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C.D. Warner, et al., comp.  The Library of the World’s Best Literature.
An Anthology in Thirty Volumes.  1917.
 
The Brandon House
By Sarah Orne Jewett (1849–1909)
 
From ‘Deephaven’

I DO not know that the Brandon House is really very remarkable, but I never have been in one that interested me in the same way. Kate used to recount to select audiences at school some of her experiences with her Aunt Katharine; and it was popularly believed that she once carried down some indestructible picture-books when they were first in fashion, and the old lady basted them for her to hem round the edges at the rate of two a day. It may have been fabulous. It was impossible to imagine any children in the old place; everything was for grown people; even the stair railing was too high to slide down on. The chairs looked as if they had been put, at the furnishing of the house, in their places, and there they meant to remain. The carpets were particularly interesting; and I remember Kate’s pointing out to me one day a great square figure in one, and telling me she used to keep house there with her dolls for lack of a better play-house, and if one of them chanced to fall outside the boundary stripe, it was immediately put to bed with a cold. It is a house with great possibilities; it might easily be made charming. There are four very large rooms on the lower floor, and six above, a wide hall in each story, and a fascinating garret over the whole, where were many mysterious old chests and boxes, in one of which we found Kate’s grandmother’s love-letters; and you may be sure the vista of rummages which Mr. Lancaster had laughed about was explored to its very end…. Facing each other are two old secretaries, and one of them we ascertained to be the hiding-place of secret drawers, in which may be found valuable records deposited by ourselves one rainy day when we first explored it. We wrote, between us, a tragic ‘journal’ on some yellow old letter-paper we found in the desk. We put it in the most hidden drawer by itself, and flatter ourselves that it will be regarded with great interest some time or other. Of one of the front rooms, “the best chamber,” we stood rather in dread. It is very remarkable that there seem to be no ghost stories connected with any part of the house, particularly this. We are neither of us nervous; but there is certainly something dismal about the room. The huge curtained bed and immense easy-chairs, windows and everything, were draped in some old-fashioned kind of white cloth which always seemed to be waving and moving about of itself. The carpet was most singularly colored with dark reds and indescribable grays and browns; and the pattern, after a whole summer’s study, could never be followed with one’s eye. The paper was captured in a French prize somewhere some time in the last century; and part of the figure was shaggy, and therein little spiders found habitation, and went visiting their acquaintances across the shiny places. The color was an unearthly pink and a forbidding maroon, with dim white spots, which gave it the appearance of having molded. It made you low-spirited to look long in the mirror; and the great lounge one could not have cheerful associations with, after hearing that Miss Brandon herself did not like it, having seen so many of her relatives lie there dead. There were fantastic china ornaments from Bible subjects on the mantel; and the only picture was one of the Maid of Orleans, tied with an unnecessarily strong rope to a very stout stake. The best parlor we also rarely used, because all the portraits which hung there had for some unaccountable reason taken a violent dislike to us, and followed us suspiciously with their eyes. The furniture was stately and very uncomfortable, and there was something about the room which suggested an invisible funeral.  1
 
 
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