Reference > William Shakespeare > The Oxford Shakespeare > A Midsummer-Night’s Dream > Act IV. Scene I.
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William Shakespeare (1564–1616).  The Oxford Shakespeare.  1914.

A Midsummer-Night’s Dream

Act IV. Scene I.


A Wood.LYSANDER, DEMETRIUS, HELENA and HERMIA lying asleep.
 
  
Enter TITANIA and BOTTOM, Fairies attending; OBERON behind unseen.
 
  Tita.  Come, sit thee down upon this flowery bed, 
  While I thy amiable cheeks do coy,   4
And stick musk-roses in thy sleek smooth head, 
And kiss thy fair large ears, my gentle joy. 
  Bot.  Where’s Pease-blossom? 
  Peas.  Ready.   8
  Bot.  Scratch my head, Pease-blossom. Where’s Mounsieur Cobweb? 
  Cob.  Ready. 
  Bot.  Mounsieur Cobweb, good mounsieur, get your weapons in your hand, and kill me a redhipped humble-bee on the top of a thistle; and, good mounsieur, bring me the honey-bag. Do not fret yourself too much in the action, mounsieur; and, good mounsieur, have a care the honey-bag break not; I would be loath to have you overflown with a honey-bag, signior. Where’s Mounsieur Mustard-seed? 
  Must.  Ready.  12
  Bot.  Give me your neaf, Mounsieur Mustard-seed. Pray you, leave your curtsy, good mounsieur. 
  Must.  What’s your will? 
  Bot.  Nothing, good mounsieur, but to help Cavalery Cobweb to scratch. I must to the barber’s, mounsieur, for methinks I am marvellous hairy about the face; and I am such a tender ass, if my hair do but tickle me, I must scratch. 
  Tita.  What, wilt thou hear some music, my sweet love?  16
  Bot.  I have a reasonable good ear in music: let us have the tongs and the bones. 
  Tita.  Or say, sweet love, what thou desir’st to eat. 
  Bot.  Truly, a peck of provender: I could munch your good dry oats. Methinks I have a great desire to a bottle of hay: good hay, sweet hay, hath no fellow. 
  Tita.  I have a venturous fairy that shall seek  20
The squirrel’s hoard, and fetch thee thence new nuts. 
  Bot.  I had rather have a handful or two of dried pease. But, I pray you, let none of your people stir me: I have an exposition of sleep come upon me. 
  Tita.  Sleep thou, and I will wind thee in my arms. 
Fairies, be gone, and be all ways away.  [Exeunt Fairies.  24
So doth the woodbine the sweet honeysuckle 
Gently entwist; the female ivy so 
Enrings the barky fingers of the elm. 
O! how I love thee; how I dote on thee!  [They sleep.  28
  
Enter PUCK.
 
  Obe.  [Advancing.] Welcome, good Robin. See’st thou this sweet sight? 
Her dotage now I do begin to pity: 
For, meeting her of late behind the wood,  32
Seeking sweet favours for this hateful fool, 
I did upbraid her and fall out with her; 
For she his hairy temples then had rounded 
With coronet of fresh and fragrant flowers;  36
And that same dew, which sometime on the buds 
Was wont to swell like round and orient pearls, 
Stood now within the pretty flowerets’ eyes 
Like tears that did their own disgrace bewail.  40
When I had at my pleasure taunted her, 
And she in mild terms begg’d my patience, 
I then did ask of her her changeling child; 
Which straight she gave me, and her fairy sent  44
To bear him to my bower in fairy land. 
And now I have the boy, I will undo 
This hateful imperfection of her eyes: 
And, gentle Puck, take this transformed scalp  48
From off the head of this Athenian swain, 
That he, awaking when the other do, 
May all to Athens back again repair, 
And think no more of this night’s accidents  52
But as the fierce vexation of a dream. 
But first I will release the fairy queen.  [Touching her eyes with an herb. 
    Be as thou wast wont to be; 
    See as thou wast wont to see:  56
    Dian’s bud o’er Cupid’s flower 
    Hath such force and blessed power. 
Now, my Titania; wake you, my sweet queen. 
  Tita.  My Oberon! what visions have I seen!  60
Methought I was enamour’d of an ass. 
  Obe.  There lies your love. 
  Tita.        How came these things to pass? 
O! how mine eyes do loathe his visage now.  64
  Obe.  Silence, awhile. Robin, take off this head. 
Titania, music call; and strike more dead 
Than common sleep of all these five the sense. 
  Tita.  Music, ho! music! such as charmeth sleep.  [Music.  68
  Puck.  When thou wak’st, with thine own fool’s eyes peep. 
  Obe.  Sound, music! [Still, music.] Come, my queen, take hands with me, 
And rock the ground whereon these sleepers be. 
Now thou and I are new in amity,  72
And will to-morrow midnight solemnly 
Dance in Duke Theseus’ house triumphantly, 
And bless it to all fair prosperity. 
There shall the pairs of faithful lovers be  76
Wedded, with Theseus, all in jollity. 
  Puck.  Fairy king, attend, and mark: 
    I do hear the morning lark. 
  Obe.  Then, my queen, in silence sad,  80
    Trip we after the night’s shade; 
    We the globe can compass soon, 
    Swifter than the wandering moon. 
  Tita.  Come, my lord; and in our flight  84
    Tell me how it came this night 
    That I sleeping here was found 
    With these mortals on the ground.  [Exeunt. Horns winded within. 
  
Enter THESEUS, HIPPOLYTA, EGEUS, and Train.
  88
  The.  Go, one of you, find out the forester; 
For now our observation is perform’d; 
And since we have the vaward of the day, 
My love shall hear the music of my hounds.  92
Uncouple in the western valley; let them go: 
Dispatch, I say, and find the forester. 
We will, fair queen, up to the mountain’s top, 
And mark the musical confusion  96
Of hounds and echo in conjunction. 
  Hip.  I was with Hercules and Cadmus once, 
When in a wood of Crete they bay’d the bear 
With hounds of Sparta: never did I hear 100
Such gallant chiding; for, besides the groves, 
The skies, the fountains, every region near 
Seem’d all one mutual cry. I never heard 
So musical a discord, such sweet thunder. 104
  The.  My hounds are bred out of the Spartan kind, 
So flew’d, so sanded; and their heads are hung 
With ears that sweep away the morning dew; 
Crook-knee’d, and dew-lapp’d like Thessalian bulls; 108
Slow in pursuit, but match’d in mouth like bells, 
Each under each. A cry more tuneable 
Was never holla’d to, nor cheer’d with horn, 
In Crete, in Sparta, nor in Thessaly: 112
Judge, when you hear. But, soft! what nymphs are these? 
  Ege.  My lord, this is my daughter here asleep; 
And this, Lysander; this Demetrius is; 
This Helena, old Nedar’s Helena: 116
I wonder of their being here together. 
  The.  No doubt they rose up early to observe 
The rite of May, and, hearing our intent, 
Came here in grace of our solemnity. 120
But speak, Egeus, is not this the day 
That Hermia should give answer of her choice? 
  Ege.  It is, my lord. 
  The.  Go, bid the huntsmen wake them with their horns.  [Horns and shout within.LYSANDER, DEMETRIUS, HERMIA, and HELENA, wake and start up. 124
Good morrow, friends. Saint Valentine is past: 
Begin these wood-birds but to couple now? 
  Lys.  Pardon, my lord.  [He and the rest kneel. 
  The.        I pray you all, stand up. 128
I know you two are rival enemies: 
How comes this gentle concord in the world, 
That hatred is so far from jealousy, 
To sleep by hate, and fear no enmity? 132
  Lys.  My lord, I shall reply amazedly, 
Half sleep, half waking: but as yet, I swear, 
I cannot truly say how I came here; 
But, as I think,—for truly would I speak, 136
And now I do bethink me, so it is,— 
I came with Hermia hither: our intent 
Was to be gone from Athens, where we might, 
Without the peril of the Athenian law— 140
  Ege.  Enough, enough, my lord; you have enough: 
I beg the law, the law, upon his head. 
They would have stol’n away; they would, Demetrius, 
Thereby to have defeated you and me; 144
You of your wife, and me of my consent, 
Of my consent that she should be your wife. 
  Dem.  My lord, fair Helen told me of their stealth, 
Of this their purpose hither, to this wood; 148
And I in fury hither follow’d them, 
Fair Helena in fancy following me. 
But, my good lord, I wot not by what power,— 
But by some power it is,—my love to Hermia, 152
Melted as doth the snow, seems to me now 
As the remembrance of an idle gaud 
Which in my childhood I did dote upon; 
And all the faith, the virtue of my heart, 156
The object and the pleasure of mine eye, 
Is only Helena. To her, my lord, 
Was I betroth’d ere I saw Hermia: 
But, like in sickness, did I loathe this food; 160
But, as in health, come to my natural taste, 
Now do I wish it, love it, long for it, 
And will for evermore be true to it. 
  The.  Fair lovers, you are fortunately met: 164
Of this discourse we more will hear anon. 
Egeus, I will overbear your will, 
For in the temple, by and by, with us, 
These couples shall eternally be knit: 168
And, for the morning now is something worn, 
Our purpos’d hunting shall be set aside. 
Away with us, to Athens: three and three, 
We’ll hold a feast in great solemnity. 172
Come, Hippolyta.  [Exeunt THESEUS, HIPPOLYTA, EGEUS, and Train. 
  Dem.  These things seem small and undistinguishable, 
Like far-off mountains turned into clouds. 
  Her.  Methinks I see these things with parted eye, 176
When everything seems double. 
  Hel.        So methinks: 
And I have found Demetrius, like a jewel, 
Mine own, and not mine own. 180
  Dem.        Are you sure 
That we are awake? It seems to me 
That yet we sleep, we dream. Do you not think 
The duke was here, and bid us follow him? 184
  Her.  Yea; and my father. 
  Hel.        And Hippolyta. 
  Lys.  And he did bid us follow to the temple. 
  Dem.  Why then, we are awake. Let’s follow him; 188
And by the way let us recount our dreams.  [Exeunt. 
  Bot.  [Awaking.] When my cue comes, call me, and I will answer: my next is, ‘Most fair Pyramus.’ Heigh-ho! Peter Quince! Flute, the bellows-mender! Snout, the tinker! Starveling! God’s my life! stolen hence, and left me asleep! I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was: man is but an ass, if he go about to expound this dream. Methought I was—there is no man can tell what. Methought I was,—and methought I had,—but man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called Bottom’s Dream, because it hath no bottom; and I will sing it in the latter end of a play, before the duke: peradventure, to make it the more gracious, I shall sing it at her death.  [Exit. 

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