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I I BELT the morn with ribboned mist; | |
With baldricked blue I gird the noon, | |
And dusk with purple, crimson-kissed, | |
White-buckled with the hunters-moon. | |
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These follow me, the Season says: | 5 |
Mine is the frost-pale hand that packs | |
Their scrips, and speeds them on their ways, | |
With gypsy gold that weighs their backs. | |
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II A daybreak horn the Autumn blows, | |
As with a sun-tanned hand he parts | 10 |
Wet boughs whereon the berry glows; | |
And at his feet the red fox starts. | |
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The leafy leash that holds his hounds | |
Is loosed; and all the noonday hush | |
Is startled; and the hillside sounds | 15 |
Behind the foxs bounding brush. | |
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When red dusk makes the western sky | |
A fire-lit window through the firs, | |
He stoops to see the red fox die | |
Among the chestnuts broken burrs. | 20 |
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Then fanfaree and fanfaree, | |
His bugle sounds; the world below | |
Grows hushed to hear; and two or three | |
Soft stars dream through the afterglow. | |
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III Like some black host the shadows fall, | 25 |
And blackness camps among the trees; | |
Each wildwood road, a Goblin Hall, | |
Grows populous with mysteries. | |
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Night comes with brows of ragged storm, | |
And limbs of writhen cloud and mist; | 30 |
The rain-wind hangs upon his arm | |
Like some wild girl who cries unkissed. | |
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By his gaunt hands the leaves are shed | |
In headlong troops and nightmare herds; | |
And, like a witch who calls the dead, | 35 |
The hill-stream whirls with foaming words. | |
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Then all is sudden silence and | |
Dark fearlike his who cannot see, | |
Yet hears, lost in a haunted land, | |
Death rattling on a gallows-tree. | 40 |
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IV The days approach again; the days | |
Whose mantles stream, whose sandals drag, | |
When in the haze by puddled ways | |
The gnarled thorn seems a crooked hag. | |
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When rotting orchards reek with rain; | 45 |
And woodlands crumble, leaf and log; | |
And in the drizzling yard again | |
The gourd is tagged with points of fog. | |
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Now let me seat my soul among | |
The woods dim dreams, and come in touch | 50 |
With melancholy, sad of tongue | |
And sweet, who says so much, so much. | |
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