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C.D. Warner, et al., comp.  The Library of the World’s Best Literature.
An Anthology in Thirty Volumes.  1917.
 
On Rattlesnake Ledge
By Oliver Wendell Holmes (1809–1894)
 
From ‘Elsie Venner’

THE MORE he saw her, the more the sadness of her beauty wrought upon him. She looked as if she might hate, but could not love. She hardly smiled at anything, spoke rarely, but seemed to feel that her natural power of expression lay all in her bright eyes, the force of which so many had felt, but none perhaps had tried to explain to themselves. A person accustomed to watch the faces of those who were ailing in body or mind, and to search in every line and tint for some underlying source of disorder, could hardly help analyzing the impression such a face produced upon him. The light of those beautiful eyes was like the lustre of ice; in all her features there was nothing of that human warmth which shows that sympathy has reached the soul beneath the mask of flesh it wears. The look was that of remoteness, of utter isolation. There was in its stony apathy, it seemed to him, the pathos which we find in the blind who show no film or speck over the organs of sight; for Nature had meant her to be lovely, and left out nothing but love. And yet the master could not help feeling that some instinct was working in this girl which was in some way leading her to seek his presence. She did not lift her glittering eyes upon him as at first. It seemed strange that she did not, for they were surely her natural weapons of conquest. Her color did not come and go like that of young girls under excitement. She had a clear brunette complexion, a little sun-touched, it may be,—for the master noticed once, when her necklace was slightly displaced, that a faint ring or band of a little lighter shade than the rest of the surface encircled her neck. What was the slight peculiarity of her enunciation when she read? Not a lisp, certainly, but the least possible imperfection in articulating some of the lingual sounds,—just enough to be noticed at first, and quite forgotten after being a few times heard.  1
  Not a word about the flower on either side. It was not uncommon for the schoolgirls to leave a rose or pink or wild flower on the teacher’s desk. Finding it in the Virgil was nothing, after all: it was a little delicate flower, which looked as if it were made to press, and it was probably shut in by accident at the particular place where he found it. He took it into his head to examine it in a botanical point of view. He found it was not common,—that it grew only in certain localities,—and that one of these was among the rocks of the eastern spur of The Mountain.  2
  It happened to come into his head how the Swiss youth climb the sides of the Alps to find the flower called the Edelweiss for the maidens whom they wish to please. It is a pretty fancy, that of scaling some dangerous height before the dawn so as to gather the flower in its freshness, that the favored maiden may wear it to church on Sunday morning, a proof at once of her lover’s devotion and his courage. Mr. Bernard determined to explore the region where this flower was said to grow, that he might see where the wild girl sought the blossoms of which Nature was so jealous.  3
  It was on a warm, fair Saturday afternoon that he undertook his land voyage of discovery. He had more curiosity, it may be, than he would have owned; for he had heard of the girl’s wandering habits, and the guesses about her sylvan haunts, and was thinking what the chances were that he should meet her in some strange place, or come upon traces of her which would tell secrets she would not care to have known.  4
  The woods are all alive to one who walks through them with his mind in an excited state, and his eyes and ears wide open. The trees are always talking; not merely whispering with their leaves (for every tree talks to itself in that way, even when it stands alone in the middle of a pasture), but grating their boughs against each other as old horn-handed farmers press their dry, rustling palms together, dropping a nut or a leaf or a twig, clicking to the tap of a woodpecker, or rustling as a squirrel flashes along a branch. It was now the season of singing birds, and the woods were haunted with mysterious tender music. The voices of the birds which love the deeper shades of the forest are sadder than those of the open fields: these are the nuns who have taken the veil, the hermits that have hidden themselves away from the world and tell their griefs to the infinite listening Silences of the wilderness,—for the one deep inner silence that Nature breaks with her fitful superficial sounds becomes multiplied as the image of a star in ruffled waters. Strange! The woods at first convey the impression of profound repose, and yet, if you watch their ways with open ear, you find the life which is in them is restless and nervous as that of a woman: the little twigs are crossing and twining and separating like slender fingers that cannot be still; the stray leaf is to be flattened into its place like a truant curl; the limbs sway and twist, impatient of their constrained attitude; and the rounded masses of foliage swell upward and subside from time to time with long soft sighs, and it may be the falling of a few rain-drops which had lain hidden among the deeper shadows. I pray you, notice, in the sweet summer days which will soon see you among the mountains, this inward tranquillity that belongs to the heart of the woodland, with this nervousness (for I do not know what else to call it) of outer movement. One would say that Nature, like untrained persons, could not sit still without nestling about or doing something with her limbs or features; and that high breeding was only to be looked for in trim gardens, where the soul of the trees is ill at ease perhaps, but their manners are unexceptionable, and a rustling branch or leaf falling out of season is an indecorum. The real forest is hardly still except in the Indian summer; then there is death in the house, and they are waiting for the sharp shrunken months to come with white raiment for the summer’s burial.  5
  There were many hemlocks in this neighborhood, the grandest and most solemn of all the forest trees in the mountain regions. Up to a certain period of growth they are eminently beautiful, their boughs disposed in the most graceful pagoda-like series of close terraces, thick and dark with green crystalline leaflets. In spring the tender shoots come out of a paler green, finger-like, as if they were pointing to the violets at their feet. But when the trees have grown old, and their rough boles measure a yard and more through their diameter, they are no longer beautiful, but they have a sad solemnity all their own, too full of meaning to require the heart’s comment to be framed in words. Below, all their earthward-looking branches are sapless and shattered, splintered by the weight of many winters’ snows; above, they are still green and full of life, but their summits overtop all the deciduous trees around them, and in their companionship with heaven they are alone. On these the lightning loves to fall. One such Mr. Bernard saw—or rather what had been one such; for the bolt had torn the tree like an explosion from within, and the ground was strewed all around the broken stump with flakes of rough bark and strips and chips of shivered wood, into which the old tree had been rent by the bursting rocket from the thunder-cloud.  6
  —The master had struck up The Mountain obliquely from the western side of the Dudley mansion-house. In this way he ascended until he reached a point many hundred feet above the level of the plain, and commanding all the country beneath and around. Almost at his feet he saw the mansion-house, the chimney standing out of the middle of the roof, or rather like a black square hole in it,—the trees almost directly over their stems, the fences as lines, the whole nearly as an architect would draw a ground plan of the house and the inclosures round it. It frightened him to see how the huge masses of rock and old forest growths hung over the home below. As he descended a little and drew near the ledge of evil name, he was struck with the appearance of a long narrow fissure that ran parallel with it and above it for many rods, not seemingly of very old standing,—for there were many fibres of roots which had evidently been snapped asunder when the rent took place, and some of which were still succulent in both separated portions.  7
  Mr. Bernard had made up his mind, when he set forth, not to come back before he had examined the dreaded ledge. He had half persuaded himself that it was scientific curiosity: he wished to examine the rocks, to see what flowers grew there, and perhaps to pick up an adventure in the zoölogical line; for he had on a pair of high, stout boots, and he carried a stick in his hand which was forked at one extremity, so as to be very convenient to hold down a crotalus with, if he should happen to encounter one. He knew the aspect of the ledge from a distance; for its bald and leprous-looking declivities stood out in their nakedness from the wooded sides of The Mountain, when this was viewed from certain points of the village. But the nearer aspect of the blasted region had something frightful in it. The cliffs were water-worn, as if they had been gnawed for thousands of years by hungry waves. In some places they overhung their base, so as to look like leaning towers which might topple over at any minute. In other parts they were scooped into niches or caverns. Here and there they were cracked in deep fissures, some of them of such width that one might enter them, if he cared to run the risk of meeting the regular tenants, who might treat him as an intruder.  8
  Parts of the ledge were cloven perpendicularly, with nothing but cracks or slightly projecting edges in which or on which a foot could find hold. High up on one of these precipitous walls of rock he saw some tufts of flowers, and knew them at once for the same that he had found between the leaves of his Virgil. Not there, surely! no woman would have clung against that steep, rough parapet to gather an idle blossom. And yet the master looked round everywhere, and even up the side of that rock, to see if there were no signs of a woman’s footstep. He peered about curiously, as if his eye might fall on some of those fragments of dress which women leave after them whenever they run against each other or against anything else,—in crowded ball-rooms, in the brushwood after picnics, on the fences after rambles, scattered round over every place which has witnessed an act of violence, where rude hands have been laid upon them. Nothing. Stop, though, one moment. That stone is smooth and polished, as if it had been somewhat worn by the pressure of human feet. There is one twig broken among the stems of that clump of shrubs. He put his foot upon the stone and took hold of the close-clinging shrub. In this way he turned a sharp angle of the rock and found himself on a natural platform, which lay in front of one of the wider fissures,—whether the mouth of a cavern or not he could not yet tell. A flat stone made an easy seat, upon which he sat down, as he was very glad to do, and looked mechanically about him. A small fragment splintered from the rock was at his feet. He took it and threw it down the declivity a little below where he sat. He looked about for a stem or a straw of some kind to bite upon,—a country instinct, relic no doubt of the old vegetable-feeding habits of Eden. Is that a stem or a straw? He picked it up. It was a hair-pin.  9
  To say that Mr. Langdon had a strange sort of thrill shoot through him at the sight of this harmless little implement would be a statement not at variance with the fact of the case. That smooth stone had been often trodden, and by what foot he could not doubt. He rose up from his seat to look round for other signs of a woman’s visits. What if there is a cavern here, where she has a retreat, fitted up perhaps as anchorites fitted their cells,—nay, it may be, carpeted and mirrored, and with one of those tiger-skins for a couch, such as they say the girl loves to lie on? Let us look, at any rate.  10
  Mr. Bernard walked to the mouth of the cavern or fissure and looked into it. His look was met by the glitter of two diamond eyes,—small, sharp, cold, shining out of the darkness, but gliding with a smooth, steady motion towards the light and himself. He stood fixed, struck dumb, staring back into them with dilating pupils and sudden numbness of fear that cannot move, as in the terror of dreams. The two sparks of light came forward until they grew to circles of flame, and all at once lifted themselves up as if in angry surprise. Then for the first time thrilled in Mr. Bernard’s ears the dreadful sound that nothing which breathes, be it man or brute, can hear unmoved,—the long, loud, stinging whirr, as the huge, thick-bodied reptile shook his many-jointed rattle and adjusted his loops for the fatal stroke. His eyes were drawn as with magnets toward the circles of flame. His ears rung as in the overture to the swooning dream of chloroform. Nature was before man with her anæsthetics: the cat’s first shake stupefies the mouse; the lion’s first shake deadens the man’s fear and feeling; and the crotalus paralyzes before he strikes. He waited as in a trance,—waited as one that longs to have the blow fall, and all over, as the man who shall be in two pieces in a second waits for the axe to drop. But while he looked straight into the flaming eyes, it seemed to him that they were losing their light and terror, that they were growing tame and dull; the charm was dissolving, the numbness was passing away, he could move once more. He heard a light breathing close to his ear, and half turning saw the face of Elsie Venner, looking motionless into the reptile’s eyes, which had shrunk and faded under the stronger enchantment of her own.  11
 
 
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