Nonfiction > Upton Sinclair, ed. > The Cry for Justice

Upton Sinclair, ed. (1878–1968).
The Cry for Justice: An Anthology of the Literature of Social Protest.  1915.
The Seven That Were Hanged

By Leonid Andreyev

(One of the most famous of the Russian writer’s stories, in which he describes the execution of a group of Terrorists, analyzing their sensations in their separate cells, and on their journey together to the foot of the gallows)
THE UNKNOWN, surnamed Werner, was a man fatigued by struggle. He had loved life, the theatre, society, art, literature, passionately. Endowed with an excellent memory, he spoke several languages perfectly. He was fond of dress, and had excellent manners. Of the whole group of terrorists he was the only one who was able to appear in society without risk of recognition.  1
  For a long time already, and without his comrades having noticed it, he had entertained a profound contempt for men. More of a mathematician than a poet, ecstasy and inspiration had remained so far things unknown to him; at times he would look upon himself as a madman seeking to square the circle in seas of human blood. The enemy against which he daily struggled could not inspire him with respect; it was nothing but a compact network of stupidities, treasons, falsehoods, base deceits.…  2
  Werner understood that the execution was not simply death, but also something more. In any case, he was determined to meet it calmly, to live until the end as if nothing had happened or would happen. Only in this way could he repress the profoundest contempt for the execution and preserve his liberty of mind. His comrades, although knowing well his cold and haughty intrepidity, would perhaps not have believed it themselves; but in the courtroom he thought not of life or of death: he played in his mind a difficult game of chess, giving it his deepest and quietest attention. An excellent player, he had begun this game on the very day of his imprisonment, and he had kept it up continually. And the verdict that condemned him did not displace a single piece on the invisible board.  3
  Now he was shrugging his shoulders and feeling his pulse. His heart beat fast, but tranquilly and regularly, with a sonorous force. Like a novice thrown into prison for the first time, he examined attentively the cell, the bolts, the chair screwed to the wall, and said to himself:  4
  “Why have I such a sensation of joy, of liberty? Yes, of liberty; I think of to-morrow’s execution, and it seems to me it does not exist. I look at the walls, and they seem to me not to exist either. And I feel as free as if, instead of being in prison, I had just come out of another cell in which I had been confined all my life.”  5
  Werner’s hands began to tremble, a thing unknown to him. His thought became more and more vibrant. It seemed to him that tongues of fire were moving in his head, trying to escape from his brain to lighten the still obscure distance. Finally the flame darted forth, and the horizon was brilliantly illuminated.  6
  The vague lassitude that had tortured Werner during the last two years had disappeared at sight of death; his beautiful youth came back. It was even something more than beautiful youth. With the astonishing clearness of mind that sometimes lifts man to the supreme heights of meditation, Werner saw suddenly both life and death; and the majesty of this new spectacle struck him. He seemed to be following a path as narrow as the edge of a blade, on the crest of the loftiest mountain. On one side he saw life, and on the other he saw death; and they were like two seas, sparkling and beautiful, melting into each other at the horizon in a single infinite extension.  7
  “What is this, then? What a divine spectacle!” said he slowly.  8
  He arose involuntarily and straightened up, as if in presence of the Supreme Being. And, annihilating the walls, annihilating space and time, by the force of his all-penetrating look, he cast his eyes into the depths of the life that he had quitted.  9
  And life took on a new aspect. He no longer tried, as of old, to translate into words that he was; moreover, in the whole range of human language, still so poor and miserly, he found no words adequate. The paltry, dirty and evil things that suggested to him contempt and sometimes even disgust at the sight of men had completely disappeared, just as, to people rising in a balloon, the mud and filth of the narrow streets become invisible, and ugliness changes into beauty.  10
  With an unconscious movement Werner walked toward the table and leaned upon it with his right arm. Haughty and authoritative by nature, he had never been seen in a prouder, freer, and more imperious attitude; never had his face worn such a look, never had he so lifted up his head, for at no previous time had he been as free and powerful as now, in this prison, on the eve of execution, at the threshold of death.  11
  In his illuminated eyes men wore a new aspect, an unknown beauty and charm. He hovered above time, and never had this humanity, which only the night before was howling like a wild beast in the forest, appeared to him so young. What had heretofore seemed to him terrible, unpardonable and base, became suddenly touching and naïve, just as we cherish in the child the awkwardness of its behavior, the incoherent stammerings in which its unconscious genius glimmers, its laughable errors and blunders, its cruel bruises.  12
  “My dear friends!”…  13
  What mysterious path had he followed to pass from a feeling of unlimited and haughty liberty to this passionate and moving pity? He did not know. Did he really pity his comrades, or did his tears hide something more passionate, something really greater? His heart, which had suddenly revived and reblossomed, could not tell him. Werner wept, and whispered:  14
  “My dear comrades! My dear comrades!”  15
  And in this man who wept, and who smiled through his tears, no one—not the judges, or his comrades, or himself—would have recognized the cold and haughty Werner, sceptical and insolent.  16

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