Nonfiction > E.C. Stedman & E.M. Hutchinson, eds. > A Library of American Literature > 1835–1860
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Stedman and Hutchinson, comps.  A Library of American Literature:
An Anthology in Eleven Volumes.  1891.
Vols. VI–VIII: Literature of the Republic, Part III., 1835–1860
 
“Hebe Turned to Magdalen”
By Thomas Wentworth Higginson (1823–1911)
 
[Water-Lilies.—Out-Door Papers. 1863.]

CONSIDER the lilies. All over our rural watercourses, at midsummer, float these cups of snow. They are Nature’s symbols of coolness. They suggest to us the white garments of their Oriental worshippers. They come with the white roses, and prepare the way for the white lilies of the garden. The white doe of Rylstone and Andrew Marvell’s fawn might fitly bathe amid their beauties. Yonder steep bank slopes down to the lakeside, one solid mass of pale pink laurel, but, once upon the water, a purer tint prevails. The pink fades into a lingering flush, and the white creature floats peerless, set in green without and gold within. That bright circle of stamens is the very ring with which the doges once wedded the Adriatic; Venice has lost it, but it dropped into the water-lily’s bosom, and there it rests forever. So perfect in form, so redundant in beauty, so delicate, so spotless, so fragrant,—what presumptuous lover ever dared, in his most enamored hour, to liken his mistress to a water-lily? No human Blanche or Lilian was ever so fair as that….
  1
  After speaking of the various kindred of the water-lily, it would be wrong to leave our fragrant subject without due mention of its most magnificent, most lovely relative, at first claimed even as its twin sister, and classed as a Nymphæa. I once lived near neighbor to a Victoria Regia. Nothing in the world of vegetable existence has such a human interest. The charm is not in the mere size of the plant, which disappoints everybody, as Niagara does, when tried by that sole standard. The leaves of the Victoria, indeed, attain a diameter of six feet; the largest flowers, of twenty-three inches,—four times the size of the largest of our water-lilies. But it is not the measurements of the Victoria: it is its life which fascinates. It is not a thing merely of dimensions, nor merely of beauty, but a creature of vitality and motion. Those vast leaves expand and change almost visibly. They have been known to grow half an inch an hour, eight inches a day. Rising one day from the water, a mere clenched mass of yellow prickles, a leaf is transformed the next day to a crimson salver, gorgeously tinted on its upturned rim. Then it spreads into a raft of green, armed with long thorns, and supported by a framework of ribs and cross-pieces, an inch thick, and so substantial that the Brazil Indians, while gathering the seed-vessels, place their young children on the leaves;—yrupe, or water-platter, they call the accommodating plant. But even these expanding leaves are not the glory of the Victoria; the glory is in the opening of the flower.  2
  I have sometimes looked in, for a passing moment, at the greenhouse, its dwelling-place, during the period of flowering, and then stayed for more than an hour, unable to leave the fascinating scene. After the strange flower-bud has reared its dark head from the placid tank, moving it a little, uneasily, like some imprisoned water-creature, it pauses for a moment in a sort of dumb despair. Then trembling again, and collecting all its powers, it thrusts open, with an indignant jerk, the rough calyx-leaves, and the beautiful disrobing begins. The firm, white, central cone, first so closely infolded, quivers a little, and swiftly, before your eyes, the first of the hundred petals detaches its delicate edges, and springs back, opening towards the water, while its white reflection opens to meet it from below. Many moments of repose follow,—you watch,—another petal trembles, detaches, springs open, and is still. Then another, and another, and another. Each movement is so quiet, yet so decided, so living, so human, that the radiant creature seems a Musidora of the water, and you almost blush with a sense of guilt, in gazing on that peerless privacy. As petal by petal slowly opens, there still stands the central cone of snow, a glacier, an alp, a jungfrau, while each avalanche of whiteness seems the last. Meanwhile a strange rich odor fills the air, and Nature seems to concentrate all fascinations and claim all senses for this jubilee of her darling.  3
  So pass the enchanted moments of the evening, till the fair thing pauses at last, and remains for hours unchanged. In the morning, one by one, those white petals close again, shutting all their beauty in, and you watch through the short sleep for the period of waking. Can this bright transfigured creature appear again, in the same chaste loveliness? Your fancy can scarcely trust it, fearing some disastrous change; and your fancy is too true a prophet. Come again, after the second day’s opening, and you start at the transformation which one hour has secretly produced. Can this be the virgin Victoria,—this thing of crimson passion, this pile of pink and yellow, relaxed, expanded, voluptuous, lolling languidly upon the water, never to rise again? In this short time every tint of every petal is transformed; it is gorgeous in beauty, but it is “Hebe turned to Magdalen.”  4
 
 
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