12) §3. Anti-Bysshism. VII. The Prosody of the Nineteenth Century. Vol. 13. The Victorian Age, Part One. The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. 1907–21
...thought the most lawless and promiscuous debauchery of indulgence in iamb, trochee, spondee, anapaest, dactyl and (you may sometimes think) even in other combinations...

13) §10. Keats. VII. The Prosody of the Nineteenth Century. Vol. 13. The Victorian Age, Part One. The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. 1907–21
...brief reference can be made to Praed s equally exquisite manipulation of the old three-foot anapaest of Gay and Byrom and Pulteney, of Shenstone and Cowper and Byron,...

14) §3. Variations of the Iambic Line. IX. The Prosody of the Seventeenth Century. Vol. 8. The Age of Dryden. The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. 1907–21
...scansion indicated by the straight and dotted lines respectively—the one representing iambic-anapaestic with anacrusis, the other trochaic dactylic, but both far...

15) §6. "Hesperides". I. Cavalier Lyrists. Vol. 7. Cavalier and Puritan. The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. 1907–21
...songs, he makes skilful use of trisyllabic feet, employing both the dactyl and the anapaest. In a few of his poems, he employs the heroic couplet, and a comparison...