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| Grocott & Ward, comps. Grocott’s Familiar Quotations, 6th ed. 189-?. |
| All |
| All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. Shakespeare.—As You Like It, Act II. Scene 7. (Jaques.) | 1 |
| All men act the player’s part. Petronius Arbiter. | 2 |
| Who can direct, when all pretend to know? Goldsmith.—The Traveller, Line 64. | 3 |
| Yet, while my Hector still survives, I see My father, mother, brethren, all, in thee. Pope.—The Iliad, Book VI. Line 544. | 4 |
| All eye, all ear. Young.—Night III. Line 452; Night V. Line 889. | 5 |
| All is not well. Shakespeare.—Hamlet, Act I. Scene 2. (To himself.) | 6 |
| All’s well that ends well, yet. Shakespeare.—All’s Well that Ends Well, Act V. Scene 1. (Helena to the Widow.) | 7 |
| All men think all men mortal but themselves. Dr. Young.—Night I. Line 424. | 8 |
| Ay, when the special thing is well obtain’d, That is—her love; for that is all in all. Shakespeare.—Taming of the Shrew, Act II. Scene 1. (Baptista to Petruchio.) | 9 |
| All Nature is but Art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony not understood; All partial evil, universal good; And, spite of pride, in erring reason’s spite, One truth is clear, WHATEVER IS, IS RIGHT. Pope.—Essay on Man, Epistle I. Line 289. See title “Right.” | 10 |
| All things that are, Are with more spirit chased than enjoy’d. Shakespeare.—Merchant of Venice, Act II. Scene 6. (Gratiano to Salarino.) | 11 |
| All in the Downs the fleet was moor’d. Gay.—The Song of the Black-Eyed Susan. | 12 |
| All things work together for good to them that love God. Romans, Chapter viii. Verse 28. | 13 |
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