Opera Essay

The Beggars Opera by John Gay was written in 1728 as a response to the political state in London. Gay moved to London with no expectation of writing a satirical musical. Coming from no money, no title, and no useful contacts he tried to find his own destiny. He took a job as an apprentice to a silk merchant in an attempt to build his status. After realizing that he did not want to pursue a career in silk, he moved on to working in a theater. He was then offered a jobs working for different nobilities

Phantom of the Opera is the Best Musical on Broadway “Say you love me. You know I do.” These famous words come from the outstanding musical Phantom of the Opera. Phantom is one of the most beloved shows. According to Kelso, J. (2013), “The show has played to over 130 million people in 30 countries in 151 cities around the world, with an estimated gross of $5.6 billion worldwide.” In Phantom of the Opera, the use of beautiful costumes, music, and the set together create one of the most loved shows

Have you ever heard of “The Phantom of the Opera”? The story is about a “ghost” that lives in a opera house, he falls in love with this girl Kristine but she isn't interested. In a dramatic musical Kristine has to make a choice that will change her life forever. The play takes place in the mid 1800s in France and is a dramatic musical that is realistic friction. The main character is Kristine and some other important characters are Raoul and the Phantom. In this essay certain set designs will be

The Magic Flute is one of the performance from the Metropolitan Opera. According to the book (The art of Listening Music), The Magic Flute is a German opera that has some serious with comic implications. It was performed on December 30, 2006. Wolfgang Amadeus Mozart (1756-1791) was the fantastic composer of this stunning piece. He created this song as a fairy tale. The librettist is Emanuel Schikaneder. The Magic Flute is performed by not only an orchestra but also a chorus. The show is a musical

document I will evaluate, articulate and communicate my process and accomplishments within the Opera speculative design project. This document will provide context for my designs and practical work evidenced in my journal and blog. In this project I will explore Juxtaposing themes, musical and dramatic styles and characters through research, planning and execution. We will also construct a set on one of two operas “L’Enfant et les Sortileges” by Maurice Ravel or “Lulu” by Alban Berg. The aims of the speculative

Jacob's Room is a combination of singers, cellists, and electronics. Depending on the piece and presentation there are a different number of singers and cellists. Depending on the performance, there are also different visualizations. In the Chamber Opera of this piece, there is a tilting stage. Depending on the performance, there are different costumes and digital imaging. It was extremely interesting to listen to the various performances of this piece. Since this piece was written for a specific

Opera buffas break the stereotype that other operas had set. The plots follow common folk rather than heroes and noblemen. They incorporated comedy as an essential element to the plot and connotation of the opera. At first, intellectuals hated this. They believed it broke tradition and made opera look impractical. As time went on, critics and general audiences began to accept opera buffas. There was a lot more depth to comic operas than some would believe. I aim to look at the opera buffa and how

OPERA: DIE FLEDERMAUS Director of this play is Marie Allyn King. There are many characters in this opera, but some important characters are Aaron Stepanek (Eisenstein), Alyson Golladay (Rosalinda), Brittany Jereffy (Orlovsky), Rachel Martin (Adele), Chy Billings (Flake) and many other characters are there in this show. In this show, Dr.Flake got smashed at a costume party, and as a joke, his lawyer friend Eisenstein left him out in the town square in his bat costume. After awakening to the laughter

all of western culture. During the beginning of the eighteenth century, European opera began to shift into a new soundscape. A split occurred in opera between Opera Seria and Opera Buffa mainly as a result of the Arcadian Academy. This literary movement sought to return Italian poetry to its former glory, and by former glory they meant the ancient Greek’s former glory. This movement focused prominently on opera libretti. One such librettist was Piertro Metastasio. Metastasio

The Phantom of Opera begins with a man looking in like a cave then the phantom appears. The Opera House opens and everyone begins to arrive for the show. The ballerinas start to dance, then in another room it show men making some sort of business deal to sell the Opera House. After the deal, the old owners tell the new owners about the Phantom that appears but the new owners don’t believe them. The new owners go out of the room and see the maid and ask her who owns Book five but she claims she doesn’t