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| NOT 1 to know vice at all, and keep true state, 2 | |
| Is virtue, and not fate: | |
| Next to that virtue is to know vice well, | |
| And her black spite expel. | |
| Which to effect (since no breast is so sure, | 5 |
| Or safe, but shell procure | |
| Some way of entrance) we must plant a guard | |
| Of thoughts to watch and ward | |
| At th eye and ear, the ports unto the mind, | |
| That no strange or unkind | 10 |
| Object arrive there, but the heart, our spy, | |
| Give knowledge instantly | |
| To wakeful reason, our affections king: | |
| Who, in th examining, | |
| Will quickly taste the treason, and commit | 15 |
| Close, the close cause 3 of it. | |
| Tis the securest policy we have, | |
| To make our sense our slave. | |
| But this true course is not embraced by many: | |
| By many? scarce by any. | 20 |
| For either our affections do rebel, | |
| Or else the sentinel, | |
| That should ring larum 4 to the heart, doth sleep: | |
| Or some great thought doth keep | |
| Back the intelligence, and falsely swears | 25 |
| Theyre base and idle fears | |
| Whereof the loyal conscience so complains. | |
| Thus, by these subtle trains, | |
| Do several passiòns 5 invade the mind, | |
| And strike our reason blind: | 30 |
| Of which usurping rank, some have thought love | |
| The first, as prone to move | |
| Most frequent tumults, horrors, and unrests, | |
| In our inflamèd breasts: | |
| But this doth from the cloud of error grow, | 35 |
| Which thus we over-blow. | |
| The thing they here call Love is blind Desire, | |
| Armed with bow, shafts, and fire; | |
| Inconstant, like the sea, of whence t is born, | |
| Rough, swelling, like a storm; | 40 |
| With whom who sails, rides 6 on the surge of fear, | |
| And boils as if he were | |
| In a continual tempest. Now, true Love | |
| No such effects doth prove; 7 | |
| That is an essence far more gentle, fine, | 45 |
| Pure, perfect, nay, divine; | |
| It is a golden chain 8 let down from heaven, | |
| Whose links are bright and even, | |
| That falls like sleep on lovers, and combines | |
| The soft and sweetest minds | 50 |
| In equal knots: this bears no brands nor darts, | |
| To murther different hearts, | |
| But in a calm and godlike unity | |
| Preserves community. | |
| O, who is he that in this peace, enjoys | 55 |
| Th elixir of all joys? | |
| A form more fresh than are the Eden bowers, | |
| And lasting as her flowers: | |
| Richer than Time, and as Times virtue rare: | |
| Sober, as saddest care; | 60 |
| A fixèd thought, an eye untaught to glance: | |
| Who, blest with such high chance, | |
| Would, at suggestion of a steep desire, 9 | |
| Cast himself from the spire | |
| Of all his happiness? But, soft, I hear | 65 |
| Some vicious fool draw near, | |
| That cries we dream, and swears theres no such thing | |
| As this chaste love we sing. | |
| Peace, Luxury, thou art like one of those | |
| Who, being at sea, suppose, | 70 |
| Because they move, the continent doth so. | |
| No, Vice, we let thee know, | |
| Though thy wild thoughts with sparrows wings 10 do fly, | |
| Turtles can chastely die. | |
| And yet (in this t express ourselves more clear) | 75 |
| We do not number here | |
| Such spirits as are only continent | |
| Because lusts means are spent; | |
| Or those who doubt the common mouth of fame, | |
| And for their place and name | 80 |
| Cannot so safely sin. Their chastity | |
| Is mere necessity. | |
| Nor mean we those whom vows and conscience | |
| Have filled with abstinence: | |
| Though we acknowledge, who can so abstain | 85 |
| Makes a most blessèd gain; | |
| He that for love of goodness hateth ill | |
| Is more crown-worthy still | |
| Than he, which for sins penalty forbears: | |
| His heart sins, though he fears. | 90 |
| But we propose a person like our Dove, | |
| Gracd with a Phnix love; | |
| A beauty of that clear and sparkling light, | |
| Would make a day of night, | |
| And turn the blackest sorrows to bright joys: | 95 |
| Whose odrous breath destroys | |
| All taste of bitterness, and makes the air | |
| As sweet as she is fair. | |
| A body so harmoniously composed, | |
| As if nature disclosed | 100 |
| All her best symmetry in that one feature! | |
| O, so divine a creature, | |
| Who could be false to? chiefly when he knows | |
| How only 11 she bestows | |
| The wealthy treasure of her love on him; | 105 |
| Making his fortunes swim | |
| In the full flood of her admired perfection? | |
| What savage, brute affection | |
| Would not be fearful to offend a dame | |
| Of this excelling frame? | 110 |
| Much more a noble and right generous mind | |
| To virtuous moods inclined, | |
| That knows the weight of guilt: 12 he will refrain | |
| From thoughts of such a strain; | |
| And to his sense object this sentence ever, | 115 |
| Man may securely sin, but safely never. | |
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| Note 1. This poem originally appeared in Loves Martyr or Rosalins Complaint. Allegorically shadowing the truth of Love, in the constant Fate of the Phnix and Turtle. A poem
now first translated out of the venerable Italian Torquato Cæliano by Robert Chester. To these are added some new compositions of several modern writers, whose names are subscribed to their several Works; upon the first subject, viz.: The Phnix and Turtle. The poem was reprinted in The Forest, folio 1616. Mr. Swinburne says of this poem: In The Admirable Epode, as Gifford calls it,
though there is remarkable energy of expression, the irregularity and inequality of style are at least as conspicuous as the occasional vigour and the casual felicity of phrase. But if all were as good as the best passages, this early poem of Jonsons would undoubtedly be very good indeed. Take for instance the description or definition of true love: That is an essence far more gentle, fine, etc. [Lines 4550.] Again: O, who is he that in this peace enjoys, etc. [Lines 5565.] And few of Jonsons many moral or gnomic passages are finer than the following: He that for love of goodness hateth ill, etc. [Lines 8790.] This metre, though very liable to the danger of monotony, is to my ear very pleasant. (A Study of Ben Jonson, 1889.) [back] |
| Note 2. State: status, equilibrium. [back] |
| Note 3. Close cause: secret cause. [back] |
| Note 4. Larum: alarm. [back] |
| Note 5. Passions: the final ion is frequently made dissyllabic in Elizabethan verse. Cf. No. 630, line 23. [back] |
| Note 6. With whom, who rides: whom refers to Blind Desire (line 37), who = whoever. [back] |
| Note 7. Prove: experience. [back] |
Note 8. A golden chain. Cf. these lines from Jonsons Hymenaei, a Masque, 1606, referred by a marginal note to Iliad, viii., 19:| | Such was the golden chain let down from Heaven; |
| And not those links more even |
| Than these: so sweetly tempered, so combined |
| By union, and refined. |
|
| Note 9. Lines 6365, At suggestion of a steep desire, etc. Professor Kittredge suggests that a steep desire is a precipitous desire, a desire into which a man casts himself headlong; suggestion implies temptation. The figure is evidently inspired by the temptation of Jesus from the pinnacle of the temple. [back] |
| Note 10. Sparrows wings: the sparrow was sacred to Venus. [back] |
| Note 11. Only: exclusively. [back] |
Note 12. That knows the weight of guilt: Cf. Seneca:| | Quid poena præsens, consciæ mentis pavor; |
| Animusque culpa plenus, et semet timens? |
| Scelus aliquatutum nulla securum tulit. |
| (Hippolytus, i., 162 et seq.) |
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