Amy Lowell, trans. | ||
| On Seeing the Portrait of a Beautiful Concubine by Florence Ayscough and Amy Lowell, trans. | ||
| Calligraphy by Florence Ayscough and Amy Lowell, trans. | ||
| The Palace Blossoms by Florence Ayscough and Amy Lowell, trans. | ||
| One Goes a Journey by Florence Ayscough and Amy Lowell, trans. | ||
| From the Straw Hut among the Seven Peaks by Florence Ayscough and Amy Lowell, trans. | ||
| On the Classic of the Hills and Sea by Florence Ayscough and Amy Lowell, trans. | ||
| A Recluse by Florence Ayscough and Amy Lowell, trans. | ||
| After How Many Years by Florence Ayscough and Amy Lowell, trans. | ||
| The Inn at the Western Lake by Florence Ayscough and Amy Lowell, trans. | ||
| The Farewell by Witter Bynner, trans. | ||
| Under the Saman by Richard Butler Glaenzer | ||
| The Little Donkey by Richard Butler Glaenzer | ||
| First Growth by Richard Butler Glaenzer | ||
| Caribbean Nights by Richard Butler Glaenzer | ||
| Orpheus in the Street by B. K. van Slyke | ||
| In Winter by B. K. van Slyke | ||
| The Alien by C. Cunningham | ||
| Mountain Tops by John Bakeless | ||
| In the Night by Margaret Judson | ||
| En Masse by Baker Brownell | ||
| Tommies in the Train by D. H. Lawrence | ||
| War Baby by D. H. Lawrence | ||
| Obsequial Chant by D. H. Lawrence | ||
| Bread upon the Waters by D. H. Lawrence | ||
| Pentecostal by D. H. Lawrence | ||
| Nostalgia by D. H. Lawrence | ||
| Volume XIII. No. 6. March, 1919 | ||
| Poems from the Propertius Series by Ezra Pound | ||
| Berket and the Stars by William Carlos Williams | ||
| The Young Laundryman by William Carlos Williams | ||
| Time the Hangman by William Carlos Williams | ||
| Complete Destruction by William Carlos Williams | ||
| The Poor by William Carlos Williams | ||
| A Friend of Mine by William Carlos Williams | ||
| The Gentle Man by William Carlos Williams | ||
| To Be Closely Written on a Small Piece of Paper Which Folded into a Tight Lozenge Will Fit Any Girl’s Locket by William Carlos Williams | ||
| The Soughing Wind by William Carlos Williams | ||
| Epitaph by William Carlos Williams | ||
| Spring by William Carlos Williams | ||
| Stroller by William Carlos Williams | ||
| Memory of April by William Carlos Williams | ||
| Play by William Carlos Williams | ||
| Lines by William Carlos Williams | ||
| The Dark Day by William Carlos Williams | ||
| Thursday by William Carlos Williams | ||
| Man in a Room by William Carlos Williams | ||
| And Forbid Them Not by Louise Mary Bowman | ||
| Ante Proelium by Morris Bishop | ||
| Before My Fire in a French Village by Morris Bishop | ||
| Le Père Segret by Morris Bishop | ||
| The Piker by Morris Bishop | ||
| Secrecy by G. O. Warren | ||
| Pink Blossoms by Marion Ethel Hamilton | ||
| Grandmother by Frances Shaw | ||
| World Lullaby by Frances Shaw | ||
| Compensation by Anna Spencer Twitchell | ||
| March in Tryon by Florence D. Snelling | ||
| Decoration for Valor by Hortense Flexner | ||
| Aero-laughter by Robert M. McAlmon | ||
| Aero-metre by Robert M. McAlmon | ||
| Consecration by Robert M. McAlmon | ||
| Consummation by Robert M. McAlmon | ||
| Volplanetor by Robert M. McAlmon | ||
| Perspicuity by Robert M. McAlmon | ||
| Volume XIV. No. 1. April, 1919 | ||
| The Sweet-tasting by H. L. Davis | ||
| Running Vines in a Field by H. L. Davis | ||
| A Field by the River by H. L. Davis | ||
| In the Field by H. L. Davis | ||
| The Gypsy Girl by H. L. Davis | ||
| The Spirit by H. L. Davis | ||
| My Step-grandfather by H. L. Davis | ||
| Oakland Pier: 1918 by H. L. Davis | ||
| The Old Are Sleepy by H. L. Davis | ||
| Flags by H. L. Davis | ||
| The Valley Harvest by H. L. Davis | ||
| The World’s Desire by Edgar Lee Masters | ||
| To a Dead Mouse in a Trap by Roy Temple House | ||
| Proud New York by John Reed | ||
| Fifth Avenue Sky-scrapers by Alice D. Lippman | ||
| Vagabonds by Alice D. Lippman | ||
| The Gift of Death by Roger L. Sergel | ||
| The Thing by Morris Gilbert | ||
| Epitaph on a Madman’s Grave by Morris Gilbert | ||
| Why He Cornered the Market by Morris Gilbert | ||
| Disillusion by Morris Gilbert | ||
| The Return of Drebenucha by Florence Randal Livesay, trans. | ||
| Song of the Drowning Cossack by Florence Randal Livesay, trans. | ||
| Marusenka’s Wedding by Florence Randal Livesay, trans. | ||
| Parting by Florence Randal Livesay, trans. | ||
| The Battlefield by Florence Randal Livesay, trans. | ||
| Volume XIV. No. 2. May, 1919 | ||
| Come down, Walt! by John Russell McCarthy | ||
| Walt Whitman by Emanuel Carnevali | ||
| The Ship’s Prow by Andrea Hofer Proudfoot | ||
| She Is Overheard Singing by Edna St. Vincent Millay | ||
| Recuerdo by Edna St. Vincent Millay | ||
| Changes by Helen Muckley | ||
| The Deceiver by Helen Muckley | ||
| Daisies by Marjorie Meeker | ||
| The Beloved by Louis Untermeyer | ||
| Conquest by Louis Untermeyer | ||
| End of the Comedy by Louis Untermeyer | ||
| The Marvel by George O’Neil | ||
| Margot by George O’Neil | ||
| Sparrow by George O’Neil | ||
| Songs to a Woman by Maxwell Bodenheim | ||
| Faun by Miriam Allen deFord | ||
| Wisdom through Tears by Miriam Allen deFord | ||
| Saint Sebastian by Abraham Yarmolinsky, trans. | ||
| This Man by Witter Bynner | ||
| Maytime by William H. Simpson | ||
| Solid Earth by William Rose Benét | ||
| Information by William Rose Benét | ||
| Gray by William Rose Benét | ||
| Graves of Dreams by Robert Rand | ||
| The Buddha by Charles Erskine Scott Wood | ||
| Kitty by Charles Erskine Scott Wood | ||
| Songs from “The Adventurer” by Charles Erskine Scott Wood | ||
| Fuchsias and Geraniums by Charles Erskine Scott Wood | ||
| Volume XIV. No. 3. June, 1919 | ||
| Henry Murray by Edgar Lee Masters | ||
| At Fairbanks by Edgar Lee Masters | ||
| George Joslin on “La Menken” by Edgar Lee Masters | ||
| Volume XIV. No. 4. July, 1919 | ||
| Insouciance by Richard Aldington | ||
| Two Impressions by Richard Aldington | ||
| Compensation by Richard Aldington | ||
| Loss by Richard Aldington | ||
| Beauty Unpraised by Richard Aldington | ||
| Mother’s Son in Salonika by D. H. Lawrence | ||
| Casualty by D. H. Lawrence | ||
| Message to a Perfidious Soldier by D. H. Lawrence | ||
| The Jewess and the V. C. by D. H. Lawrence | ||
| Sighs by D. H. Lawrence | ||
| The Child and the Soldier by D. H. Lawrence | ||
| Zeppelin Nights by D. H. Lawrence | ||
| Daughter of the Great Man by D. H. Lawrence | ||
| Prisoner at Work in a Turkish Garden by D. H. Lawrence | ||
| Mourning by D. H. Lawrence | ||
| The Grey Nurse by D. H. Lawrence | ||
| Neither Moth nor Rust by D. H. Lawrence | ||
| Chalandry by Goodrich C. Schauffler | ||
| Modern Love Song by Robert Nichols | ||
| A Wandering Thing by Robert Nichols | ||
| You Died for Dreams by Arthur L. Phelps | ||
| To Any Poet by Padraic Colum | ||
| The Bison by Padraic Colum | ||
| The Vultures by Padraic Colum | ||
| The Wanderers by Padraic Colum | ||
| Shrouds by Reeves Brook | ||
| The Fallen by Loureine Aber | ||
| The Soldier to Helen by Loureine Aber | ||
| My Friend by Loureine Aber | ||
| Farewell by Loureine Aber | ||
| Arbor-Vitae by Louise Ayres Garnett | ||
| In New Mexico by Glenn Ward Dresbach | ||
| Belleau Hill by Mary Gray | ||
| Of Ruined Cities by Eve Brodlique Summers | ||
| Dolly Parker by Margretta Scott | ||
| Mrs. John Wright by Margretta Scott | ||
| Mrs. Finnigan by Margretta Scott | ||
| David by Margretta Scott | ||
| A Road of France by Charles L. O’Donnell | ||
| The Censor by John R. C. Peyton | ||
| In the Red Cross by Gordon Hamilton | ||
| The Home-coming by George Marian | ||
| Volume XIV. No. 5. August, 1919 | ||
| Prelude by Conrad Aiken | ||
| Melody in a Restaurant by Conrad Aiken | ||
| Illicit by Conrad Aiken | ||
| Haunted Chambers by Conrad Aiken | ||
| Counterpoint: Two Rooms by Conrad Aiken | ||
| Multitudes Turn in Darkness by Conrad Aiken | ||
| Completion by Eunice Tietjens | ||
| On the Height by Eunice Tietjens | ||
| Parting after a Quarrel by Eunice Tietjens | ||
| Praise for Him by Eunice Tietjens | ||
| At the Banquet by Eunice Tietjens | ||
| Defeat by Eunice Tietjens | ||
| The Tepid Hour by Eunice Tietjens | ||
| The Soul of Summer by Edward Sapir | ||
| Mary, Mary, My Love by Edward Sapir | ||
| On Indian Lake by Charles L. O’Donnell | ||
| Sanctuary by Florence Kilpatrick Mixter | ||
| Ritual by Florence Kilpatrick Mixter | ||
| The Death of an Artist by Florence Kilpatrick Mixter | ||
| Dicky by Robert Graves | ||
| Hawk and Buckle by Robert Graves | ||
| The Cupboard by Robert Graves | ||
| Kalamazoo by Vachel Lindsay | ||
| The Modest Jazz-bird by Vachel Lindsay | ||
| Davy Jones’ Door-bell by Vachel Lindsay | ||
| The Conscientious Deacon by Vachel Lindsay | ||
| The Horrid Voice of Science by Vachel Lindsay | ||
| My Lady Is Compared to a Young Tree by Vachel Lindsay | ||
| Volume XIV. No. 6. September, 1919 | ||
| The Voice by Sara Teasdale | ||
| The Long Hill by Sara Teasdale | ||
| Spring Torrents by Sara Teasdale | ||
| What do I Care by Sara Teasdale | ||
| My Heart is Heavy by Sara Teasdale | ||
| It is not a Word by Sara Teasdale | ||
| Song by Sara Teasdale | ||
| The Cloud Descends by Maxwell Bodenheim | ||
| Montezuma by A. Y. Winters | ||
| Wild Horses by A. Y. Winters | ||
| On the Mesa by A. Y. Winters | ||
| Concerning Blake by A. Y. Winters | ||
| The Old Weep Gently by A. Y. Winters | ||
| Little Rabbit by A. Y. Winters | ||
| The Conqueror by James Rorty | ||
| In the Middle West by Mary Carolyn Davies | ||
| Sea Gulls by Mary Carolyn Davies | ||
| The Apple Tree Said by Mary Carolyn Davies | ||
| I Pray You by Mary Carolyn Davies | ||
| The Bookshop by Amy Lowell | ||
| Peach-color to a Soap-bubble by Amy Lowell | ||
| The Artist by Amy Lowell | ||
| Autumn by Amy Lowell | ||
| Balls by Amy Lowell | ||
| Good Gracious! by Amy Lowell | ||
| Morning by Emanuel Carnevali | ||
| Noon by Emanuel Carnevali | ||
| Afternoon by Emanuel Carnevali | ||
| Evening by Emanuel Carnevali | ||
| Night by Emanuel Carnevali | ||
| Volume XV. No. 1. October, 1919 | ||
| Fabliau of Florida by Wallace Stevens | ||
| Homunculus et la Belle Etoile by Wallace Stevens | ||
| The Weeping Burgher by Wallace Stevens | ||
| Peter Parasol by Wallace Stevens | ||
| Exposition of the Contents of a Cab by Wallace Stevens | ||
| Ploughing on Sunday by Wallace Stevens | ||
| Banal Sojourn by Wallace Stevens | ||
| The Indigo Glass in the Grass by Wallace Stevens | ||
| Anecdote of the Jar by Wallace Stevens | ||
| Of the Surface of Things by Wallace Stevens | ||
| The Curtains in the House of the Metaphysician by Wallace Stevens | ||
| The Place of the Solitaires by Wallace Stevens | ||
| The Paltry Nude Starts on a Spring Voyage by Wallace Stevens | ||
| Colloquy with a Polish Aunt by Wallace Stevens | ||
| Stones for Russia by Baker Brownell | ||
| Chicago by Mark Turbyfill | ||
| End of Summer by Mark Turbyfill | ||
| A Song of Givers and Takers by Mark Turbyfill | ||
| Words about Love by Mark Turbyfill | ||
| Journey by Mark Turbyfill | ||
| The Orchard by John Towner Frederick | ||
| To My Heart by Maurice Browne | ||
| To Her Who Passes by Maurice Browne | ||
| Love Is More Cruel Than Death by Maurice Browne | ||
| Desire by Luella Stewart | ||
| Song by Floyd Dell | ||
| Appearances by Marx G. Sabel | ||
| The Painted Saint in the Wood by M. Lyster | ||
| Dawn by M. Lyster | ||
| At the Top of the World by Elsie A. Gidlow | ||
| Never Any Fear by Elsie A. Gidlow | ||
| The Searchlight by John Rodker | ||
| Maura by Marjorie Allen Seiffert | ||
| A Japanese Vase Wrought in Metals by Marjorie Allen Seiffert | ||
| Lorenzo’s Bas-relief for a Florentine Chest by Marjorie Allen Seiffert | ||
| Volume XV. No. 2. November, 1919 | ||
| A Prayer for My Daughter by William Butler Yeats | ||
| The Flower of Flame by Robert Nichols | ||
| Hokku by Yone Noguchi | ||
| Tanka by Jun Fujita | ||
| Twenty-four Hours by Evelyn Scott | ||
| The Storm by Evelyn Scott | ||
| Rainy Season by Evelyn Scott | ||
| The Year by Evelyn Scott | ||
| Tropical Flowers by Evelyn Scott | ||
| Mail on the Ranch by Evelyn Scott | ||
| The City at Midnight by Evelyn Scott | ||
| Ship Masts by Evelyn Scott | ||
| The Silly Ewe by Evelyn Scott | ||
| Conservatism by Evelyn Scott | ||
| The Vampire Bat by Evelyn Scott | ||
| Fear by Evelyn Scott | ||
| Little Pigs by Evelyn Scott | ||
| Moonrise by Malcolm Cowley | ||
| Barn Dance by Malcolm Cowley | ||
| Danny by Malcolm Cowley | ||
| Your Voice by Godwin Trezevant Carrall | ||
| In Memory by Willard Wattles | ||
| Epitaph for the Unburied Dead by Willard Wattles | ||
| But I Have Lived by Willard Wattles | ||
| I Who Have Known Your Beauty by Willard Wattles | ||
| Treasure by Louise Driscoll | ||
| Chief Bear’s-Heart Makes Talk by Lew Sarett | ||
| Little Caribou Makes Big Talk by Lew Sarett | ||
| Volume XV. No. 3. December, 1919 | ||
| Hymen by H. D. | ||
| Light of Love by Elizabeth J. Coatsworth | ||
| Belated by Elizabeth J. Coatsworth | ||
| Spring in China by Elizabeth J. Coatsworth | ||
| The Ghouls by Elizabeth J. Coatsworth | ||
| The Curse by Elizabeth J. Coatsworth | ||
| Love Tower by Elizabeth J. Coatsworth | ||
| The Gate by Elizabeth J. Coatsworth | ||
| Sugar Mice by Carolyn Hillman | ||
| Wreaths by Carolyn Hillman | ||
| The Victors by Sarah Unna | ||
| Little Chief by Louise Ayres Garnett | ||
| Song by Louise Ayres Garnett | ||
| Hound at Night by Louise Ayres Garnett | ||
| Reflections by Louise Ayres Garnett | ||
| Outcast by Louise Ayres Garnett | ||
| The Prodigal by Louise Ayres Garnett | ||
| An Awakening by Wilton Agnew Barrett | ||
| Wild Aster by John Russell McCarthy | ||
| At the Turn of the Year by John Gould Fletcher | ||
| Rain by John Gould Fletcher | ||
| Volume XV. No. 4. January, 1920 | ||
| Bindlestiff by Edwin Ford Piper | ||
| Whoa, Zebe, Whoa by Edwin Ford Piper | ||
| Sweetgrass Range by Edwin Ford Piper | ||
| Snow by Leone Kelley | ||
| The Eagle’s Song by Mary Austin | ||
| The Grass on the Mountain by Mary Austin | ||
| Black Prayers by Mary Austin | ||
| New-Mexican Love Song by Mary Austin | ||
| I Do Not Know by Mary Austin | ||
| The Carrying of the Ghost by Nelson Antrim Crawford | ||
| The Painted Desert by Emma Hawkridge | ||
| Hopi Sun-Christening by Emma Hawkridge | ||
| Indian Sky by Alfred Kreymborg | ||
| Ghosts by William H. Simpson | ||
| Burdens by William H. Simpson | ||
| Hopi Maiden by William H. Simpson | ||
| Homesick Song by William H. Simpson | ||
| Hopi-Tuh by William H. Simpson | ||
| Dance of the Dust Witches by William H. Simpson | ||
| Grand Canyon by William H. Simpson | ||
| The New Day by William H. Simpson | ||
| The North Woods by William H. Simpson | ||
| The Fog Ghost by William H. Simpson | ||
| Shadow Faces by William H. Simpson | ||
| Deserted by William H. Simpson | ||
| November by William H. Simpson | ||
| Pity Not by William H. Simpson | ||
| Volume XV. No. 5. February, 1920 | ||
| Smoke and Steel by Carl Sandburg | ||
| Tangibles by Carl Sandburg | ||
| Night Movement—New York by Carl Sandburg | ||
| Losers by Carl Sandburg | ||
| Accomplished Facts by Carl Sandburg | ||
| People Who Must by Carl Sandburg | ||
| Bas-relief by Carl Sandburg | ||
| The Law Says by Carl Sandburg | ||
| Calls by Carl Sandburg | ||
| Evening Waterfall by Carl Sandburg | ||
| Sea-wash by Carl Sandburg | ||
| Winter Wife by Margery Swett | ||
| Remembrance by Helen Birch-Bartlett | ||
| Re-encounter by Helen Birch-Bartlett | ||
| Undercurrents by Helen Birch-Bartlett | ||
| Premonitions by Helen Birch-Bartlett | ||
| The Bringers of Gifts by Helen Birch-Bartlett | ||
| Belshazzar by Helen Birch-Bartlett | ||
| Drift by Helen Birch-Bartlett | ||
| Epilogue by Helen Birch-Bartlett | ||
| The Burned House by Grace Fallow Norton | ||
| Or Did You Love Death? by Grace Fallow Norton | ||
| My Years by Paul Eldridge | ||
| Brick-dust by Louise Brooke | ||
| In the Cemetery by David Morton | ||
| The Convict by David Morton | ||
| Mirage by Eufina C. Tompkins | ||
| The Daily Round by Allan Updegraff | ||
| Cradle by Alfred Kreymborg | ||
| To W. C. W. M. D. by Alfred Kreymborg | ||
| Spirit by Alfred Kreymborg | ||
| Drug Store by John V. A. Weaver | ||
| Nocturne by John V. A. Weaver | ||
| Volume XV. No. 6. March, 1920 | ||
| Chicago by Helen Hoyt | ||
| Encounter by Helen Hoyt | ||
| Automobiles on Sunday by Helen Hoyt | ||
| By the Lake by Helen Hoyt | ||
| Night by Helen Hoyt | ||
| The Stone-age Sea by Helen Hoyt | ||
| When We Are Asleep by Helen Hoyt | ||
| Creator by Helen Hoyt | ||
| Headstone by Helen Hoyt | ||
| There Was a Time by Helen Hoyt | ||
| Introspection by Harold Monro | ||
| City Storm by Harold Monro | ||
| March by Ruth Loomis Skeen | ||
| After Rachmaninoff by Ralph Block | ||
| The Enchanted Toad by Witter Bynner | ||
| The Sand-piper by Witter Bynner | ||
| Grass-tops by Witter Bynner | ||
| Images Vaines by Jean Catel | ||
| The Mother by Nancy Campbell | ||
| Sea-gulls by Jeannette Marks | ||
| Rosy Miller by Jeannette Marks | ||
| The Dish-washer by Amanda Hall | ||
| O Singer! O Dancer! by Amanda Hall | ||
| Premonition by Louise Driscoll | ||
| Anticipation by Marion Strobel | ||
| Spring Day by Marion Strobel | ||
| Ennui by Marion Strobel | ||
| Let Me Play Net by Marion Strobel | ||
| The Last Ritual by Marion Strobel | ||
| Hands by Marion Strobel | ||
| Two Sonnets by Marion Strobel | ||
| Early Snow by Arthur Waley, trans. | ||
| Volume XVI. No. 1. April, 1920 | ||
| The Curtains by Cloyd Head and Mary Gavin | ||
| A Man Walks in the Wind by Maurice Lesemann | ||
| To Himself in Autumn by Maurice Lesemann | ||
| The Crying Cranes by Maurice Lesemann | ||
| Tramps by Maurice Lesemann | ||
| Appointment by Maurice Lesemann | ||
| No Poem by Maurice Lesemann | ||
| After Fever by Louise Redfield | ||
| A Shy Child by Louise Redfield | ||
| Needlework by Hazel Hall | ||
| Hand on a Harp by Ellwood Colahan | ||
| Pilgrimage by Ellwood Colahan | ||
| Her Death by Florence Wilkinson | ||
| The Hope of Heaven by Florence Wilkinson | ||
| Speech by Florence Wilkinson | ||
| A Russian Easter by Marya Zaturensky | ||
| Russian Peasants by Marya Zaturensky | ||
| Kinship by Harold Holston Wright | ||
| Pastel by Harold Holston Wright | ||
| A Letter by Harold Holston Wright | ||
| Go Touch the Silent Strings by Alice Corbin | ||
| The Storm Bird by Alice Corbin | ||
| Song by Alice Corbin | ||
| I Saw the World Go by by Alice Corbin | ||
| Summons by Alice Corbin | ||
| Epitaph by Alice Corbin | ||
| Volume XVI. No. 2. May, 1920 | ||
| The Festival of the Corn by Marsden Hartley | ||
| Español by Marsden Hartley | ||
| Girl with the Camelia Smile by Marsden Hartley | ||
| The Topaz of the Sixties by Marsden Hartley | ||
| The Asses’ Out-house by Marsden Hartley | ||
| To C—— by Marsden Hartley | ||
| Saturday by Marsden Hartley | ||
| Song of Mocking for an Old Woman by Myrtle Eberstein | ||
| Song for Shredding Bark by Myrtle Eberstein | ||
| Song of a Woman with Twins by Myrtle Eberstein | ||
| The Bean-stalk by Edna St. Vincent Millay | ||
| The Brimming Cup by Carlyle F. McIntyre | ||
| Compensations by Carlyle F. McIntyre | ||
| The Untamed by Carlyle F. McIntyre | ||
| The Green Door by Carlyle F. McIntyre | ||
| The Mourners by Carlyle F. McIntyre | ||
| Lady of Autumn by Carlyle F. McIntyre | ||
| The House of Laurels by Carlyle F. McIntyre | ||
| Against the Sun by Helen Dudley | ||
| Cootham Lane by Helen Dudley | ||
| The Roof-garden by Mabel Barker Huddleston | ||
| The Bull by Sherard Vines | ||
| Moondown by Paul Tanaquil | ||
| Grasses and Sand by Alfred Battle Bealle | ||
| The Adventurer by Alfred Battle Bealle | ||
| You and I by Edna Wahlert McCourt | ||
| Query by Edna Wahlert McCourt | ||
| Strangers by Edna Wahlert McCourt | ||
| What Grief? by Mabel Cornelia Matson | ||
| I Met Three Lovers by Eda Lou Walton | ||
| One Spring by Eda Lou Walton | ||
| From a Promontory by Eda Lou Walton | ||
| Indian Prayer by Eda Lou Walton | ||
| Strength by Eda Lou Walton | ||
| Morning and Night by Eda Lou Walton | ||
| Volume XVI. No. 3. June, 1920 | ||
| In This Wet Orchard by H. L. Davis | ||
| Stalks of Wild Hay by H. L. Davis | ||
| Baking Bread by H. L. Davis | ||
| The Rain-crow by H. L. Davis | ||
| The Threshing-floor by H. L. Davis | ||
| From a Vineyard by H. L. Davis | ||
| The Market-gardens by H. L. Davis | ||
| October: “The Old Eyes” by H. L. Davis | ||
| To the River Beach by H. L. Davis | ||
| Old Lizette on Sleep by Agnes Lee | ||
| The Ancient Singer by Agnes Lee | ||
| Mrs. Malooly by Agnes Lee | ||
| The Ilex Tree by Agnes Lee | ||
| Cythaera and the Leaves by Marjorie Allen Seiffert | ||
| Cythaera and the Song by Marjorie Allen Seiffert | ||
| Cythaera and the Worm by Marjorie Allen Seiffert | ||
| Transition by Eleanor Hammond | ||
| Surrender by Irwin Granich | ||
| Out of the Dark by A. N. | ||
| Songs by Glenn Ward Dresbach | ||
| The Riddle by John Cowper Powys | ||
| The Shepherd Hymn by Gladys Hensel | ||
| Austerity by Janet Loxley Lewis | ||
| The End of the Age by Janet Loxley Lewis | ||
| Geology by Janet Loxley Lewis | ||
| Fossil by Janet Loxley Lewis | ||
| From the Frail Sea by Genevieve Taggard | ||
| Volume XVI. No. 4. July, 1920 | ||
| The Prince of Orange by Edward Sapir, trans. | ||
| The King of Spain’s Daughter and the Diver by Edward Sapir, trans. | ||
| White as the Snow by Edward Sapir, trans. | ||
| The Dumb Shepherdess by Edward Sapir, trans. | ||
| The Three Children by Albert Edmund Trombly, trans. | ||
| Here for a Time by Thomas Moult | ||
| The Mountain Woman by DuBose Heyward | ||
| The Squall by Leonora Speyer | ||
| The Locust by Leonora Speyer | ||
| Crickets at Dawn by Leonora Speyer | ||
| Sweetpeas by Margaret McKenny | ||
| Envyings by Katherine Wisner McCluskey | ||
| A Heat Wave by Katherine Wisner McCluskey | ||
| Summer by David Morton | ||
| Symbols by David Morton | ||
| Night on the River by E. Merrill Root | ||
| Sugaring by Raymond Holden | ||
| Volume XVI. No. 5. August, 1920 | ||
| Sky-high by N. Howard Thorp | ||
| Old Hank by N. Howard Thorp | ||
| The Little Cow-girl by N. Howard Thorp | ||
| Pecos Tom by N. Howard Thorp | ||
| “’Light, Stranger, ’Light” by N. Howard Thorp | ||
| Women Outlaws by N. Howard Thorp | ||
| Old Paint by N. Howard Thorp | ||
| What’s Become of the Punchers by N. Howard Thorp | ||
| Down on the Ol’ Bar-G by Phil LeNoir | ||
| Ol’ Dynamite by Phil LeNoir | ||
| The Puncher Poet by Phil LeNoir | ||
| Rider of Sun Fire by Lucy Eddy | ||
| The Ballad of Macario Romero by Alice Corbin | ||
| Madre María by Alice Corbin | ||
| Manzanita by Alice Corbin | ||
| Chula la Mañana by Alice Corbin | ||
| El Coyotito by Alice Corbin | ||
| Christ Is Born in Bethlehem by Alice Corbin | ||
| Coplas by Alice Corbin | ||
| Cundiyo by Alice Corbin | ||
| Petrolino’s Complaint by Alice Corbin | ||
| Volume XVI. No. 6. September, 1920 | ||
| Wild Duck by Lola Ridge | ||
| Altitude by Lola Ridge | ||
| After Storm by Lola Ridge | ||
| Cactus Seed by Lola Ridge | ||
| The Dream by Lola Ridge | ||
| To One Unknown by Oscar Williams | ||
| O My Love by Oscar Williams | ||
| My Greatness by Oscar Williams | ||
| Mood by Oscar Williams | ||
| Chiaroscuros by Oscar Williams | ||
| Revenge by Oscar Williams | ||
| Diary Written on Peony Petals by Grace Hazard Conkling | ||
| If You Were Careless by Stella Benson | ||
| The Freeholder by Victor Starbuck | ||
| Autumn Prophecy by J. M. March | ||
| Earth-song by Frederick Shea Jesson | ||
| A Certain Girl by Frederick Shea Jesson | ||
| The Archer by Frederick Shea Jesson | ||
| August Gardens by H. H. Bellamann | ||
| Woodrow Wilson by Albert Frederick Wilson | ||
| Volume XVII. No. 1. October, 1920 | ||
| Embarkation by John Gould Fletcher | ||
| Heat by John Gould Fletcher | ||
| Full Moon by John Gould Fletcher | ||
| The Moon’s Orchestra by John Gould Fletcher | ||
| The Stevedores by John Gould Fletcher | ||
| Night Landing by John Gould Fletcher | ||
| The Silence by John Gould Fletcher | ||
| My Town by Laura Sherry | ||
| On Our Farm by Laura Sherry | ||
| The Hunter by Laura Sherry | ||
| A Woodsman by Laura Sherry | ||
| Jean Joseph Rolette by Laura Sherry | ||
| Louis des Chiens by Laura Sherry | ||
| Bohemian Town by Laura Sherry | ||
| The Corn-field by Charles R. Murphy | ||
| Tosti’s Goodbye by Walter McClellan | ||
| Fantasy by A. A. Rosenthal | ||
| Adoration by Hazel C. Hutchison | ||
| The Gypsy by Beatrice Ravenel | ||
| Life Everlasting by Esther A. Whitmarsh | ||
| Waves by Louise Townsend Nicholl | ||
| Beauty by Louise Townsend Nicholl | ||
| To One Beloved by Glenn Ward Dresbach | ||
| The Last Lady by Matthew Josephson | ||
| The Pelican by Alice Louise Jones | ||
| Gospel with Banjo and Chorus by Keene Wallis | ||
| A Hymn for the Lynchers by Isidor Schneider | ||
| A Memory by Isidor Schneider | ||
| The Heroes by Isidor Schneider | ||
| Volume XVII. No. 2. November, 1920 | ||
| The Day That Was That Day! by Amy Lowell | ||
| Rigi by Eunice Tietjens, trans. | ||
| Song by Eunice Tietjens, trans. | ||
| Spring by Eunice Tietjens, trans. | ||
| The Red Fish by Eunice Tietjens, trans. | ||
| Sleep the Mother by Florence Kiper Frank | ||
| Elf-child by Florence Kiper Frank | ||
| Three Sonnets by Florence Kiper Frank | ||
| The Dreamers of Death by Julia Cooley Altrocchi | ||
| The Traveller by Anne Deacon | ||
| Supplicants by H. W. Stewart | ||
| Gum-trees by H. W. Stewart | ||
| Sky by H. W. Stewart | ||
| Children at Play by Jack Merten | ||
| G. H. Q., January, 1919 by Edmund Wilson, Jr. | ||
| Not Here by Edmund Wilson, Jr. | ||
| Fugitive by Susan M. Boogher | ||
| Family Portrait by Leo Grudsky | ||
| Melodrama by Leo Grudsky | ||
| In the Mirror by Leo Grudsky | ||
| The Pilgrimage by Wallace Gould | ||
| The Last Tableau by Wallace Gould | ||
| Diversion by Wallace Gould | ||
| Postlude by Wallace Gould | ||
| Volume XVII. No. 3. December, 1920 | ||
| White Males by Robert McAlmon | ||
| Today’s Music by Robert McAlmon | ||
| Form Destructionist—Sculptor by Robert McAlmon | ||
| Mrs. Freudenthal Consults the Witch of Endor by Osbert Sitwell | ||
| Dead Man’s Wood by Osbert Sitwell | ||
| Union by John Drinkwater | ||
| Blue Sleep by W. Bryher | ||
| Eos by W. Bryher | ||
| Wild Rose by W. Bryher | ||
| The Worker by David Greenhood | ||
| Thanks for a Season by David Greenhood | ||
| Listener by Bernard Raymund | ||
| Mockery by Katherine Riggs | ||
| Two Songs of Advent by Yvor Winters | ||
| Hawk’s Eyes by Yvor Winters | ||
| The Far Voice by Yvor Winters | ||
| The Walker by Yvor Winters | ||
| Ballad by Yvor Winters | ||
| The Immobile Wind by Yvor Winters | ||
| Song for a Small Boy Who Herds Goats by Yvor Winters | ||
| Ballad of Men by Yvor Winters | ||
| The Priesthood by Yvor Winters | ||
| Where My Sight Goes by Yvor Winters | ||
| Death Goes before Me by Yvor Winters | ||
| Volume XVII. No. 4. January, 1921 | ||
| Swift’s Pastoral by Padraic Colum | ||
| Keats to Fanny Brawne by Edgar Lee Masters | ||
| A Goodnight by William Carlos Williams | ||
| Feel of Brambles by Hazel Rawson Cades | ||
| Lumbermen by Mercedes de Acosta | ||
| Soiled Hands by Mercedes de Acosta | ||
| Unreality by Mercedes de Acosta | ||
| To Vouletti by Mercedes de Acosta | ||
| Deirdre by Moireen Fox a Cheavasa | ||
| Silence by Moireen Fox a Cheavasa | ||
| Disillusion by Moireen Fox a Cheavasa | ||
| The Sorrowful Masquerade by John Hall Wheelock | ||
| To One Who Asks by Mary Aldis | ||
| Lyrics by Harold Cook | ||
| Whence? by Mary Austin | ||
| Unworthy Love by Mary Austin | ||
| Presage by F. S. Putnam | ||
| Seeking Love by Benjamin Rosenbaum | ||
| Gone by Benjamin Rosenbaum | ||
| Glimpses of Her by Benjamin Rosenbaum | ||
| My Purple Gown from Tyre by Benjamin Rosenbaum | ||
| The Fearless by Mortimer J. Adler | ||
| Spectre-theme by Leone Baker | ||
| Neighbor Moon by Charles deGuire Christoph | ||
| Profile by Charles deGuire Christoph | ||
| Old Places by Charles deGuire Christoph | ||
| Thought of Women by Charles deGuire Christoph | ||
| Herons by Charles deGuire Christoph | ||
| Improvisation by Charles deGuire Christoph | ||
| Volume XVII. No. 5. February, 1921 | ||
| The Haunted Hat-shop by Max Michelson | ||
| Officers’ Mess (1916) by Harold Monro | ||
| Anodyne by Marion Strobel | ||
| Little Things by Marion Strobel | ||
| I Give Smiles by Marion Strobel | ||
| Without Words by Marion Strobel | ||
| High Dive by Marion Strobel | ||
| Marriage-caprice by Marion Strobel | ||
| Miserere by Marion Strobel | ||
| Kindness by Marion Strobel | ||
| Communion by Hildegarde Flanner | ||
| Vigil by Wade Oliver | ||
| Requiem by Wade Oliver | ||
| The Fool by Horace Holley | ||
| Challenge by Emmy Veronica Sanders | ||
| The Companion by Emmy Veronica Sanders | ||
| Adelaide Crapsey by Emmy Veronica Sanders | ||
| Forty-second Street by Emmy Veronica Sanders | ||
| Driftwood by Emmy Veronica Sanders | ||
| Hilltop Duet by Emmy Veronica Sanders | ||
| An Intimate of Night by Clinton Scollard | ||
| Unfailing by Frances Shaw | ||
| Rain by Frances Shaw | ||
| Quatrain by Anna Spencer Twitchell | ||
| The Socialist’s Marriage by Sarah N. Cleghorn | ||
| Endless Circle by Genevieve Taggard | ||
| Sea-change by Genevieve Taggard | ||
| Tropical Girl to Her Garden by Genevieve Taggard | ||
| Moonrise Mockery by Genevieve Taggard | ||
| Zenith by Genevieve Taggard | ||
| Married by Genevieve Taggard | ||
| Drouth by Genevieve Taggard | ||
| Saturday Afternoon by Genevieve Taggard | ||
| Lost by Genevieve Taggard | ||
| Found by Genevieve Taggard | ||
| Volume XVII. No. 6. March, 1921 | ||
| A House by Ford Madox Hueffer | ||
| Eidolon by Leslie Nelson Jennings | ||
| Death in the Sun by Fannie Stearns Gifford | ||
| Apology by Fannie Stearns Gifford | ||
| Rose Toada by Jeannette Marks | ||
| Ebony by Jeannette Marks | ||
| The Broken Door by Jeannette Marks | ||
| Purple by Margaret Steele Anderson | ||
| The Debt by Jessie MacDonald | ||
| A Prayer by Jessie MacDonald | ||
| March Wind by Edwin Ford Piper | ||
| Whispering Often by Edwin Ford Piper | ||
| Home by Edwin Ford Piper | ||
| Volume XVIII. No. 1. April, 1921 | ||
| I: Broken Bird by Lew Sarett | ||
| II: Whistling Wings by Lew Sarett | ||
| III: Talking Waters by Lew Sarett | ||
| Velvet Shoes by Elinor Wylie | ||
| “Fire and Sleet and Candle-light” by Elinor Wylie | ||
| Silver Filagree by Elinor Wylie | ||
| Atavism by Elinor Wylie | ||
| Age and Youth by Lee Wilson Dodd | ||
| Riddle by Lee Wilson Dodd | ||
| “E Be Than” by Carroll Lane Fenton | ||
| Song by H. Thompson Rich | ||
| To a New England Girl by Edward Townsend Booth | ||
| To an Authentic Priest by Edward Townsend Booth | ||
| The Intruder by Grace Stone Coates | ||
| Perspective of Co-ordination by Arthur Davison Ficke | ||
| World beyond World by Arthur Davison Ficke | ||
| Leaf-movement by Arthur Davison Ficke | ||
| Volume XVIII. No. 2. May, 1921 | ||
| Impulsive Dialogue by Maxwell Bodenheim | ||
| Emotional Monologue by Maxwell Bodenheim | ||
| Feminine Talk by Maxwell Bodenheim | ||
| Philosophical Dialogue by Maxwell Bodenheim | ||
| Old Wives’ Tale by Arthur Davison Ficke | ||
| Holy Writ by Arthur Davison Ficke | ||
| The Book of Lu T’ang Chu by Arthur Davison Ficke | ||
| Charmian’s Song by Aline Kilmer | ||
| For All Ladies of Shalott by Aline Kilmer | ||
| The Heart Knoweth Its Own Bitterness by Aline Kilmer | ||
| A Childish Tale by Edward Sapir | ||
| The Old Town by Edward Sapir | ||
| Overlooked by Edward Sapir | ||
| She Sits Vacant-eyed by Edward Sapir | ||
| Snow by Muriel Ciolkowska | ||
| Presence by Muriel Ciolkowska | ||
| Off the Highway by Julia Weld Huntington | ||
| Revelations by Amy Bonner | ||
| Poise by Amy Bonner | ||
| Charlotte Bronte by Blanche Dismorr | ||
| Trailing Arbutus by Ruth Mason Rice | ||
| Long Days by Dorothy McVickar | ||
| Heaphy Herself by Dorothy McVickar | ||
| Youth and Age by Elizabeth Hart Pennell | ||
| Two Sewing by Hazel Hall | ||
| Instruction by Hazel Hall | ||
| Three Songs for Sewing by Hazel Hall | ||
| Cowardice by Hazel Hall | ||
| Flash by Hazel Hall | ||
| Volume XVIII. No. 3. June, 1921 | ||
| Boys and Girls by Genevieve Taggard | ||
| Twenty-four Hokku on a Modern Theme by Amy Lowell | ||
| To Elizabeth by Jun Fujita | ||
| Spring by Jun Fujita | ||
| May Moon by Jun Fujita | ||
| Storm by Jun Fujita | ||
| November by Jun Fujita | ||
| A Leaf by Jun Fujita | ||
| December Moon by Jun Fujita | ||
| Echo by Jun Fujita | ||
| Goodfellowship by Moon Kwan, trans. | ||
| Lonely by Moon Kwan, trans. | ||
| The Hunchback by John Peale Bishop | ||
| Your Horses by Clifford Franklin Gessler | ||
| Nevertheless by Clifford Franklin Gessler | ||
| Concentric Circles by Clifford Franklin Gessler | ||
| Prayer by Clifford Franklin Gessler | ||
| God-lover by Muriel Safford | ||
| The Intangible Symphony by Mark Turbyfill | ||
| The Power of Nothing by Mark Turbyfill | ||
| Repletion by Mark Turbyfill | ||
| The Sea Storm by Mark Turbyfill | ||
| Things Not Seen by Mark Turbyfill | ||
| Cape Helles by Morris Gilbert | ||
| The Boulghar Dagh by Morris Gilbert | ||
| Prayer at Timber-line by Ruth Suckow | ||
| Beauty by Ruth Suckow | ||
| The Odd Ones by Ruth Suckow | ||
| Grampa Schuler by Ruth Suckow | ||
| Primaveral by Grace Hazard Conkling | ||
| Recompense by Anne Elizabeth Wilson | ||
| The Sweet Lady by Anne Elizabeth Wilson | ||
| Jeremiad by Marx G. Sabel | ||
| No Good Thing by Marx G. Sabel | ||
| The Strange Load by Marx G. Sabel | ||
| Volume XVIII. No. 4. July, 1921 | ||
| The Shop by Marjorie Allen Seiffert | ||
| Dingy Street by Marjorie Allen Seiffert | ||
| Interior by Marjorie Allen Seiffert | ||
| Cubist Portrait by Marjorie Allen Seiffert | ||
| Two Women by Marjorie Allen Seiffert | ||
| Portrait of a Lady by Marjorie Allen Seiffert | ||
| Dream-kiss by Marjorie Allen Seiffert | ||
| Shadow by Marjorie Allen Seiffert | ||
| As You Are Now by Marjorie Allen Seiffert | ||
| Nocturne by Marjorie Allen Seiffert | ||
| The Cornfield by Elizabeth Madox Roberts | ||
| The Pilaster by Elizabeth Madox Roberts | ||
| The Star by Elizabeth Madox Roberts | ||
| Water Noises by Elizabeth Madox Roberts | ||
| Crescent Moon by Elizabeth Madox Roberts | ||
| Strange Tree by Elizabeth Madox Roberts | ||
| A Child Asleep by Elizabeth Madox Roberts | ||
| My Heart by Elizabeth Madox Roberts | ||
| Fourth Dimension by Babette Deutsch | ||
| Overtones by Babette Deutsch | ||
| Reflections by Babette Deutsch | ||
| Knowledge by Babette Deutsch | ||
| In the Barn by Josephine Pinckney | ||
| Strange by Josephine Pinckney | ||
| The Outcast by Josephine Pinckney | ||
| Swamp Lilies by Josephine Pinckney | ||
| Forgotten by Harold Vinal | ||
| Numbers by Louis Golding | ||
| O Changing One by William A. Norris | ||
| There Was a Time by Oscar Williams | ||
| Clouds and Waves by Oscar Williams | ||
| Cobwebs by Oscar Williams | ||
| Grey by Oscar Williams | ||
| Rains by Oscar Williams | ||
| The Golden Fleece by Oscar Williams | ||
| Because by Oscar Williams | ||
| Motes by Oscar Williams | ||
| The Subway Is Lit by Oscar Williams | ||
| The Bubble by Oscar Williams | ||
| The Return by Oscar Williams | ||
| Volume XVIII. No. 5. August, 1921 | ||
| Advent by Charles R. Murphy | ||
| Sown by Charles R. Murphy | ||
| To Earth by Charles R. Murphy | ||
| Winter by Charles R. Murphy | ||
| Spring by Charles R. Murphy | ||
| Humility by Charles R. Murphy | ||
| Mid-May by Charles R. Murphy | ||
| Te Deum by David Osborne Hamilton | ||
| The Idiot by David Osborne Hamilton | ||
| Beauty in Fourth Street by David Osborne Hamilton | ||
| Our Time by David Osborne Hamilton | ||
| Memory by Margaret Belle Houston | ||
| All Souls’ Eve by Florence Kilpatrick Mixter | ||
| Chinese Epitaph by Florence Kilpatrick Mixter | ||
| Alchemy by Florence Kilpatrick Mixter | ||
| Invocation by Florence Kilpatrick Mixter | ||
| Lullaby by Florence Kilpatrick Mixter | ||
| It Vanished by Grace Hodsdon Boutelle | ||
| The Mountain Graveyard by DuBose Heyward | ||
| Innocent Sleep by Nancy Campbell | ||
| Dirge by Richard Hughes | ||
| Timelessness by Louise Townsend Nicholl | ||
| Folk-song—From the Danish by Antoinette DeCoursey Patterson | ||
| Lucrezia Borgia’s Last Letter by Antoinette DeCoursey Patterson | ||
| Invocation by Margaret DeLaughter | ||
| Pierrot and Columbine by Margaret DeLaughter | ||
| Requiem by Margaret DeLaughter | ||
| Toward Evening by Margaret DeLaughter | ||
| Love’s Passing by Gladys Edgerton | ||
| My Sepulchre by Gladys Edgerton | ||
| The Triple Shroud by Mason A. Freeman, Jr. | ||
| The Way by Mason A. Freeman, Jr. | ||
| Once More by Mason A. Freeman, Jr. | ||
| Epigrams by Mason A. Freeman, Jr. | ||
| From the Vedic by Mason A. Freeman, Jr. | ||
| So It Befell by Eda Lou Walton | ||
| Without Grief by Eda Lou Walton | ||
| I Would Be Free by Eda Lou Walton | ||
| Crisis by Eda Lou Walton | ||
| Despair by Eda Lou Walton | ||
| Now More Than Ever Divided by Eda Lou Walton | ||
| In Recompense by Eda Lou Walton | ||
| Volume XVIII. No. 6. September, 1921 | ||
| Louis Eleventh, Curious Man by John Strong Newberry, trans. | ||
| The Miraculous Catch by John Strong Newberry, trans. | ||
| The Lament of the Soldiers by John Strong Newberry, trans. | ||
| The Return by John Strong Newberry, trans. | ||
| The Little Silent Street by John Strong Newberry, trans. | ||
| Eternity by John Strong Newberry, trans. | ||
| Ominous Concord by Glenway Wescott | ||
| Without Sleep by Glenway Wescott | ||
| The Chaste Lovers by Glenway Wescott | ||
| To L. S. by Glenway Wescott | ||
| The Poet at Night-fall by Glenway Wescott | ||
| The Hunter by Glenway Wescott | ||
| Nadir by John Crawford | ||
| Sumach by John Crawford | ||
| Brackish Well by John Crawford | ||
| Endymion by John Crawford | ||
| Descent by Ivan Swift | ||
| At Night by Marian Thanhouser | ||
| She Longs for the Country by Marya Zaturensky | ||
| The Spinners at Willowsleigh by Marya Zaturensky | ||
| Song of a Factory Girl by Marya Zaturensky | ||
| A Song for Vanished Beauty by Marya Zaturensky | ||
| An Old Tale by Marya Zaturensky | ||
| Memories by Marya Zaturensky | ||
| Charles the Twelfth of Sweden Rides in the Ukraine by Rainer Maria Rilke | ||
| Volume XIX. No. 1. October, 1921 | ||
| Palace of the Babies by Wallace Stevens | ||
| From the Misery of Don Joost by Wallace Stevens | ||
| The Doctor of Geneva by Wallace Stevens | ||
| Gubbinal by Wallace Stevens | ||
| The Snow Man by Wallace Stevens | ||
| Tea at the Palaz of Hoon by Wallace Stevens | ||
| The Cuban Doctor by Wallace Stevens | ||
| Another Weeping Woman by Wallace Stevens | ||
| Of the Manner of Addressing Clouds by Wallace Stevens | ||
| Of Heaven Considered As a Tomb by Wallace Stevens | ||
| The Load of Sugar-cane by Wallace Stevens | ||
| Hibiscus on the Sleeping Shores by Wallace Stevens | ||
| City Wed by Loureine Aber | ||
| If by Loureine Aber | ||
| Elevator Man by Loureine Aber | ||
| Bereft by Loureine Aber | ||
| Old Man by Loureine Aber | ||
| Girl by Loureine Aber | ||
| Death by Loureine Aber | ||
| Joy by Maurine Smith | ||
| Ceremony by Maurine Smith | ||
| First Comer by Maurine Smith | ||
| Wind by Maurine Smith | ||
| Swallows Brush a Pool by Maurine Smith | ||
| To Get Wisdom by Karle Wilson Baker | ||
| Meekness and Pride by Karle Wilson Baker | ||
| Courage by Karle Wilson Baker | ||
| Not in the Whirlwind by Karle Wilson Baker | ||
| Keep My Hand by Louise Driscoll | ||
| Shadow Canyon by Miriam Allen deFord | ||
| Themes by Miriam Allen deFord | ||
| Will It Be Like This? by Miriam Allen deFord | ||
| Sic Passim by Joseph Andrew Galahad | ||
| Recalled by Joseph Andrew Galahad | ||
| Sea Quatrains by Grant H. Code | ||
| Song by Nelson Antrim Crawford | ||
| Lake by Nelson Antrim Crawford | ||
| Companionship by Nelson Antrim Crawford | ||
| Impotence by Nelson Antrim Crawford | ||
| Branches by Nelson Antrim Crawford | ||
| Fragment XXXVI by H. D. | ||
| Song by H. D. | ||
| At Baia by H. D. | ||
| Volume XIX. No. 2. November, 1921 | ||
| The Lions by Edwin Curran | ||
| The Jilt by Agnes Lee | ||
| The Blunted Age by Agnes Lee | ||
| From the Day-book of a Forgotten Prince by Jean Starr Untermeyer | ||
| A Fillet of Thorn by Anita Grannis | ||
| The Wages of Sin by Jessica Nelson North | ||
| Fog by Kathryn White Ryan | ||
| Geyser by John R. C. Peyton | ||
| Gargoyle by Kate Buss | ||
| Don Juan in Portugal by Florence Wilkinson | ||
| The Parade by Dorothy Butts | ||
| To the Hills around Northampton by Dorothy Butts | ||
| A Vanity by Dorothy Butts | ||
| Audience by Dorothy Butts | ||
| Listening by Dorothy Butts | ||
| May Basket by Dorothy Butts | ||
| The Transient by Dorothy Butts | ||
| Difference by Dorothy Butts | ||
| Please by Dorothy Butts | ||
| Gargoyles of Notre Dame by Henry Bellamann | ||
| Edges by Henry Bellamann | ||
| Lullaby by Henry Bellamann | ||
| Peaks by Henry Bellamann | ||
| God by Henry Bellamann | ||
| The Artist by Henry Bellamann | ||
| Volume XIX. No. 3. December, 1921 | ||
| I: Birth by Louise Ayres Garnett | ||
| II: Life by Louise Ayres Garnett | ||
| III: Death by Louise Ayres Garnett | ||
| IV: Re-birth by Louise Ayres Garnett | ||
| The Hostage by Walter de la Mare | ||
| Supernal Dialogue by Harriet Monroe | ||
| A Dream by Fenton Johnson | ||
| The Wonderful Morning by Fenton Johnson | ||
| The Captive by Dorothy Dow | ||
| Waiting by Dorothy Dow | ||
| Futility by Dorothy Dow | ||
| Bound by Dorothy Dow | ||
| Autumn Rain by Pearl Andelson | ||
| Steeples by Pearl Andelson | ||
| Portrait of an Old Lady by Pearl Andelson | ||
| To a Dead Love by Pearl Andelson | ||
| To Felix by Pearl Andelson | ||
| April Snow by Pearl Andelson | ||
| Solace by Pearl Andelson | ||
| Beach Song by Pearl Andelson | ||
| Song on Death by Pearl Andelson | ||
| Out of a Cavalcade of Dust by Pearl Andelson | ||
| Grey Crust by Laurence Vail | ||
| Will Power by Henry Saul Zolinsky | ||
| Pain by Henry Saul Zolinsky | ||
| Arpeggio by Winifred Waldron | ||
| Semper Eadem by Paul Tanaquil | ||
| Lake by Emanuel Carnevali | ||
| Sleep by Emanuel Carnevali | ||
| Aubade by Emanuel Carnevali | ||
| Encounter by Emanuel Carnevali | ||
| Sermon by Emanuel Carnevali | ||
| Hope by Emanuel Carnevali | ||
| Insomnia by Emanuel Carnevali | ||
| Smoke by Emanuel Carnevali | ||
| Funeral March by Emanuel Carnevali | ||
| Italian Song by Emanuel Carnevali | ||
| Old Accustomed Impudent Ghost by Emanuel Carnevali | ||
| Invocation to Death by Emanuel Carnevali | ||
| Volume XIX. No. 4. January, 1922 | ||
| The Witch of Coos by Robert Frost | ||
| Ode to Myself Trying to Sleep by Marjorie Meeker | ||
| In Darkness by Marjorie Meeker | ||
| By a Window by Marjorie Meeker | ||
| Song for a May Night by Marjorie Meeker | ||
| Color of Water by Marjorie Meeker | ||
| Lonely Sky and Sea by Marjorie Meeker | ||
| Comrades by Marjorie Meeker | ||
| First Snow by Esther Louise Ruble | ||
| Songs of the Plains by Glenn Ward Dresbach | ||
| I Shall Remember by Grace Fallow Norton | ||
| Shy Perfect Flower by Grace Fallow Norton | ||
| To Sappho by Julia R. Reynolds | ||
| Irish Song by Helen Coale Crew | ||
| On the Wing by Dorothy Keeley | ||
| I Ask for a Friend by Ernest Walsh | ||
| Sonnet by Ernest Walsh | ||
| The Fickle Lover by Ernest Walsh | ||
| Collapse by Ernest Walsh | ||
| Scherzo by Ellen Margaret Janson | ||
| Tryst by Ellen Margaret Janson | ||
| Incense Smoke by Ellen Margaret Janson | ||
| Night in the City by Ellen Margaret Janson | ||
| The Unknown by Ellen Margaret Janson | ||
| Wild Orchard by William Carlos Williams | ||
| The Lonely Street by William Carlos Williams | ||
| Spouts by William Carlos Williams | ||
| The Widow’s Lament in Springtime by William Carlos Williams | ||
| Volume XIX. No. 5. February, 1922 | ||
| Answering Vice-prefect Chang by Witter Bynner and Kiang Kung-hu, trans. | ||
| Bound Home to Mount Sung by Witter Bynner and Kiang Kung-hu, trans. | ||
| A Message to P’ai Ti by Witter Bynner and Kiang Kung-hu, trans. | ||
| On the Way to the Temple by Witter Bynner and Kiang Kung-hu, trans. | ||
| Mount Chung-Nan by Witter Bynner and Kiang Kung-hu, trans. | ||
| A View of the Han River by Witter Bynner and Kiang Kung-hu, trans. | ||
| In My Lodge at Wang-Ch’uan after a Long Rain by Witter Bynner and Kiang Kung-hu, trans. | ||
| My Retreat at Chung-Nan by Witter Bynner and Kiang Kung-hu, trans. | ||
| In a Retreat among Bamboos by Witter Bynner and Kiang Kung-hu, trans. | ||
| Lines by Witter Bynner and Kiang Kung-hu, trans. | ||
| A Parting by Witter Bynner and Kiang Kung-hu, trans. | ||
| A Song at Wei-ch’eng by Witter Bynner and Kiang Kung-hu, trans. | ||
| The Beautiful Hsi-Shih by Witter Bynner and Kiang Kung-hu, trans. | ||
| A Song of Young Girls from Lo-yang by Witter Bynner and Kiang Kung-hu, trans. | ||
| Harmonizing a Poem by Palace-attendant Kuo by Witter Bynner and Kiang Kung-hu, trans. | ||
| A Green Stream by Witter Bynner and Kiang Kung-hu, trans. | ||
| In Praise of Abrigada by Leonora Speyer | ||
| An Old Woman by Harlow Clarke | ||
| I Complain in Passing by Harlow Clarke | ||
| Winter Dawn by Constance Lindsay Skinner | ||
| From a Chicago “L” by Sarah-Margaret Brown | ||
| Fate by Harold Monro | ||
| Winter Rain by Frederick R. McCreary | ||
| A Naked Maple by Frederick R. McCreary | ||
| Noontime by Frederick R. McCreary | ||
| Judges by Frederick R. McCreary | ||
| Alone on the Hill by Frederick R. McCreary | ||
| Dust in the Road by Hi Simons | ||
| Taps by Hi Simons | ||
| The Star by Hi Simons | ||
| Portrait of an Old Roué by Hi Simons | ||
| Tak for Sidst by Babette Deutsch | ||
| The Guardians by Gwendolen Haste | ||
| Aileen by Gwendolen Haste | ||
| Motherhood by Medora C. Addison | ||
| The Lover by Paul Tanaquil | ||
| Fire by Eunice Tietjens | ||
| Volume XIX. No. 6. March, 1922 | ||
| Moon-riders by Carl Sandburg | ||
| Feather Lights by Carl Sandburg | ||
| The Naked Stranger by Carl Sandburg | ||
| Medley by Carl Sandburg | ||
| Gypsy Mother by Carl Sandburg | ||
| We Have a Day by Marion Strobel | ||
| Spring Morning by Marion Strobel | ||
| Tonight by Marion Strobel | ||
| The Silence Stirs Again by Marion Strobel | ||
| The Night by Marion Strobel | ||
| I Would Pretend by Marion Strobel | ||
| Admonition by Marion Strobel | ||
| Frightened Face by Marion Strobel | ||
| Daily Prayer by Marion Strobel | ||
| L’Envoi by Marion Strobel | ||
| The Shoe Factory by Ruth Harwood | ||
| Making Little Clothes by Ruth Harwood | ||
| Always and Always by Ruth Harwood | ||
| The Unloved by Alison Buchanan | ||
| Ecclesiastes by Morris Bishop | ||
| A New Hampshire Boy by Morris Bishop | ||
| Roads by Sarah Unna | ||
| Holiday Crowd by Hortense Flexner | ||
| Winged Victory by Hortense Flexner | ||
| Monologue from a Mattress by Louis Untermeyer | ||
| Volume XX. No. 1. April, 1922 | ||
| Dusk by DuBose Heyward | ||
| Edgar Allan Poe by DuBose Heyward | ||
| Matins by DuBose Heyward | ||
| Shadows by Hervey Allen | ||
| Sunshine by Hervey Allen | ||
| Macabre in Macaws by Hervey Allen | ||
| Hag-hollerin’ Time by Hervey Allen | ||
| Upstairs Downstairs by Hervey Allen | ||
| Palmetto Town by Hervey Allen | ||
| High Trees by Henry Bellamann | ||
| Recordition by Marx G. Sabel | ||
| The Core by Marx G. Sabel | ||
| When Love Is Gone by Louise Jones | ||
| Impressions by Elfrida De Renne Barrow | ||
| Recognition by Elfrida De Renne Barrow | ||
| Twilight by Elfrida De Renne Barrow | ||
| Death by Elfrida De Renne Barrow | ||
| I Wonder by Elfrida De Renne Barrow | ||
| Spring Makes Me Wonder by Josephine Pinckney | ||
| Sea Marsh by Frances Dickenson Pinder | ||
| Marsh Pools by Frances Dickenson Pinder | ||
| Shallows by Frances Dickenson Pinder | ||
| Open a Door by May Thomas Milam | ||
| Jenice by May Thomas Milam | ||
| Harbor Water by Beatrice Ravenel | ||
| White Azaleas in Magnolia Gardens by Beatrice Ravenel | ||
| Dew by Beatrice Ravenel | ||
| The Only Child by Beatrice Ravenel | ||
| Lill’ Angels by Beatrice Ravenel | ||
| Volume XX. No. 2. May, 1922 | ||
| Los Llanos by William H. Simpson | ||
| Hopi Song of the Desert by William H. Simpson | ||
| Yucca Is Yellowing by William H. Simpson | ||
| Bareback by William H. Simpson | ||
| Rain in the Hills by William H. Simpson | ||
| Navajo by William H. Simpson | ||
| Tewa Song by William H. Simpson | ||
| Desert Night by William H. Simpson | ||
| Mañana by William H. Simpson | ||
| Burro Loads by William H. Simpson | ||
| Landscape by William H. Simpson | ||
| Trees by William H. Simpson | ||
| Country Night by William H. Simpson | ||
| Inarticulate by William H. Simpson | ||
| So Little You Are by William H. Simpson | ||
| De Noche by William H. Simpson | ||
| The Trail Up-sky by William H. Simpson | ||
| Campo Santo by William H. Simpson | ||
| Promenading by Carlyle McIntyre | ||
| The Scissor-grinder by Carlyle McIntyre | ||
| The Visit by Carlyle McIntyre | ||
| I Have Waited for You Long by Joseph Auslander | ||
| Little Lou by Joseph Auslander | ||
| A Psalm for Cathleen Ni Hoolihan by David Greenhood | ||
| Liberty by David Greenhood | ||
| In Western Mountains by Glenn Ward Dresbach | ||
| Question by Flora Shufelt Rivola | ||
| Burnt out by Kemper Hammond Broadus | ||
| Blizzard by Kemper Hammond Broadus | ||
| A Portrait by Mildred Weston | ||
| Creeds by John H. Gavin | ||
| Immortality by John H. Gavin | ||
| Silver Fog by Winifred Welles | ||
| A Year by Raymond P. Fischer | ||
| Volume XX. No. 3. June, 1922 | ||
| Conversation by Isidor Schneider | ||
| The Mist by Isidor Schneider | ||
| A Mood by Joseph Andrew Galahad | ||
| Night above the Tree Line by Raymond Holden | ||
| These Fields at Evening by David Morton | ||
| Maxixe by Osbert Sitwell | ||
| Friendship by Daniel Henderson | ||
| The Ship by Elizabeth Coatsworth | ||
| The Cows by Elizabeth Coatsworth | ||
| Stream by Elizabeth Coatsworth | ||
| Broadway by Elizabeth Coatsworth | ||
| At Versailles by Elizabeth Coatsworth | ||
| Portrait of a House by Mary Carolyn Davies | ||
| The Last of the Cowboys by Mary Carolyn Davies | ||
| Your Words by Athena McFadden | ||
| Owl-blasted by John McClure | ||
| Fantasy by Helen C. Russmann | ||
| Moonlight by Kathryn White Ryan | ||
| Convent by Kathryn White Ryan | ||
| Old Age by Alva N. Turner | ||
| Our Sorrow by Alva N. Turner | ||
| Margarette by Alva N. Turner | ||
| Bit of Curls by Meredith Beyers | ||
| Fat Man by Meredith Beyers | ||
| Typhoon by Robert J. Roe | ||
| Sea by Robert J. Roe | ||
| Wind by Robert J. Roe | ||
| Moon by Robert J. Roe | ||
| Cautious by Robert J. Roe | ||
| Apparition by Robert J. Roe | ||
| Sailor by Robert J. Roe | ||
| Barney by Robert J. Roe | ||
| Insight by Robert J. Roe | ||
| Jock by Robert J. Roe | ||
| Stars by Robert J. Roe | ||
| Meinself by Robert J. Roe | ||
| Volume XX. No. 4. July, 1922 | ||
| Pianissimo by Alfred Kreymborg | ||
| In the Dark City by John Hall Wheelock | ||
| On the Train by Harriet Monroe | ||
| At O’Neill’s Point by Harriet Monroe | ||
| In the Yellowstone by Harriet Monroe | ||
| Utah by Harriet Monroe | ||
| In High Places by Harriet Monroe | ||
| The White Moth by Rosamond Langbridge | ||
| The Gentle Housewife by Rosamond Langbridge | ||
| Full of Laughter by Louis Golding | ||
| Syncrasy by A. A. Rosenthal | ||
| King Alfred and the Peasant Woman by Anna Wickham | ||
| A Poet Advises a Change of Clothes by Anna Wickham | ||
| Prediction by Morris Gilbert | ||
| The Spilling of the Wine by Lola Ridge | ||
| Snow Dance for the Dead by Lola Ridge | ||
| The White Bird by Lola Ridge | ||
| Volume XX. No. 5. August, 1922 | ||
| The Sonnet by Muna Lee | ||
| The Sleeper by Jessica Nelson North | ||
| First Autumn by Jessica Nelson North | ||
| Dreams by Jessica Nelson North | ||
| Suddenly by Jessica Nelson North | ||
| Bogie by Jessica Nelson North | ||
| Boatman by Jessica Nelson North | ||
| To the Man Who Loves Twilight by Jessica Nelson North | ||
| Your Hands by Florence Ripley Mastin | ||
| From the Telephone by Florence Ripley Mastin | ||
| Elders by Louise Bogan | ||
| Resolve by Louise Bogan | ||
| Knowledge by Louise Bogan | ||
| Leave-taking by Louise Bogan | ||
| To a Dead Lover by Louise Bogan | ||
| An Old Man’s Song of Spring by Louise S. Hammond, trans. | ||
| Seeking the Hermit in Vain by Louise S. Hammond, trans. | ||
| On Being Denied Admittance to a Friend’s Garden by Louise S. Hammond, trans. | ||
| The Sudden Coming of Spring by Louise S. Hammond, trans. | ||
| Night-time in Spring by Louise S. Hammond, trans. | ||
| The Spree by Katherine Wisner McCluskey | ||
| Transit by Katherine Wisner McCluskey | ||
| A Parable by Katherine Wisner McCluskey | ||
| Wholly Happy by Katherine Wisner McCluskey | ||
| The Sky by Elizabeth Madox Roberts | ||
| Numbers by Elizabeth Madox Roberts | ||
| Autumn by Elizabeth Madox Roberts | ||
| The People by Elizabeth Madox Roberts | ||
| A Beautiful Lady by Elizabeth Madox Roberts | ||
| August Night by Elizabeth Madox Roberts | ||
| Snow Morning by Hilda Conkling | ||
| What I Said by Hilda Conkling | ||
| Little Green Bermuda Poem by Hilda Conkling | ||
| When Moonlight Falls by Hilda Conkling | ||
| Elsa by Hilda Conkling | ||
| Cloudy-pansy by Hilda Conkling | ||
| Field-mouse by Hilda Conkling | ||
| “I Wondered and Wondered” by Hilda Conkling | ||
| Volume XX. No. 6. September, 1922 | ||
| My Country by Laura Sherry | ||
| A Native by Laura Sherry | ||
| Nothin’—Somethin’ by Laura Sherry | ||
| Howard Bently by Laura Sherry | ||
| Grand-dad’s Bluff by Laura Sherry | ||
| In Mist by Laura Sherry | ||
| Light Magic by Laura Sherry | ||
| Late Autumn in the Hills by Laura Sherry | ||
| The Season by Laura Sherry | ||
| Laughter by Emmy Veronica Sanders | ||
| Into These Things by Emmy Veronica Sanders | ||
| Passing by Emmy Veronica Sanders | ||
| Hill Speech by Emmy Veronica Sanders | ||
| “All Roads Lead to Rome” by Louis Grudin | ||
| Jest by Louis Grudin | ||
| Anguish by Sally Bruce Kinsolving | ||
| Duet by Leonora Speyer | ||
| At the Hospital for the Insane by Leonora Speyer | ||
| Song Overheard by Leonora Speyer | ||
| Kind Fate by Leonora Speyer | ||
| The Stronghold by Leonora Speyer | ||
| Looking on by Leonora Speyer | ||
| A Truth about a Lie by Leonora Speyer | ||
| Couplets by Leonora Speyer | ||
| Lamentation by Iris Barry | ||
| Virgin Moon by Iris Barry | ||
| An Unposted Letter by Iris Barry | ||
| Nocturne by Iris Barry | ||
| Beauty by Leon Herald | ||
| My Wedding by Leon Herald | ||
| In Your Eyes by Leon Herald | ||
| Triad by Arthur H. Nethercot | ||
| A Walking Poem by Edward Sapir | ||
| The Little Deity Alone in the Desert by Yvor Winters | ||
| Late Winter by Yvor Winters | ||
| A Requiem for the Memory of Bees by Yvor Winters | ||
| Chicago Spring by Yvor Winters | ||
| Old Spring by Yvor Winters | ||
| The Silent Days by Yvor Winters | ||
| Lament, beside an Acequia, for the Wife of Awa-tsireh by Yvor Winters | ||
| “The Fragile Season” by Yvor Winters | ||
| Volume XXI. No. 1. October, 1922 | ||
| Avenel Gray by Edwin Arlington Robinson | ||
| Diagonals by Aline Kilmer | ||
| Ignis Fatuus by Aline Kilmer | ||
| Week-end by Aline Kilmer | ||
| Release by Aline Kilmer | ||
| Escape by Aline Kilmer | ||
| Open Hands by H. L. Davis | ||
| Dog-fennel by H. L. Davis | ||
| The Seeker by Antoinette De Coursey Patterson | ||
| The Line Fence by Edwin Ford Piper | ||
| Care by Janet Norris Bangs | ||
| Gender by Jewell Bothwell Tull | ||
| Foolish Bird by Jewell Bothwell Tull | ||
| Gray River by Jewell Bothwell Tull | ||
| Sum by Jewell Bothwell Tull | ||
| God-like by Jewell Bothwell Tull | ||
| Gone under by Cecil John | ||
| The White Father by Cecil John | ||
| The Toss by Cecil John | ||
| Old Courtesan’s Lament by Dhan Gopal Mukerji | ||
| Worlds by Edgar Lee Masters | ||
| Volume XXI. No. 2. November, 1922 | ||
| The Evening Land by D. H. Lawrence | ||
| Turkey-cock by D. H. Lawrence | ||
| In Their Image by Muriel Stuart | ||
| The Seed-shop by Muriel Stuart | ||
| In the Orchard by Muriel Stuart | ||
| Sixteen by Edward Pickerill | ||
| Father, Where do the Wild Swans Go? by Charles Wharton Stork, trans. | ||
| Bus-ride in a Fog by V. H. Friedlaender | ||
| Black London by Samuel Roth | ||
| North Ohio Village by Frederick Shea Jesson | ||
| The Housewife by Mildred Plew Merryman | ||
| Old Folk by Mildred Plew Merryman | ||
| Autumn by Francesca Rios | ||
| “Picture Ahead” by John V. A. Weaver | ||
| Dilemma by John V. A. Weaver | ||
| Dialogue by Florence Kiper Frank | ||
| Married by Florence Kiper Frank | ||
| Interior by Florence Kiper Frank | ||
| Baby by Florence Kiper Frank | ||
| Symphonie Pathétique by Robert J. Roe | ||
| Portrait of a Man by Robert J. Roe | ||
| Apprentice by Robert J. Roe | ||
| Cortège by Robert J. Roe | ||
| Death by Robert J. Roe | ||
| Volume XXI. No. 3. December, 1922 | ||
| Charleston, South Carolina by Amy Lowell | ||
| The Middleton Place by Amy Lowell | ||
| Magnolia Gardens by Amy Lowell | ||
| A South Carolina Forest by Amy Lowell | ||
| The Vow by Amy Lowell | ||
| Monody to the Sound of Zithers by Kay Boyle | ||
| Sestina by Henry Dumont | ||
| Lullaby of the Outcast by Ruth Tenney | ||
| Noon in the Temple by Ruth Tenney | ||
| Last Song by Frances Morrison | ||
| Dawn by H. W. Stewart | ||
| Reverie by H. W. Stewart | ||
| Anguish by Doris Campbell | ||
| Standards by Harold Cook | ||
| Never Did I Dream by Harold Cook | ||
| Giving by Nora B. Cunningham | ||
| Grandmother by Alter Brody | ||
| After Storm by Louise Redfield | ||
| Philosophic Dialogue by Pearl Andelson | ||
| Chapter I–V by Pearl Andelson | ||
| Thin Refuge by Pearl Andelson | ||
| Out of a Weariness by Pearl Andelson | ||
| A Trivial Day in Early Autumn by Pearl Andelson | ||
| Sea-girl by Pearl Andelson | ||
| Night by Wilhelm Klemm | ||
| What Will You Do? by Rainer Maria Rilke | ||
| An Old Woman Passes by Franz Werfel | ||
| Evening by Georg Heym | ||
| Homer by Albert Ehrenstein | ||
| Rococo by Richard Schaukal | ||
| From Phantasus by Arno Holz | ||