61) §8. Peculiarities of versification. IX. Shakespeare: Poems. Vol. 5. The
Drama to 1642, Part One. The Cambridge History of English and American
Literature: An Encyclopedia in Eighteen Volumes. 1907–21 ...blank verse; so that, as for instance in the beautiful sonnet 71, the first two quatrains are each indissoluble, woven in one piece from the first syllable to the... 62) §20. Neale. VI. Lesser Poets of the Middle and Later Nineteenth Century.
Vol. 13. The Victorian Age, Part One. The Cambridge History of English and
American Literature: An Encyclopedia in Eighteen Volumes. 1907–21 ...fail to see the extraordinary beauty of the best parts of Bernard s work. Its form, howeverdactylic hexameters, unbroken except for the final spondee, with internal... 63) §55. French forms of verse. VI. Lesser Poets of the Middle and Later
Nineteenth Century. Vol. 13. The Victorian Age, Part One. The Cambridge
History of English and American Literature: An Encyclopedia in Eighteen
Volumes. 1907–21 ...to a perfected poetic language like nineteenth-century English, which, whether in blank verse, in couplet, in stanza, or in miscellaneous lyric measures, had learnt... 64) §16. Akenside s "Pleasures of Imagination". VII. Young, Collins and Lesser
Poets of the Age of Johnson. Vol. 10. The Age of Johnson. The Cambridge
History of English and American Literature: An Encyclopedia in Eighteen
Volumes. 1907–21 ...themselves. More than one of the Odes and Inscriptions, in their formal decorative way, have a good deal of what has been called frozen grace. But only once, perhaps,... 65) Ennius, Quintus. The Columbia Encyclopedia, Sixth Edition. 2001 ...from his tragedies, and about 600 lines remain from his masterpiece, the epic Annales, a literary history of Rome. Vergil, Lucretius, and Ovid borrowed freely from... 66) §21. Erasmus Darwin; "The Botanic Garden; The Loves of the Plants". VIII.
Southey. Vol. 11. The Period of the French Revolution. The Cambridge
History of English and American Literature: An Encyclopedia in Eighteen
Volumes. 1907–21 ...a fatal, and, as if metaphysically aided, certainty, evolved from the eighteenth century couplet poetry all its worst features, and set them in so glaring a light... 67) §3. "Venus and Adonis". IX. Shakespeare: Poems. Vol. 5. The Drama to 1642,
Part One. The Cambridge History of English and American Literature: An
Encyclopedia in Eighteen Volumes. 1907–21 ...This, like its congeners the rime royal and (in its commonest form) the octave, admits of that couplet, or gemell, at the end which, as we know directly from Drayton... 68) §14. His "Schoolmistress" and "Miscellaneous Poems". VII. Young, Collins
and Lesser Poets of the Age of Johnson. Vol. 10. The Age of Johnson. The
Cambridge History of English and American Literature: An Encyclopedia in
Eighteen Volumes. 1907–21 ...there, is writing autobiographically, and, consequently, with his heart in the matter; while, as to form, he takes refuge in the easy Hudibrastics which the age generally... 69) §10. The Long Poems of the Eighteenth Century. IX. The Beginnings of Verse,
1610–1808. Vol. 15. Colonial and Revolutionary Literature; Early National
Literature, Part I. The Cambridge History of English and American
Literature: An Encyclopedia in Eighteen Volumes. 1907–21 ...Life. Ten years later a second imitation of Pomfret followed in The Choice by Dr. Benjamin Church of Boston, who longs for a home in the country, the right kind of... 70) §6. Bayard Taylor. X. Later Poets. Vol. 17. Later National Literature, Part
II. The Cambridge History of English and American Literature: An
Encyclopedia in Eighteen Volumes. 1907–21 ...with fatal facility, performing prodigies of speed, but his poetry he composed with the most painstaking care, spending hours over a couplet, if necessary, till it... |