Comparisson of Mother Tounge and Everyday Use

Tan goes on to explain what sociological impacts she experienced based on her upbringing. She concludes that her mother should not be judged based on her “watered down” English, and that people should be more accepting to those who cannot express their feelings in English.

In the passages Confetti Girl by Diana López and Tortilla Sun by Jennifer Cervantes, the narrators and the parents have different opinion on what is the right thing to do, and because of their different opinions, tension and distance in their relationship is created. The narrators in both passages feel alone or left out either because of the lack of attention of because they are missing a beloved parent. In both passages the narrators feel uncomfortable with the parent and is not fully opening up to them. In the sections Confetti Girl and Tortilla Sun, the different opinions between the two narrators and parents create distance and tension in their relationship.

Maggie was so traumatized from her house burning down that she became a timid and under appreciated little girl. Maggie is so self conscious that her mom says she walks like a dog run over by a car: “chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to the ground.” This

Tan shows that she is embarrassed in her family for their lacking of proper American manners. Although at the time she felt ashamed, the words spoken by her mother, “Inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” became better understood later in life. In Amy Tan's work, the strong use of description of both the event that are occurring and Amy’s feelings about them, draws the reader in and makes them feel as if they are part of the action. Tan's Chinese-American culture and life stories are imprinted in her writing which gives the reader an opportunity to gain knowledge about the way of life in her family, friends, and even the Chinese culture. Tan's main purpose of writing is to inform and educate people about growing up as a minority in the American society.

Alice Walker is a well-known African- American writer known for published fiction, poetry, and biography. She received a number of awards for many of her publications. One of Walker's best short stories titled "Everyday Use," tells the story of a mother and her two daughters' conflicting ideas about their heritage. The mother narrates the story of the visit by her daughter, Dee. She is an educated woman who now lives in the city, visiting from college. She starts a conflict with the other daughter, Maggie over the possession of the heirloom quilts. Maggie still lives the lifestyle of her ancestors; she deserves the right of the quilts. This story explores heritage by using symbolism of the daughters' actions, family items, and tradition.

In Alice Walker's short story "Everyday Use" Mama is the narrator. She speaks of her family of two daughters Maggie and Dee. Through the eyes of two daughters, Dee and Maggie, who have chosen to live their lives in very different manners, the reader can choose which character to identify most with by judging what is really important in one’s life. Throughout the story three themes consistently show. These themes show that the family is separated by shame, knowledge, and pride.

On the other hand the main focus on Tan’s story is to show the beautiful and passionate side of her mother that people can't see. Tan describes how all of the English’s that she grew up with, normal English and "mother tongue" English, has shaped her first outlook of life. She writes, "But to me, my mother's

3. In paragraphs 10 through 13, Tan juxtaposes her mother’s English with her own. The point these quoted passages make is to show how different was her mother’s English from her English.

Mother Tongue is a story that describes how Amy Tan’s mother was treated unfairly because of her “broken English”. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mom, who speaks “limited” English, needs Tan to be her “translator” in order to communicate with the native English speakers. Tan has felt ashamed of her mother “broken” language at first. She then contemplates her background affected her life and her study. However, she changes her thought at the end since she realizes things behind language might be more valuable than language itself sometimes. Through the various different literary devices and rhetorical strategies such as the ethos, pathos, and logos appeals, as well as a

She wants the audience to know right away that even though she is about to tell you the story of a difficult childhood, she did reach her goal in the end. After making this statement, Tan dives into her past and how she came to be where she is today. Her mother is the next most important point of discussion. Her mother influenced her writing style as well as her beliefs about her culture and heritage. ?Just last week, I was walking down the street with my mother, and I again found myself conscious of the English I was using, the English I do use with her? (Tan, 2002, p. 36). The broken up English her mother uses is the next issue Tan focuses on. ??everything is limited, including people?s perceptions of the limited English speaker? (Tan, 2002, p. 36). Lastly, she talks about her education and the role it had on her deciding what she wanted to do with her life. ?Fortunately, I happen to be rebellious in nature and enjoy the challenge of disproving assumptions made about me? (Tan, 2002, p. 39). By structuring the essay in order of importance, Tan reinforces her message that you can be anything you desire even with a different culture than the norm.

Tan’s attitude towards her mother’s English begins with embarrassment and humiliation. Growing up in an immigrant family which speaks imperfect English, Tan witnesses many discriminations that her mother has encountered in department stores or at banks, those experiences help to shape Tan’s opinion to her mother’s English. For example, Tan states that “[she] was ashamed of [her mother’s] English. [She] believed that [her mother’s] English reflected the quality of what [her] mother had to say” (508). In young Amy’s opinion, her mother’s expressions and thoughts are broken and imperfect like the way she speaks, and she believes that linguistic expression is linked to a person’s intelligence. As a result, she was ashamed of her mother in public because of her fractured English.

In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.

She shows herself as cowardly when she was reeling after the accident, “For six years I do not stare at anyone, because I do not raise my head.”(444), she says, portraying her disgust for herself. Walker utilizes the tone of her writing to manipulate the progression of her attitude shift. For instance, in the stages soon after the accident she uses a very morbid and pessimistic tone to describe the events that are transpiring at that juncture of her life. Stating, “I do not pray for sight. I pray for beauty.”(445), proving that even though this accident has occurred she has still remained very resistant to a change in attitude. She also couples detail to multiply the effect that these strategies have on the reader because when she describes these events, the details she uses reflects the tone, so it visibly transmits the idea of her attitude at that phase, which would be much harder to achieve without these rhetorical techniques used appropriately. The dialogue also plays into this idea as well as it also reflects the current mood of the stage. For example, when she was still very young she used very flattering words as dialogue to complement the tone where she thought beauty was everything and being most beautiful was most important. “That girl’s a little mess.”(442), “And got so much sense!”(442), people bombard

As an adult, Tan understands that her mother’s English is the language of intimacy. She now understands that her “mother’s expressive command belies how much she actually understands” Her mother reads “The Wall street Journal” and converses with their stockbroker on matters Tan doesn’t comprehend. It becomes evident that her initial

Everyday Use begins with the narrator, Mrs. Johnson, saying that she will wait for her daughter Dee in the yard that she and Maggie made clean and wavy the day before (Walker, 1973). This first sentence shows the great lengths in which Mrs. Johnson and Maggie go to in order to make Dee happy. Having grown up this way, Dee has a feeling of entitlement. Maggie is nervous about Dee coming to visit. She thinks her sister has held life always in the palm of one hand, that “no” is a word the world never learned to say to her (Walker, 1973). When the girls were younger, Maggie was burned badly in a house fire, leaving scars down her arms and legs. The scars on her body had not only damaged her body but her confidence as well.