Mildred Technology Quotes

They should be the best partner to each other. However, when Mildred is with that TV wall everyday, That TV became her the second unreal family and more interesting. She was addicted to TV, Montag became not essential any more. She just “enjoyed’ that TV shows everyday. And she still wanted to use all Montag’s money to get another TV wall. That’s ill for me and Montag. Montag trusts Mildred every time, he tries his best to get Mildred out of the dependent for TV shows. Montag saved her wife’s life from over using sleeping pills. He did the most dangerous thing at that time to the person who he trusts the most: share a book with Mildred and read to her and her friends. Why? Because Montag trust her as his family, family is the closest unit on the earth. But it seems like Mildred had another opinion for that. She called the fireman to burning her house, I think the funny reason must be she did not want to get any trouble because of Montag. Mildred’s everyday plan was just watching TV shows and live. She does not care anyone around her, she doesn’t care if Clarisse is died or not, or Appreciate to the people who saved her life! That’s the selfish showed right

Montag feels at the begining of the novel that the communication is greatly lacking in society. People are becoming very ignorant and turning reallife realationships aside. They now turn to their "tv families". One victim of neglecting real life realtionships is Mildred, Montag's wife. Montag truley hates this. "Nobody listens any more. I can't talk to the walls because they're yelling at me. I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough, it'll make sense. And I want you to teach me to understand what I read." (2.125). Montag hopes that his wife and him can rejoin their connection through the books, but is sadly wrong and must find some one else, Faber.

“And really, I did understand finally. Not what she had just said. But what had been true all along…I could finally see what was really there: an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to invite her in” (p.183-84).

The characters in Fahrenheit 451 are addicted to the technology that is in their society. One character that exemplifies this technology addiction is Mildred. The technology that she is the most obsessive over is the parlor walls. The parlor walls can best be described as televisions covering all the walls of an entire room. While most parlor walls have four televisions, Montag’s and Mildred’s parlor walls only have three. Mildred questions Montag by saying, “How long do you figure before we save up and get the fourth wall torn out and a fourth wall –TV put in? It’s only two-thousand dollars” (20). Montag responds with “That’s one-third of my yearly pay” (20) and is astonished by how naive Mildred is. Mildred is so blindsided by her beloved parlor walls, that she doesn’t even recognize how lazy she is and how hard that Montag works to provide for her. She doesn’t see or understand the bigger picture, she only sees the parlor walls as most important. Mildred expects to get another parlor wall because she is addicted to them. In another statement, she says a rude comment in return to Montag asking, “Will you turn the parlor off?” (49). Mildred responds with, “That’s my family” (49) and doesn’t give it a second thought. Even though Montag and Mildred are married, Mildred says that the parlor walls are her family and implies that they are more of a

Edna's feelings of despondency fade as the sea's spell reaches out for her again. The narrator points out that "[the] voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in

Montag’s Wife, Mildred, is a negative influence on him, trying to push him away emotionally and physically. She does not know who she really is and lives in an illusionary world with her obsession of television shows and believing they are real. He is so confused because she tries to ignore it ever happened thinking about all the bad things; “fire, sleeping tablets, men disposable tissue, coattails, blow, wad, flush...Rain. The storm. The uncle laughing...The whole world pouring down..." (19). After this incident he looks at Mildred in a different light and is someone who he can’t relate to. Another way she separates herself from Montag is through her "family", which is a television show. Montag constantly asks Millie “[if that] family loves [her]… love [her] with all their heart and soul" (83). Her world isn’t based in reality; they are clearly on different paths. Hers is one of illusion and his is becoming that of a totally self-aware person. She blocks everything and everyone out that is around her and lives within the show. Mildred opens Montag 's eyes to the real world and shows him that most people are uncaring and narcissistic.

Lead: Another example of how Mildred had changed Montag’s life due to the parlor families is when Clarisse passed away.

1. Mildred says these words to Guy Montag. She tells him that books aren’t people which are found in her TV parlor which she enjoys being with. She calls the people on the TV her family. She compares the books to her TV. She says that the people on the TV tell her things and make her laugh and they are full of colors, whereas the books are black and white and don’t make sense to anybody and doesn’t make her laugh instead makes her feel bad.

First, Technology causes one to be distracted from making personal interaction. Like when Montag felt sick, the day after he remembers that he burns a lady with her books and Mildred was just watching her parlors. In the novel, Fahrenheit 451 it states, “Will you turn off?” he asked. “That’s my family.” “Will you turn it off for a sick man.”(pg.49) Mildred thinks that her family is the parlor and she is being distracted by leaving behind the reality and going to technology. This means that she is being affected by the Technology and she is being distracted by no seeing the real family, and putting the parlor wall as her family this will affect her relationship with her husband. In addition, from the novel, it states, “At least keep, it down to the minimum!” he yelled. “What?” she cried… when they stepped out of the car she had the seashells stuffed in her ear.”(pg.46) Mildred is distracted by the technology and she is causing it by using the seashells and not interacting with Montag. This means Mildred is using seashells for she could distract herself from interacting but it will affect her relationship. All adds up, Mildred uses technology to be distracted and makes Montag to be isolated because they are always together but mildred always talk to the parlors and not Montag.

73). However, when Guy asks her if her 'family ' loves her with "all their heart and soul," (pg. 77) she is at a loss for words. Much like what happens when Clarisse asks Guy whether or not he is happy, this question forces Mildred to think strictly about what is real. It reminds her that deep down, she knows that her 'family ' consists of fictional characters who cannot harbor real emotions and thus, cannot requite her love for them. This is part of the awareness that she refuses to acknowledge, and she is stunned when Guy 's question catches her in her disguise. Unfortunately, she does not accept that she has a problem and proceeds to change the subject in response to his question. Towards the end of the book, when Mildred leaves the house as the firemen arrive to burn it, it can be inferred that technology does not have the effect on her that she desires, and that it cannot save her from her reality. One can recall that earlier in the story, an old woman chooses to stay in her house and burn along with her books, causing Guy to realize that books can help people to find in their lives a meaning that does not exist in his or Mildred 's. Mildred does not stay to burn with the parlor that she makes such a big deal out of throughout the course of the book. In this way, she inadvertently proves that the parlor and the other forms of technology she attaches herself to, do not provide her life with any

Montag is sick, physically and emotionally. Realizing his wife would rather watch TV than care for him; that the world is an empty, cruel place; and that there are things out there which are worth dying for makes him even more so. Technology starts to become a main influence on the actions of the people in society. Montag’s wife, Mildred, is said to have “lost herself in technology”. She confines herself in the living room of the couple’s house to three life-sized television screen walls. These walls speak to her and hold conversations with her more than actual people do. Mildred yells at Montag for turning off her “family”. Montag is her husband, but Mildred relates fictional programmed characters to her only family. The issue of technology technically brainwashes the people of this science fiction society. People believe that if technology gets more advanced it would end society because people would probably forget about everything. Bradbury thinks that with technology surrounding us, people will stop reading books. If people stop reading books they will forget about things that are extremely important, which include history, how and why people act in different ways, how life began, and other things that are important today but with technology they are going to fade away. Another thing that could happen if

Mildred constantly shows Montag that she doesn’t care about him or what he does. She has no real connections in life and only cares about herself no matter what it costs other people. Technology rips away any real connections that Mildred has ever had with Montag to a point where she doesn’t even care about him. Mildred has succumb to technology and it has corrupted her life in such a way that her own husband no longer holds any emotional meaning to her anymore. In a horrifically shallow conversation between Mildred and Montag, Mildred says to Montag, “It's really fun. It'll be even more fun when we can afford to have the fourth wall installed. How long you figure before we save up and get the fourth wall torn out and a wall-TV put in. It's only two thousand dollars.” (Bradbury 20). The conversation goes on and Montag replies with, “That’s one-third of my yearly pay. It’s only two thousand dollars, she replied. And I think you should consider me sometimes.” (Bradbury 20). Mildred talks about how she needs another parlour wall to improve her life. This conversation inspires the idea that Mildred only cares about herself and how she is oblivious she is to Montag’s emotions. The idea that Mildred, through technology, has become completely detached from her husband and that she doesn’t care about him. She only cares about the

“That’s awful! ...Why should I read? What for?”(Bradbury, 73) Mildred hates the fact that her house and her ‘family’ would burn down if Beatty and the other firemen found out about Montag and his books. Mildred doesn’t understand why Montag wants to reason with her and what he finds so special in books. Mildred is a selfish woman who cares only about herself and her friends. As long as nothing happened to her ‘family’, she’d be fine.

In conclusion, Montag and Mildred is very different in not only one way it is way more than just one

Seas (line 18 and 19): is also appearing twice. Life is often symbolized as water. Therefore she accepts to be judged by life because she decided of someone else’s right to live. ‘Sea’ in