11) §5. His independent Dramas. VIII. Ford and Shirley. Vol. 6. The Drama to
1642, Part Two. The Cambridge History of English and American Literature:
An Encyclopedia in Eighteen Volumes. 1907–21 ...all these borrowings, and of the fact that many of the characters belong to well recognised stage types, the play afforded the contemporary observer abundant evidence... 12) §26. "Damon and Pithias". V. Early English Comedy. Vol. 5. The Drama to
1642, Part One. The Cambridge History of English and American Literature:
An Encyclopedia in Eighteen Volumes. 1907–21 ...and Pithias, an original work by a native playwright, showed the strong influence of classical types and methods. Starting from opposite quarters, the forces that... 13) §18. "Misogonus". V. Early English Comedy. Vol. 5. The Drama to 1642, Part
One. The Cambridge History of English and American Literature: An
Encyclopedia in Eighteen Volumes. 1907–21 ...a creative dramatist, not merely an imitator. He individualised the somewhat shadowy neo-classic types into English figures of his own period, though the scene is... 14) §12. His Comedies of Manners and Romantic Comedies. VIII. Ford and Shirley.
Vol. 6. The Drama to 1642, Part Two. The Cambridge History of English and
American Literature: An Encyclopedia in Eighteen Volumes. 1907–21 ...its immediate neighbourhood, and the time is contemporary. One or two are satirical in purpose, others are dramas of situation or intrigue; but all serve to lay before... 15) §16. "The Spectator" and its Character-types. II. Steele and Addison. Vol.
9. From Steele and Addison to Pope and Swift. The Cambridge History of
English and American Literature: An Encyclopedia in Eighteen Volumes.
1907–21 ...humanity, so his companions retain a certain mellowness and suavity of disposition, though, like other ordinary people, they are cramped and misdirected by their... 16) §7. Development of the Presenter. XIII. Masque and Pastoral. Vol. 6. The
Drama to 1642, Part Two. The Cambridge History of English and American
Literature: An Encyclopedia in Eighteen Volumes. 1907–21 ...he that sweeps the hearth and the house clean, riddles for the country maids, and does all their other drudgery, while they are at hot-cockles: one that has discoursed... 17) §11. "The Virginians". IX. Thackeray. Vol. 13. The Victorian Age, Part One.
The Cambridge History of English and American Literature: An Encyclopedia
in Eighteen Volumes. 1907–21 ...book in which the situations are so prolonged that action seems to hang fire altogether. The brothers George and Harry Warrington are spectators, as their grandfather... 18) §7. His realism. III. Middleton and Rowley. Vol. 6. The Drama to 1642, Part
Two. The Cambridge History of English and American Literature: An
Encyclopedia in Eighteen Volumes. 1907–21 ...audience was accustomed from the first to the two extremes of noble tragedy and brutal comedy. This violent contrast appealed to a taste always hungering and thirsting... 19) §5. His interludes: "Witty and Witless; Love; Wether; The Foure P. P.". V.
Early English Comedy. Vol. 5. The Drama to 1642, Part One. The Cambridge
History of English and American Literature: An Encyclopedia in Eighteen
Volumes. 1907–21 ...the place among the audience with a high copper tank on his head full of squibs fired, crying water! water! fire! fire! fire! and sends the Lover Loved into a swoon... 20) §21. Thomas Tucker, the Christmas Prince. XII. University Plays. Vol. 6.
The Drama to 1642, Part Two. The Cambridge History of English and American
Literature: An Encyclopedia in Eighteen Volumes. 1907–21 ...s lodging on Sunday, 10 January, and repeated by special request before the vice-chancellor and other dignitaries a week later. Equally successful was a Latin comedy... |