Benvenuto Cellini (15001571). Autobiography. The Harvard Classics. 190914.
WHEN I reached Rome, I went to lodge in Bindo Altovitis house. He told me at once how he had shown his bronze bust to Michel Agnolo, and how the latter had praised it. So we spoke for some length upon this topic. I ought to narrate the reasons why I had taken this portrait. Bindo had in his hands 1200 golden crowns of mine, which formed part of 5000 he had lent the Duke; 4000 were his own, and mine stood in his name, while I received that portion of the interest which accrued to me.1 This led to my taking his portrait; and when he saw the wax model for the bust, he sent me fifty golden scudi by a notary in his employ, named Ser Giuliano Paccalli. I did not want to take the money, so I sent it back to him by the same hand, saying at a later time to Bindo: I shall be satisfied if you keep that sum of mine for me at interest, so that I may gain a little on it. When we came to square accounts on this occasion, I observed that he was ill disposed towards me, since, instead of treating me affectionately, according to his previous wont, he put on a stiff air; and although I was staying in his house, he was never good-humoured, but always surly. However, we settled our business in a few words. I sacrificed my pay for his portrait, together with the bronze, and we arranged that he should keep my money at 15 per cent. during my natural life.