Reference > William Shakespeare > The Oxford Shakespeare > Cymbeline > Act II. Scene III.
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William Shakespeare (1564–1616).  The Oxford Shakespeare.  1914.

Cymbeline

Act II. Scene III.


An Ante-chamber adjoining IMOGEN’S Apartments.
 
  
Enter CLOTEN and Lords.
 
  First Lord.  Your lordship is the most patient man in loss, the most coldest that ever turned up ace. 
  Clo.  It would make any man cold to lose.   4
  First Lord.  But not every man patient after the noble temper of your lordship. You are most hot and furious when you win. 
  Clo.  Winning will put any man into courage. If I could get this foolish Imogen, I should have gold enough. It’s almost morning, is ’t not? 
  First Lord.  Day, my lord. 
  Clo.  I would this music would come. I am advised to give her music o’ mornings; they say it will penetrate.   8
  
Enter Musicians.
 
Come on; tune. If you can penetrate her with your fingering, so; we’ll try with tongue too: if none will do, let her remain; but I’ll never give o’er. First, a very excellent good-conceited thing; after, a wonderful sweet air, with admirable rich words to it: and then let her consider. 
  
SONG.
Hark! hark! the lark at heaven’s gate sings,
  And Phœbus ’gins arise,
His steeds to water at those springs
  On chalic’d flowers that lies;
And winking Mary-buds begin
  To ope their golden eyes:
With every thing that pretty is,
  My lady sweet, arise:
    Arise, arise!
 
So, get you gone. If this penetrate, I will consider your music the better; if it do not, it is a vice in her ears, which horse-hairs and calves’-guts, nor the voice of unpaved eunuch to boot, can never amend.  [Exeunt Musicians.  12
  Sec. Lord.  Here comes the king. 
  Clo.  I am glad I was up so late, for that’s the reason I was up so early; he cannot choose but take this service I have done fatherly. 
  
Enter CYMBELINE and QUEEN.
 
Good morrow to your majesty and to my gracious mother.  16
  Cym.  Attend you here the door of our stern daughter? 
Will she not forth? 
  Clo.  I have assail’d her with musics, but she vouchsafes no notice. 
  Cym.  The exile of her minion is too new,  20
She hath not yet forgot him; some more time 
Must wear the print of his remembrance out, 
And then she’s yours. 
  Queen.        You are most bound to the king,  24
Who lets go by no vantages that may 
Prefer you to his daughter. Frame yourself 
To orderly soliciting, and be friended 
With aptness of the season; make denials  28
Increase your services; so seem as if 
You were inspir’d to do those duties which 
You tender to her; that you in all obey her 
Save when command to your dismission tends,  32
And therein you are senseless. 
  Clo.        Senseless! not so. 
  
Enter a Messenger.
 
  Mess.  So like you, sir, ambassadors from Rome;  36
The one is Caius Lucius. 
  Cym.        A worthy fellow, 
Albeit he comes on angry purpose now; 
But that’s no fault of his: we must receive him  40
According to the honour of his sender; 
And towards himself, his goodness forespent on us, 
We must extend our notice. Our dear son, 
When you have given good morning to your mistress,  44
Attend the queen and us; we shall have need 
To employ you towards this Roman. Come, our queen.  [Exeunt all but CLOTEN. 
  Clo.  If she be up, I’ll speak with her; if not, 
Let her lie still, and dream. By your leave, ho!  [Knocks.  48
I know her women are about her. What 
If I do line one of their hands? ’Tis gold 
Which buys admittance; oft it doth; yea, and makes 
Diana’s rangers false themselves, yield up  52
Their deer to the stand o’ the stealer; and ’tis gold 
Which makes the true man kill’d and saves the thief; 
Nay, sometime hangs both thief and true man. What 
Can it not do and undo? I will make  56
One of her women lawyer to me, for 
I yet not understand the case myself. 
By your leave.  [Knocks. 
  
Enter a Lady.
  60
  Lady.  Who’s there, that knocks? 
  Clo.        A gentleman. 
  Lady.        No more? 
  Clo.  Yes, and a gentlewoman’s son.  64
  Lady.        [Aside.] That’s more 
Than some whose tailors are as dear as yours 
Can justly boast of. What’s your lordship’s pleasure? 
  Clo.  Your lady’s person: is she ready?  68
  Lady.        Ay, 
To keep her chamber. 
  Clo.  There’s gold for you; sell me your good report. 
  Lady.  How! my good name? or to report of you  72
What I shall think is good?—The princess! 
  
Enter IMOGEN.
 
  Clo.  Good morrow, fairest; sister, your sweet hand.  [Exit Lady. 
  Imo.  Good morrow, sir. You lay out too much pains  76
For purchasing but trouble; the thanks I give 
Is telling you that I am poor of thanks 
And scarce can spare them. 
  Clo.        Still, I swear I love you.  80
  Imo.  If you but said so, ’twere as deep with me: 
If you swear still, your recompense is still 
That I regard it not. 
  Clo.        This is no answer.  84
  Imo.  But that you shall not say I yield being silent 
I would not speak. I pray you, spare me: faith, 
I shall unfold equal discourtesy 
To your best kindness. One of your great knowing  88
Should learn, being taught, forbearance. 
  Clo.  To leave you in your madness, ’twere my sin: 
I will not. 
  Imo.  Fools cure not mad folks.  92
  Clo.        Do you call me fool? 
  Imo.  As I am mad, I do: 
If you’ll be patient, I’ll no more be mad; 
That cures us both. I am much sorry, sir,  96
You put me to forget a lady’s manners, 
By being so verbal; and learn now, for all, 
That I, which know my heart, do here pronounce 
By the very truth of it, I care not for you; 100
And am so near the lack of charity,— 
To accuse myself,—I hate you; which I had rather 
You felt than make ’t my boast. 
  Clo.        You sin against 104
Obedience, which you owe your father. For 
The contract you pretend with that base wretch, 
One bred of alms and foster’d with cold dishes, 
With scraps o’ the court, it is no contract, none; 108
And though it be allow’d in meaner parties— 
Yet who than he more mean?—to knit their souls— 
On whom there is no more dependancy 
But brats and beggary—in self-figur’d knot; 112
Yet you are curb’d from that enlargement by 
The consequence o’ the crown, and must not soil 
The precious note of it with a base slave, 
A hilding for a livery, a squire’s cloth, 116
A pantler, not so eminent. 
  Imo.        Profane fellow! 
Wert thou the son of Jupiter, and no more 
But what thou art besides, thou wert too base 120
To be his groom; thou wert dignified enough, 
Even to the point of envy, if ’twere made 
Comparative for your virtues, to be styl’d 
The under-hangman of his kingdom, and hated 124
For being preferr’d so well. 
  Clo.        The south-fog rot him! 
  Imo.  He never can meet more mischance than come 
To be but nam’d of thee. His meanest garment 128
That ever hath but clipp’d his body, is dearer 
In my respect than all the hairs above thee, 
Were they all made such men. How now, Pisanio! 
  
Enter PISANIO.
 132
  Clo.  ‘His garment!’ Now, the devil— 
  Imo.  To Dorothy my woman hie thee presently,— 
  Clo.  ‘His garment!’ 
  Imo.        I am sprighted with a fool, 136
Frighted, and anger’d worse. Go, bid my woman 
Search for a jewel that too casually 
Hath left mine arm; it was thy master’s, ’shrew me 
If I would lose it for a revenue 140
Of any king’s in Europe. I do think 
I saw ’t this morning; confident I am 
Last night ’twas on mine arm, I kiss’d it; 
I hope it be not gone to tell my lord 144
That I kiss aught but he. 
  Pis.        ’Twill not be lost. 
  Imo.  I hope so; go, and search.  [Exit PISANIO. 
  Clo.        You have abus’d me: 148
‘His meanest garment!’ 
  Imo.        Ay, I said so, sir: 
If you will make ’t an action, call witness to ’t. 
  Clo.  I will inform your father. 152
  Imo.        Your mother too: 
She’s my good lady, and will conceive, I hope, 
But the worst of me. So I leave you, sir, 
To the worst of discontent.  [Exit. 156
  Clo.        I’ll be reveng’d. 
‘His meanest garment!’ Well.  [Exit. 

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