| Essays. |
| Addison: Fans |
| Aguilar: Friendship |
| Arnold, Matthew: Intelligence and Genius, Sweetness and Light, Oxford |
| Ascham: Gentleness in Education, Study and Exercise |
| Atterbom: The Genius of the North |
| Bacon: Of Truth, Of Revenge, Of Simulation and Dissimulation, Of Travel, Of Friendship, In Praise of Knowledge |
| Bagehot: The Virtues of Stupidity, Taste, The Search for Happiness, On Early Reading, Morality and Fear, The Tyranny of Convention, How to be an Influential Politician |
| Barbauld: Against Inconsistency in Our Expectations |
| Beecher: Book-Stores and Books |
| Berkeley: Tar-Water |
| Birrell: Benvenuto Cellini, Dr. Johnson, The Office of Literature, On the Alleged Obscurity of Mr. Browning’s Poetry, Truth-Hunting |
| Brandes: Björnson, The Historical Movement in Modern Literature |
| Brooks: The Courage of Opinions, Literature and Life, Personal Character |
| Bushnell: Work and Play, The Age of Homespun |
| Cowley: Of Myself |
| Darmesteter: Ernest Renan, Judaism |
| De Quincey: Charles Lamb, The Bishop of Beauvais and Joan of Arc |
| Desjardins: The Present Duty |
| Dowden: Shakespeare |
| Eliot: The Happy Life |
| Emerson: Friendship, Nature, Compensation, Love, Circles, Self-Reliance, History |
| Everett: The March of Improvement |
| Freeman: The Altered Aspects of Rome, The Continuity of English History, Race and Language |
| Gladstone: Macaulay |
| Gottschall: Heinrich Heine |
| Green, T. H.: Value and Influence of Works of Fiction |
| Harrison: The Choice of Books and Other Literary Pieces |
| Hazlitt: Table Talk |
| Henley: Longfellow and the Water-World |
| Higginson: My Outdoor Study, Mademoiselle’s Campaigns |
| Holberg: Epistles |
| Hume: Of Refinement in the Arts |
| Hunt: The Old Lady, The Old Gentleman |
| Huxley: On a Piece of Chalk, Materialism and Idealism, Evolution and Ethics, On the Physical Basis of Life |
| Ingersoll: Life |
| James, Henry: The New Novel |
| James, William: The Moral Equivalent of War |
| Jefferies: Nature Near London |
| Johnson: Milton, Old Age and Death, Wealth |
| Jonson: On Shakespeare, On Style |
| Lamb: Imperfect Sympathies, Dream-Children: A Revery, A Quakers’ Meeting, Mrs. Battle’s Opinions on Whist |
| Lang: A Bookman’s Purgatory, Letter to Monsieur de Molière, Valet de Chambre du Roi |
| Le Gallienne: A Seaport in the Moon, Essay-Writing |
| Lemaître: On the Influence of Recent Northern Literature |
| Lessing: The Education of the Human Race, Hamburg Dramaturgy, Laocoön, The Meaning of Heresy, On Love of Truth |
| Locke: Essay Concerning Human Understanding |
| Lowell: On a Certain Condescension in Foreigners, Uncle Zeb |
| Mabie: Country and People |
| Macaulay: On Barère, On Gleig’s “Memoirs of Warren Hastings,” On “John Milton,” On Lord Mahon’s “History of the War of the Succession in Spain,” On Mackintosh’s “History of the Revolution in England,” On Ranke’s “History of the Popes” |
| Macphail: Psychology of the Suffragette |
| Maeterlinck: The Inner Beauty, The Tragical in Daily Life |
| Maine: The Effects of Observation of India on Modern European Thought |
| Maistre: The Traveling-Coat, A Friend, The Library |
| Matthews: American Character |
| Mazzini: Faith and the Future, On Carlyle |
| Montaigne: Of Friendship, Of Books, Of Repentance |
| Morley: Condorcet |
| Pater: The Classic and the Romantic in Literature |
| Phillips, Wendell: The Lost Arts |
| Schurz: Abraham Lincoln |
| Smith, Sydney: The Education of Women, John Bull’s Charity Subscriptions, Wisdom of Our Ancestors, Latin Verses, Mrs. Siddons, Dogs, Hand-Shaking, Small Men, Macaulay, Specie and Species, Review of the Novel “Granby” |
| Steele: On Behavior at Church, Mr. Bickerstaff visits a Friend, On Coffee-Houses, On the Effects of Public Mourning, On the Art of Growing Old, On Flogging at Schools, The Art of Story-Telling |
| Warner: What I Know about Gardening |
| Wasson: The Genius of Woman, Social Texture |
| Whipple: Domestic Service |
| White: The Bacon–Shakespeare Craze, Big Words for Small Thoughts |
| Willis: When Tom Moore Sang |
| Wilson: The Truth of the Matter, The West in American History |
| Essays in Criticism, Matthew Arnold |
| — — Fallacy, Macphail |
| — — Puritanism, Macphail |
| — of Elia, Lamb |
| Essex, Henry de, Thomas Fuller (Worthies of England) |
| Esther Vanhomrigh, Woods |
| — Waters, George Moore |
| Estrella de Sevilla, Vega |
| Étape, L’, Bourget |
| Eternal Beam of Light Divine (Hymn), Wesley |
| — Goodness, The (Poem), Whittier |
| Ethics of Elfland, The, Chesterton |
| — Principles of, Spencer |
| Étrangère, L’, Dumas, Jr. |
| Étude Réaliste (Poem), Swinburne |
| Étui de Nacre, L’, France |
| Eugénie Grandet, Balzac |
| Eulogy on Sophocles (Poem), Phrynichus |
| Eumenides, The, Æschylus |
| Eunuchus, Terence |
| Euphranor, Fitzgerald |
| Euphrates Valley, The Literature of the, F. A. Vanderburgh |
| Euripides, W. C. Lawton |
| Euripides’ Lyric Verse (Parody), Aristophanes |
| Euripides, Prologues of (Parody), Aristophanes |
| European Morals from Augustus to Charlemagne, History of, Lecky |
| — War, see War of the Nations. |
| Evan Harrington, Meredith |
| Evans, Mary Ann, see Eliot, George. |
| Evangeline (Poem), Longfellow |
| Eve of St. Agnes, The (Poem), Keats |
| Evelina, Burney |
| Evelyn, John |
| — Hope (Poem), Robert Browning |
| Evening (Poem), Allingham |
| Evening (Poem), Tyutchev |
| — Hymn (Poem), Keble |
| — Song (Poem), Lanier |
| Everett, Edward |
| Everlasting Mercy, The (Poem), Masefield |
| Every Man in His Humour, Jonson |
| — One His Own Chimera, Baudelaire |
| Everybody’s Business is Nobody’s Business, Defoe |
| Evgeny Onyegin (Poem), Pushkin |
| Evil, The Nature of, Hegel (Philosophy of History) |
| Evolution, Tyndall (Belfast Address) |
| — and Ethics, Huxley |
| — — Independent Creation, Darwin (Origin of Species) |
| — Creative, Bergson |
| — See also Science. |
| — The Last Link, Haeckel |
| Evolutionist at Large, The, Grant Allen |
| Ewald, Johannes, W. M. Payne |
| Ex-Voto, Eekhoud |
| Examination Paper, on ‘Pickwick,’ An, Calverley |
| Except the Lord Build the House (Poem), Carpenter |
| Excursions, Thoreau |
| Execution of Montrose, The (Poem), W. E. Aytoun |
| Exile of Erin, The (Poem), Campbell |
| Expedition of Humphrey Clinker, The, Smollett |
| Experience (Poem), Piron |
| Eyebright (Poem), Symonds |
| Faber, Cecilia Böhl de, see Caballero, Fernán. |
| Fables. |
| Æsop |
| Babrius |
| Gay |
| Indian |
| La Fontaine |
| Fables, On the Migration of, F. M. Müller (Chips from a German Workshop) |
| Fabre, Jean Henri, Leland Hall |
| Fadl ibn al-Abbas, Al– |
| Faery Queene, Spenser |
| “Fair as the Day” (Poem), Platen |
| Fair-Haired Eckbert, The, Tieck |
| Fair Haven, The, Samuel Butler |
| Fair Ines (Poem), Hood |
| — Lady, A (Poem), Antar |
| — Maid of the Exchange, The, Heywood |
| — Shadow Land (Poems), Thomas |
| — Summer-Time (Poem), Raimon de Miraval |
| Fairies, The, (A Child’s Song) (Poem), Allingham |
| Fairy Book, Laboulaye |
| — — Macé |
| — Queen, The (Poem), Spenser |
| Fairy Tales and Folk Stories. |
| Andersen: The Steadfast Tin Soldier, The Teapot, The Ugly Duckling, What the Moon Saw, The Lovers, The Snow Queen |
| Arabian Nights: The Story of the City of Brass, The History of King Omar Ben Ennuman, and his Sons Sherkan and Zoulmekan, Sinbad the Seaman and Sinbad the Landsman |
| Árnason: The Merman, The Fisherman of Götur, The Magic Scythe, The Man-Servant and the Water-Elves, The Crossways |
| Aryan Folk-Lore: The Kinvad Bridge (From the “Zend-Avesta”), The Bridge of Dread (North of England), The Legend of Bomere Pool (Shropshire), The Lake of the Demons (Catalonia), Fairy Gifts and their Ill-Luck (Sweden), A Sleeping Army (Silesia), The Black Lamb (Ireland), Death-Bed Superstitions (Sussex), The Witched Churn, The Bad Wife and the Demon (Russia), Hangman’s Rope (Russia), May-Day Song (Berkshire), Old English Charms and Folk Customs, Yule-Log Ceremony, The Changeling (English), The Magic Sword (Norway) |
| Asbjörnsen: Gudbrand of the Mountain-Side, The Widow’s Son |
| Baring-Gould: St. Patrick’s Purgatory |
| Celtic: The Miller of Hell, Signs of Home, Oisin in Tirnanoge, The Coming of Cuculain |
| Eddas, The |
| Ethics of Elfland, The, Chesterton |
| Grimm Brothers: Little Briar-Rose, The Three Spinners |
| Hoffmann: The Golden Pot, Nutcracker and the King of Mice |
| Laboulaye: The Story of Coquerico, The Twelve Months |
| MacDonald: At the Back of the North Wind |
| Macé: The Necklace of Truth |
| Nodier: The Golden Dream |
| Perrault: Little Red Riding-Hood, The Sleeping Beauty in the Wood, Blue Beard, Toads and Diamonds |
| Faith, Marcus Aurelius (Meditations) |
| — and Patience of the Saints, Jeremy Taylor |
| — — the Future, Mazzini |
| Faith Healer, The, Moody |
| Faithful Shepherdess, The, (Poem) Fletcher |
| Faithfulness (Poem), Petőfi |
| Faithless Sally Brown (Poem), Hood |
| Falkland, The Character of Lord, Clarendon |
| Fall of Poland, The (Poem), Campbell |
| — — the House of Usher, The, Poe |
| False Gods, Brieux |
| — Step, A (Poem), E. B. Browning |
| Fame, Marcus Aurelius (Meditations) |
| Fancy (Poem), Keats |
| Fänrik Ståls Sägner (Poems), Runeberg |
| Fans, An Essay on, Addison |
| Fantasy, Serao |
| Far-Away Princess, The, Rostand |
| Far From the Madding Crowd, Thomas Hardy |
| — — — World (Poem), Lamartine |
| Farewell, A (Poem), Kingsley |
| — (Poem), Landor |
| — (Poem), Symonds |
| — (Poem), Whittier |
| — Address, Washington |
| — of Sir Charles Baldwin to His Wife, The (Poem), Chatterton |
| — to Folly, Greene |
| — — His Fellow-Officers (Poem), Catullus |
| — — Italy (Poem), Landor |
| — — Sir John Norris and Sir Francis Drake, A (Poem), Peele |
| Faríd-uddín Attar |
| Faris (Poem), Mickiewicz |
| Farrar, Frederic William |
| Farthest North, Nansen |
| Fatality (Poem), Katari |
| Father, The, Björnson |
| — I Stretch My Hands to Thee (Hymn), Wesley |
| — of the Forest, The (Poem), Watson |
| Fathers and Children, Turgenev |
| Father’s Return (Poem), Mickiewicz |
| Fatima Playing on her Stringed Instrument (Poem), Bodenstedt |
| Faun with the Mirror, The, Régnier |
| Faust, Goethe |
| Fear After the Trouble (Poem), Cats |
| — No More (Poem), Shakespeare |
| Fearful Responsibility, A, Howells |
| Fearless, The, Galdós |
| Feast of the Learned, The, Athenæus |
| February in Rome (Poem), Gosse |
| Federalist, The, Alexander Hamilton |
| — — Madison |
| Feet of the Beloved, The (Poem), Symonds |
| Felicitas, Dahn |
| Female Phaeton, The (Poem), Prior |
| Fénelon, François de Salinac de la Mothe, T. J. Shahan |
| Ferdinand and Isabella, Prescott |
| Ferrero, Guglielmo, Arthur Livingston |
| Ferrier, Susan Edmonstone |
| Ferronays, Pauline de la, see Craven, Madame Augustus. |
| Festival of Adonis, The, Theocritus |
| Festus (Poem), Bailey |
| Fet, A., see Shenshin, Afanasy Shenshin. |
| Feud (Poem), Cawein |
| Feuilles Volantes, Les, Fréchette |
| Feuillet, Octave |
| Fichte, Johann Gottlieb, E. F. Buchner |
| Fickle and Changeable ever (Poem), Catullus |
| Fiction. See also Fables, Fairy Tales and Folk Stories, Humor. |
| About: “The King of the Mountains,” “The Man with the Broker Ear” |
| Addison: “Sir Roger de Coverley at the Play,” “A Visit to Sir Roger de Coverley,” “The Vision of Mirzah” |
| Aguilar: “Woman’s Friendship,” “The Days of Bruce,” “Home Influence” |
| Ainsworth: “Crichton” |
| Alarcón: “The Three-Cornered Hat,” “The Child of the Ball” |
| Alcott: “Little Women” |
| Aldrich: “Père Antoine’s Date-Palm,” “Miss Mehetabel’s Son” |
| Allen, J. L.: “Summer in Arcady,” “Flute and Violin, and Other Kentucky Tales and Romances” |
| Almqvist: “The Book of the Rose” |
| Andreyev: “A Dilemma,” “The Seven who were Hanged” |
| “Antar” |
| Apuleius: “Golden Ass” |
| “Arabian Nights, The” |
| Arbuthnot: “The History of John Bull,” “Memoirs of Martinus Scriblerus” |
| Árnason: “Icelandic Legends” |
| “Aucassin and Nicolette” |
| Auerbach: “Ivo the Gentleman,” “On the Heights” |
| Austen: “Pride and Prejudice,” “Northanger Abbey,” “Emma,” “Mansfield Park” |
| Aytoun, W. E.: “The Modern Endymion,” “Norman Sinclair” |
| Baggesen: “The Labyrinth” |
| Balzac: “Béatrix,” “César Birotteau,” “Le Colonel Chabert,” “Comédie humaine,” “Contes,” “Country Doctor,” “Cousine Bette,” “Cousin Pons,” “Duchess of Langeais,” “An Episode under the Terror,” “Eugénie Grandet,” “La Grande Bretèche,” “Le Lys dans la vallée,” “A Passion in the Desert,” “La Peau de chagrin,” “Père Goriot,” “La Recherche de l’absolu” |
| Banim: “The Publican’s Dream” |
| Barbauld: “A Dialogue of the Dead” |
| Barlow, Jane: “Strangers at Lisconnel” |
| Barrès: “Les Amitiés Françaises,” “Au Service de l’Allemagne,” “Colette Baudoche,” “La Colline Inspirée,” “Culte du Moi,” “Les Déracinés,” “L’Ennemi des Lois,” “La Grande Pitié des Églises de France,” “Greco,” “L’Homme Libre,” “Le Jardin de Bérénice” |
| Barrie: “Auld Licht Idylls,” “The Little Minister,” “Sentimental Tommy,” “Tommy and Grizel,” “A Window in Thrums” |
| Beaconsfield: “Coningsby,” “Endymion,” “Henrietta,” “Lothair,” “Sibyl,” “Tancred,” “Venetia,” “Vivian Grey,” “The Young Duke” |
| Beckford: “The History of the Caliph Vathek” |
| Bennett: “The Old Wives’ Tale,” “Whom God Hath Joined” |
| Besant: “All Sorts and Conditions of Men,” “The Rebel Queen” |
| Björnson: “Arne,” “Arnljot Gelline,” “The Father,” “In God’s Way,” “Kongen,” “Mary” |
| Black: “Macleod of Dare,” “A Princess of Thule” |
| Blackmore: “Alice Lorraine,” “Lorna Doone,” “Mary Anerley” |
| Blicher: “The Hosier,” “The Knitting-Room” |
| Blind: “Tarantella” |
| Boccaccio: “Decameron” |
| Borrow: “Lavengro” |
| Bourget: “La Barricade,” “Cruelle Énigme,” “La Démon de Midi,” “A Divorce,” “L’Émigré,” “L’Étape,” “Mensonges,” “Le Sens de la Mort” |
| Boyesen: “Gunnar” |
| Braddon: “The Christmas Hirelings,” “Mohawks” |
| Bremer: “The Home,” “The Neighbors” |
| Brontë, Charlotte: “Jane Eyre,” “Shirley,” “Villette” |
| Brontë, Emily: “Wuthering Heights” |
| Brown, C. B.: “Wieland” |
| Bulwer-Lytton: “The Last Days of Pompeii,” “Kenelm Chillingly” |
| Bunner: “Short Sixes” |
| Bunyan: “The Pilgrim’s Progress” |
| Burnett: “The Lass o’ Lowrie’s” |
| Burney: “Evelina,” “Cecilia” |
| Butler: “Erewhon,” “The Way of All Flesh” |
| Caballero: “La Gaviota” |
| Cable: “Old Creole Days” |
| Caine: “The Manxman” |
| Cantù: “Margherita Pusteria” |
| Cervantes: “Don Quixote” |
| Chamisso: “The Wonderful History of Peter Schlemihl” |
| Chateaubriand: “Atala” |
| Chekhov: “The Trousseau” |
| Cherbuliez: “Samuel Brohl and Company” |
| Clarke: “His Natural Life” |
| Collins, Wilkie: “The Moonstone,” “The Woman in White” |
| Conrad: “Lord Jim,” “Victory,” “Nostromo” |
| Conscience: “The Iron Tomb,” “The Lost Glove,” “A Painter’s Progress,” “Rikke-Tikke-Tak,” “Siska van Roosemael” |
| Cooke: “Some Account of Thomas Tucker” |
| Cooper: “The Last of the Mohicans,” “The Prairie,” “The Water-Witch” |
| Coppée: “The Substitute” |
| Craik: “John Halifax, Gentleman” |
| Craven: “A Sister’s Story,” “Fleurange” |
| Crawford: “Marzio’s Crucifix,” “The Upper Berth” |
| Crockett: “The Stickit Minister,” “The Gray Man” |
| Croly: “Salathiel the Immortal” |
| Cupples: “The Green Hand” |
| Curtis: “Prue and I” |
| Dahn: “Felicitas,” “The Struggle for Rome” |
| Dana, R. H., Sr.: “Paul Felton” |
| Dana, R. H., Jr.: “Two Years Before the Mast” |
| Daudet: “Jack,” “Kings in Exile,” “Letters from My Windmill,” “Tartarin of Tarascon” |
| Defoe: “Colonel Jack,” “Robinson Crusoe,” “History of the Plague in London,” “Everybody’s Business is Nobody’s Business” |
| Dekker: “Max Havelaar” |
| De Morgan: “Alice for Short,” “Joseph Vance” |
| de Staël: “Delphine,” “Corinne” |
| Dickens: “Barnaby Rudge,” “Hard Times,” “Mugby Junction,” “A Tale of Two Cities” |
| Diderot: “Le Neveu de Rameau” |
| Dingelstedt: “The Amazon” |
| Dodge: “Hans Brinker” |
| Dostoyevsky: “Crime and Punishment,” “Poor People” |
| Doyle: “The Red-Headed League” |
| Drachmann: “Paul and Virginis of a Northern Zone” |
| Droz: “Making an Omelette,” “Monsieur, Madame, and Baby,” “The Seamstress’s Story” |
| Dumas, Sr.: “The Count of Monte Cristo,” “The Lady of Monsoreau,” “The Three Musketeers,” “The Viscount of Bragelonne” |
| du Maurier: “The Martian,” “Peter Ibbetson,” “Trilby” |
| Dunne: “Mr. Dooley in Peace and in War” |
| Ebers: “An Egyptian Princess” |
| Edgeworth: “Castle Rackrent” |
| Edgren-Leffler: “Open Sesame,” “A Rescuing Angel” |
| Eekhoud: “Ex-Voto,” “Kors Davie” |
| Egyptian: “The Shipwrecked Sailor,” “The Story of Sanehat,” “The Doomed Prince,” “The Story of the Two Brothers,” “The Story of Setna” |
| Eichendorff: “Out of the Life of a Good-for-Nothing” |
| Eliot: “The Mill on the Floss,” “Silas Marner,” “Adam Bede,” “Romola,” “Daniel Deronda” |
| Eötvös: “The Village Notary” |
| Erckmann-Chatrian: “Friend Fritz,” “Waterloo” |
| Esquiros: “Charlotte Corday” |
| Fénelon: “Telemachus” |
| Ferrier: “The Inheritance,” “Destiny” |
| Feuillet: “Romance of a Poor Young Man” |
| Fielding: “Joseph Andrews,” “Tom Jones,” “Amelia” |
| Flaubert: “Un Cœur Simple,” “Salammbô” |
| Flygare-Carlén: “The Merchant House among the Islands” |
| Fogazzaro: “The Patriot” |
| France: “The Crime of Sylvestre Bonnard,” “The Book of My Friend,” “Our Lady’s Juggler,” “Crainquebille,” “Penguin Island,” “The Gods are Athrist” |
| Frederic: “The Damnation of Theron Ware” |
| Freeman: “The Revolt of Mother” |
| Frenssen: “Klaus Hinrich Baas” |
| Freytag: “The Lost Manuscript” |
| Froude: “Two Chiefs of Dunboy,” “On a Siding at a Railway Station” |
| Fuller, H. B.: “With the Procession” |
| Gaboriau: “File No. 113” |
| Galdós: “The Court of Charles IV.,” “Doña Perfecta,” “La de Bringas” |
| Galsworthy: “Fraternity” |
| Garborg: “A Freethinker” |
| Garland: “Rose of Dutcher’s Coolly” |
| Gaskell: “Cranford” |
| Gautier: “The Romance of a Mummy” |
| “Gesta Romanorum” |
| Goethe: “Wilhelm Meister’s Apprenticeship” |
| Gogol: “Dead Souls,” “Mirgorod” |
| Goldschmidt: “Love Stories from Many Countries” |
| Goldsmith: “The Vicar of Wakefield” |
| Goncharov: “Oblómof” |
| Goncourt: “Renée Mauperin,” “Sister Philomène” |
| Griffin: “The Collegians” |
| Guérin: “The Centaur” |
| Hale: “The Man Without a Country” |
| Halévy: “The Most Beautiful Woman in Paris” |
| Haliburton: “The Clockmaker” |
| Hardy, A. S., “But Yet a Woman” |
| Hardy, Thomas: “Far from the Madding Crowd,” “Jude the Obscure,” “A Pair of Blue Eyes,” “The Return of the Native,” “Tess,” “Under the Greenwood Tree” |
| Harris: “Uncle Remus and his Friends” |
| Harte: “An Heiress of Red Dog” |
| Hauff: “The Story of the Caliph Stork” |
| Hawthorne, Julian: “Archibald Malmaison” |
| Hawthorne, Nathaniel: “The House of Seven Gables,” “Marble Faun,” “Mosses from an Old Manse,” “The Scarlet Letter” |
| Hearn: “Chita” |
| Heine: “Marie” |
| Heliodorus: “Æthiopica” |
| O. Henry: “The Cop and the Anthem” |
| Heyse: “Children of the World” |
| Holmes: “Elsie Venner” |
| Howells: “Their Wedding Journey,” “A Hazard of New Fortunes” |
| Hughes: “Tom Brown’s School Days” |
| Hugo: “Les Misérables,” “The Toilers of the Sea” |
| Huysmans: “À Rebours,” “La Cathédrale,” “En Rade,” “En Route” |
| Immermann: “Oberhof” |
| Ingemann: “Waldemar the Victorious” |
| Irving: “The Legend of Sleepy Hollow” |
| Isaacs: “María” |
| James, Henry: “The Madonna of the Future” |
| Janvier: “The Episode of the Marques de Valdeflores” |
| Japanese: “The Maid of Unai,” “Discovery of the Isle of Immortal Youth,” “The Chiushingura” |
| Jerrold: “The Tragedy of the Till” |
| Jewett: “Miss Tempy’s Watchers,” “Deephaven” |
| Johnston: “The Early Majority of Mr. Thomas Watts” |
| Jókai: “There is No Devil” |
| Judd: “Margaret” |
| Keller: “The Smith of his Own Fortunes” |
| Kielland: “At the Fair” |
| Kingsley: “Water-Babies,” “Westward Ho” |
| Kipling: “Without Benefit of Clergy” |
| Kleist: “Michael Kohlhaas” |
| La Fayette: “The Princess of Clèves” |
| Lagerlöf: “The Story of Gösta Berling,” “Invisible Links” |
| Lamennais: “A Spiritual Allegory” |
| La Motte-Fouqué: “Undine” |
| Lesage: “Gil Blas,” “The Devil upon Two Sticks” |
| Lever: “Charles O’Malley” |
| Lie: “A Norse Love Story” |
| London: “The Sea Wolf” |
| Longus: “Daphnis and Chloe” |
| Loti: “An Iceland Fisherman” |
| Lover: “The Gridiron” |
| Lucian: “The Amateur of Lying” |
| Maartens: “God’s Foul,” “Greater Glory,” “An Old Maid’s Love,” “The Sin of Joost Avelingh” |
| Mabinogion, The |
| MacDonald: “At the Back of the North Wind,” “Sir Gibbie” |
| Macleod: “The Old Lieutenant and his Son” |
| Mahony: “Father Prout” |
| Mallock: “The New Republic” |
| Manzoni: “The Betrothed” |
| Marguerite de Navarre: Heptameron |
| Marryat: “Mr. Midshipman Easy,” “Peter Simple” |
| Maupassant: “A Life,” “The Piece of String,” “Pierre and Jean” |
| Meinhold: “The Amber-Witch” |
| Melville: “Typee” |
| Mendès: “The Foolish Wish,” “The Sleeping Beauty,” “The Charity of Sympathy,” “The Mirror,” “The Man of Letters” |
| Meredith: “Lord Ormont and his Aminta,” “The Ordeal of Richard Feverel” |
| Mérimèe: “Arsène Guillot” |
| Meyer: “The Monk’s Wedding” |
| Mille: “Barnavaux, Général,” “Caillou et Tili,” “Diary of a Fat Ox,” “Jimmy and Wilkie,” “Louise et Barnavaux,” “Paraboles et Diversions,” “Paul-Louis Durand” |
| Mitchell, S. W.: “Hugh Wynne” |
| Mitford: “Our Village” |
| Moore: “Esther Waters” |
| Morier: “The Adventures of Hajji Baba” |
| Morris: “The Story of the Glittering Plain” |
| Murfree: “The Dancin’ Party at Harrison’s Cove” |
| Murger: “The Bohemians of the Latin Quarter” |
| Musset: “Mimi Pinson” |
| Newman: “Callista,” “Loss and Gain” |
| Norris, Frank: “The Octopus” |
| Norris, W. E.: “Matrimony,” “No New Thing,” “Mademoiselle de Mersac” |
| O’Brien: “The Diamond Lens” |
| O’Grady: “The Coming of Cuculain” |
| Oliphant: “The Ladies Lindores,” “Miss Marjoribanks” |
| Ouida: “Bébée,” “Tricotrin,” “Under Two Flags” |
| Page: “The Burial of the Guns” |
| Palgrave: “Hermann Agha” |
| Pardo Bazán: “The Swan of Vilamorte” |
| Parker, Gilbert: “Pierre and His People,” “When Valmond Came to Pontiac” |
| Pater: “Marius, the Epicurean” |
| Paulding: “The Dutchman’s Fireside” |
| Peacock: “Maid Marian” |
| Pereda: “La Leva,” “Los Hombros de Pro,” “Don Gonzalo Gonzalez de la Gonzalera,” “Sotileza” |
| Petronius: “Satiricon” |
| Poe: “A Descent into the Maelstrom,” “The Fall of the House of Usher” |
| Prévost d’Exiles: “Manon Lescaut” |
| Quesnay de Beaurepaire: “The Woodman” |
| Quiller-Couch: “When the Sap Rose,” “The Paupers” |
| Rabelais: “Gargantua” |
| Reade: “Christie Johnstone,” “Peg Woffington,” “The Cloister and the Hearth” |
| Reuter: “My Apprenticeship on the Farm,” “In the Year ’13” |
| Richardson: “Pamela,” “Sir Charles Grandison” |
| Ritchie: “Old Kensington” |
| Roberts: “Strayed” |
| Rod: “The Sense of Life” |
| Rolland: “Jean-Christophe” |
| Ruffini: “Dr. Antonio” |
| Russell: “The Wreck of the Grosvenor” |
| Saintine: “Picciola” |
| Saint-Pierre: “Paul and Virginia” |
| Sa’dī: “Short Stories” |
| Sand: “Lélia,” “Simon,” “François le Champi” |
| Sandeau: “The House of Penarvan” |
| Scheffel: “Ekkehard” |
| Schreiner: “The Story of an African Farm,” “Dreams” |
| Scott: “The Antiquary,” “Old Mortality,” “The Heart of Mid-Lothian,” “Kenilworth,” “Ivanhoe,” “The Talisman,” “Rokeby,” “Waverley” |
| Scribe: “Merlin’s Pet Fairy,” “The Price of Life” |
| Senancour: “Obermann” |
| Serao: “A Midsummer Night’s Dream,” “Fantasy” |
| Shorthouse: “John Inglesant” |
| Sidney: “The Arcadia” |
| Sienkiewicz: “With Fire and Sword,” “Pan Michael” |
| Simms: “The Yemassee” |
| Slosson: “Butterneggs” |
| Smith, F. H.: “Colonel Carter of Cartersville” |
| Smollett: “Roderick Random,” “Peregrine Pickle,” “The Expedition of Humphrey Clinker” |
| Souvestre: “The Washerwomen of Night,” “The Four Gifts” |
| Spielhagen: “Quisisana” |
| Spofford: “The Godmothers” |
| Steele: “Mr. Bickerstaff Visits a Friend” |
| Stendhal: “Armance,” “Chartreuse,” “Lucien Leuwen,” “Le Rough et Le Noir” |
| Sterne: “The Life and Opinions of Tristram Shandy,” “A Sentimental Journey through France and Italy” |
| Stevenson: “Kidnapped,” “Travels with a Donkey,” “A Lodging for the Night” |
| Stockton: “The Casting Away of Mrs. Leeks and Mrs. Aleshine” |
| Stoddard: “Temple House” |
| Storm: “Immen-see” |
| Stowe: “Uncle Tom’s Cabin,” “The Minister’s Wooing” |
| Stuart: “The Widder Johnsing |
| Sudermann: “Dame Care” |
| Sue: “The Wandering Jew” |
| Swift: “Gulliver’s Travels” |
| Tarkington: “Penrod,” “The Turmoil” |
| Thackeray: “The History of Henry Esmond,” “Vanity Fair,” “The Newcomes” |
| Thanet: “The Missionary Sheriff” |
| Theuriet: “The Bretonne,” “An Easter Story” |
| Tieck: “The Fair-Haired Eckbert” |
| Tolstoy: “Anna Karénina,” “War and Peace” |
| Trollope: “Barchester Towers,” “The Last Chronicle of Barset” |
| Turgenev: “Fathers and Children,” “A House of Gentlefolk,” “A Sportsman’s Sketches” |
| Twain: “The Jumping Frog,” “A Connecticut Yankee in King Arthur’s Court,” “The Prince and the Pauper” |
| Valdés: “Señorito Octavio,” “Marta y María,” “El Cuarto Poder” |
| Valera: “Pepita Jiménez,” “Commander Mendoza” |
| Vazov: “Under the Yoke” |
| Verga: “Home Tragedy” |
| Veuillot: “Çà et Là,” “Tigruche,” “Hic Aliquis de Gente Hircosa,” “A Duel” |
| Vigny: “Laurette; or, The Red Seal” |
| Wallace: “Ben-Hur” |
| Ward, E. S. P.: “Men, Women and Ghosts” |
| Ward, Mary Augusta: “Marcella,” “The History of David Grieve” |
| Watson: “A Triumph in Diplomacy” |
| Wells: “The Wife of Sir Isaac Harmon,” “Tono-Bungay” |
| Wharton, Edith: “The Reef” |
| Wharton, Thomas: “Bobbo” |
| Winthrop: “John Brent” |
| Wister: “Specimen Jones” |
| Woods: “Esther Vanhomrigh” |
| Woolson: “Rodman the Keeper” |
| Zola: “La Débâcle,” “The Attack on the Mill” |
| Fiction, Jefferson (Letter) |
| Moral Responsibility of the Novelist, The, Trollope (Autobiography) |
| New Novel, James Henry (Notes on Novelists) |
| Preternatural in Fiction, The, R. F. Burton (The Book of a Thousand and a Night) |
| Realistic Literature and the Russian Novel, Vogüé |
| Spanish Fiction |
| Story-Telling, The Art of, Steele (The Guardian) |
| Value and Influence of Works of Fiction, T. H. Green |
| Fiction in the Early Twentieth Century, H. W. Boynton |
| Field, Eugene |
| Fielding, Henry, Sir Leslie Stephen |
| Fifth of May, The (Poem), Manzoni |
| Fifty Years (Poem), Béranger |
| Fight at Finnsburg (Poem), Anon. |
| Fight at Maldon, The (Poem), Anon. |
| File No. 113, Gaboriau |
| Filicaia, Vincenzo da |
| Finger Prints, Galton |
| Finland. |
| Kalevala, The |
| Runeberg, Johan Ludvig |
| Finnish Literature. |
| Kalevala, The |
| Runeberg, Johan Ludvig |
