RR: “Everyday Use”
My Sister, My Enemy
Often siblings are brought up in the same environment and turn out completely different. This is the case in Alice Walkers, “Everyday Use”. Although two sisters, Maggie and Dee, are raised by the same woman and in the same home, their similarities end here. Both are different in their appearance, personalities, and ideas about family heritage. Each having opposing views on value and worth of the various items in their lives. Walker uses this conflict to make the point that the use of an object and of people, is more important than style.
As the story begins, Walker introduces “Mama”. She, the narrator of the story, describes herself as a “large, big-boned woman with rough, man working hands”
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Before her name change, she frowned on the items in her home because of their lack of beauty and style. However, when she becomes Wangero, she now sees the same items, such as a dasher and butter churn, as part of her family heritage. She insists on taking these items because she plans to use the churn top as a “centerpiece for the alcove table” (359). Sadly, she fails to consider that she is taking away her mothers butter churn, a useful item, for selfish use instead.
Unlike Dee, Walker’s description of Maggie is seen as an unattractive and awkward girl. Her mother notes “good looks passed her by” (355). Furthermore, she carries herself with low self-esteem, “chin on chest, eyes on ground” (355). Besides her appearance, when Maggie is first introduced in the story, Mama points out that she is nervous about her sister’s visit and “will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (355).
However, the one thing both sisters have in common are the family quilts. These quilts are described by Mama as being made from family members who have passed, which enhance their value. Maggie values the quilts because she learned to quilt from her grandmother and aunt. She hints that she sees the quilt as a reminder of them when she mentions, “I can’t ‘member Grandma Dee without the quilts” (360). Dee,
In the short story, “Everyday Use” by Alice Walker, a foil is shown between the two sisters in the story. While the two sisters, Maggie and Dee, are two way different girls, they are not completely different and they share some similarities like all sisters do. Maggie and Dee are an excellent example of how even if two sisters may be almost complete opposites, sisters always have some similarities to each other.
The story commenced with off with Dee, the eldest of two daughters, arrived at her mom's house with with modern attire, which truly shocked Mama. Soon enough, dinner begun and the protagonist continued to watch Dee take pleasure over the “benches her daddy made for the table when” they couldn't afford one (760).” Walker
This short story "Everyday use" speaks about the life of two young ladies and their mother. They are a poor family that lived in old-fashioned life but Dee the bigger sister don'y like that life.
As the two sisters have different appearance and personalities, they have different perspectives on heritage that contrast each other. Walker uses quilts to symbolize the heritage and describes the two girls' view on quilts to show their perspectives on heritage. Maggie thinks of heritage as an attachment to her ancestors. She believes the everyday use of the inherited materials, how much ever value they may retain, will keep her connected to her ancestors. She values the attachment to the ancestors more than the inherited material itself. When she gives up the quilts to Dee, she states, "I can 'member Grandma Dee with the quilts." Dee, on the other hand, thinks of heritage as something that has an extrinsic value, for example its aesthetic value as an antique. She believes that the proper way to accept and preserve her heritage is to not put it into her everyday use but to cherish it only as an accessory. Such an idea is revealed when Dee says, "Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use." When the mother asks Dee what she would do with the quilts, she says, "Hang them" (1177), which shows that Dee thinks of the quilts only as tangible antiques.
In Alice Walker's short story "Everyday Use" Mama is the narrator. She speaks of her family of two daughters Maggie and Dee. Through the eyes of two daughters, Dee and Maggie, who have chosen to live their lives in very different manners, the reader can choose which character to identify most with by judging what is really important in one’s life. Throughout the story three themes consistently show. These themes show that the family is separated by shame, knowledge, and pride.
Because, the quilts had been made by the grandmother’s hands, the work that went into the quilts is the reason for importance of saving or preserving them as a family heirloom. “Maggie”, knows the true value of the quilts, “Dee” seems to view them as any other common blanket. Alice Walker stated in the story that Maggie felt like the world never learned to tell Dee no. That is a direct reference to the mother never standing up to Dee and asserting her rightful place.
Maggie and Dee have completely different physical appearances than each other. Maggie has a thin body figure, and her arms and legs are scarred from the house fire. Maggie is jealous of Dee’s beauty, and she seems to be ashamed of the way she looks. Mama says, “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her
The stereotypes of rural Black women are depicted in the seemingly dilapidated state of mama’s old homestead. This is a stereotype of the poor and humble lives of the black subsistence farmers residing in the old South. Although Dee and her friend look down upon their lives, the reality is different. Mama completely owns her own reality and she is proud
The way the burning house, her stuck-up sister, and society influenced Maggie make her unique in relation to others. Maggie was so damaged from her home burning down that she turned into a meek and undervalued young lady. Maggie is so unsure that her mother says she walks like a dog run over by a car: “chin on chest eyes on ground, feet in shuffle, ever since the fire that burned the other house on the ground.” This demonstrates that Maggie absence of self-confidence make her frightened to look. She imagines that on the off chance that she can’t see the individuals around her, then they can’t see her. What’s more, Maggie’s discernible scars have impacted on the way she conducts herself. As indicated by Mama, when she was pulling Maggie out of the fire, her arms were adhering, “her hair was smoking, and her dress was tumbling off her in minimal dark papery pieces.” This is huge light of the fact that indicates how much the flame really physically scarred her. This additionally clarifies why she is so apprehensive about individuals seeing her. Maggie’s apparent compressed version of confirmation in herself is created basically by the fire. The barbaric way Maggie’s sister, Dee, presents herself awful impact on Maggie’s certainly. At this point when Dee inquired as to whether she can have some unique quilts and Mama says no on the grounds that she
Mama decided to keep her word and give the quilts to Maggie because she understood what these quilts meant, “ You will not understand. The point is these quilts, these quilts!” The representation of the quilts is the symbol of the family and Dee couldn’t understand it, even with her education. Mama had more life experience and understanding of her culture then Dee would ever learn in a
Maggie is the younger sister of the two. Parallel to Mama, Maggie also suffer from insecurities. Dee is lighter than Maggie with nicer hair and a fuller figure. Maggie was burned in the house fire and she shuffles when she walks. She is described as being shy, unable to make eye contact, and does not like to be seen when other people are around. The story tells how “she stand hopelessly in the corners, homely and ashamed of the burn scars down her arm and legs, eyeing her sister with a mixture of envy and awe” (p.315). Maggie’s thought of her sister is that she has always held life in the palm of one hand, that’s “no” is a word the world never learned to
Mama said” I never had an education myself” (745) but Dee went off to college. This demonstrates how times were different and now Wangero does not want to be held back by old times. Also, because she is independent and intellectual and doesn’t want to be embarrassed by her family. To emphasize, Maggie character shows her being described as “lame animal perhaps a dog run over by some careless person rich enough to own a car.” (744) This shows how Maggie isn’t educated with having any potential. Also, Maggie is an introvert and does not like to talk except to Mama. Wangero insults her sister by “Maggie brain is like an elephant” (747) which is saying she stupid. Then Wangero brings up the quilts and talks with Mama and Mama said “I promised to give them to Maggie, for when she marries John Thomas.” (748) Dee states ““Maggie cannot appreciate these quilts” (748) “She probably be backward enough to put them to everyday use”” (748). This represents again how Maggie is viewed as not bright person to not be able to have the
Dee is already claiming the quilts to herself, even though Mama has never said "yes" that she could have them. Dee challenges Mama's authority by grasping the quilts and moving back as her mother tries to touch them. By doing this, she also disregards Mama's free will to give the quilts to whomever she would like. Mama observes that if Dee cannot preserve the unity of the family by honoring her mother, then how will she be able to appreciate the quilts in a respectable way. Dee has nothing but put-downs for Maggie, implying that she is more deserving to receive the quilts. She is using
“She can have them Mama,’ she said, like somebody used to never winning anything, or having anything reserved for her. ‘I can ‘member Grandma Dee without the quilts” (2381). These lines are referring to Dee wanting to have the quilts, which are a family heirloom. Maggie has a deep connection to them but easily gives them up, because she will not stand up for herself. She speaks to her mother and sister very timid and apathetic
When the climactic scene occurs and Dee asks “Can I have these quilts?” (145), Maggie’s first implied reaction is one of surprise and anger; “I heard something fall in the kitchen, and a minute later the kitchen door slammed” (145). But as someone “never used to winning anything, or having anything reserved for her” (146), Maggie succumbs and offers to let Dee have them. Although “Maggie knows how to quilt” (146), she is able to comprehend the deeper personal value of the quilts, and states that she “can ‘member Grandma Dee without the quilts”(146). Despite their value as an item of everyday use, the quilts are meaningful to Maggie, much in the way they are to her mother who remembers having quilted them with Big Dee. The scraps, the bits and pieces and “one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War.” (145) hold deep significance to Maggie.