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1960s Music Packet
by Victor Pavao
1.
During a lull in her career, this musician sang backing vocals on Elton John’s song “Ballad of a
Well-Known Gun.” This musician’s highest-charting single was reworked from Pino Donaggio’s song “Io
Che Non Vivo (Senza Te)” (“yo kay non vivo senza tay”) by her collaborator Vicki Wickham. This
musician’s long-time partner Norma Tanega wrote “No Stranger Am I” for her, which appears on her
album titled [her]
... Definitely
. This musician recorded the first vocal version of Burt Bacharach’s song
(*)
“The Look of Love.” While recording for Atlantic in the US, this musician covered a Wexler-Marden-Dowd song
that Aretha Franklin had originally turned down. Late in her career, she was featured on the Pet Shop Boys song
“What Have I Done to Deserve This?.” This artist’s iconic blonde beehive hairstyle appears on the cover of an
album titled [her]
in Memphis
. For 10 points, name this British singer of “Son of a Preacher Man.”
ANSWER: Dusty
Springfield
[accept Mary (Isobel Catherine Bernadette)
O’Brien
]
2.
This song’s riff was inspired by the Chicano rock song “El Loco Cha Cha Cha,” and its Caribbean
English-inflected lyrics were inspired by Nat King Cole’s “Havana Moon.” After being featured on a
“worst records” radio program, this song sold 21,000 copies in Boston. While recording a cover of this
song, Lynn Easton shouted “Fuck!” after accidentally hitting his drum sticks together. After undergoing a
lineup change, the band that recorded the most successful version of this song followed it up with “The (*)
Jolly Green Giant.” This song’s riff uses a V (“five”) minor chord, unlike “Wild Thing.” After a successful garage
rock cover, this Richard Berry song was the subject of a two-year FBI investigation. This song’s narrator waits to
board a ship so he can see a “Fine little girl [that] waits for me.” For 10 points, name this song popularized by the
Kingsmen.
ANSWER: “
Louie Louie
”
3.
A 13-minute song from this album features a harmonica blown through a Kustom Electronics “bag” device,
possibly its first appearance in recorded music. This album’s title track states “You’ve been sitting much
too long / There’s a permanent crease in your right and wrong.” Cynthia Robinson and background
vocalists Little Sister are prominently featured on a song from this album that closed the band’s Summer of
Soul set; that song is centered on repeated shouts of “higher!”. A bizarre talk box solo is featured on a track
addressed to (*)
“Whitey” on this album. Slap bass was introduced to the public on the single “Thank You,”
which was released just after this album. A number-one single from this album pleads “We got to live together!”
after stating “Sometimes I’m right and I can be wrong.” “I Want to Take You Higher” and “Everyday People”
appear on, for 10 points, which 1968 album by Sly and the Family Stone?
ANSWER:
Stand
!
4.
A man sometimes called the first hippie, Eden Ahbez, recorded an album in which he reads beat poetry
over this genre. In the 2000s, Capitol Records released an 18-volume compilation titled “Ultra-” this genre.
Artists in this genre were the first to utilize stereophonic recording, which enhanced the sound effects made
by Augie Colón. The song “Mini Skirt” was recorded by the Mexican “king” of this genre, Esquivel. A
best-selling cover of the Haitian folk song “Choucoune” was recorded in this genre by Arthur Lyman under
the name “Yellow Bird.” A 1957 album by
(*) Martin Denny is credited with popularizing marimba in this
genre, whose origin is traced to
Ritual of the Savage
by Les Baxter and “Virgin of the Sun God” by Yma
(“imma”) Sumac. This broad genre was marketed to former servicemen who had served in the Pacific. For 10
points, name this easy listening genre that idealized foreign lands and the tropics.
ANSWER:
exotica
[accept
lounge
; accept
bachelor pad
music; accept
space age
pop; accept
cocktail
music;
prompt on “beautiful music”; prompt on “easy listening”]
(lounge and exotica are technically separate genres but
there’s enough overlap for them to be in the same answerline.)
5.
While writing songs for this album, its artist obsessively listened to Ray Charles’s album
The Genius Sings
the Blues
from his residence in Hydra, Greece. A song from this album states “Several girls embraced me,
then / I was embraced by men” after stating “I ate and ate and ate / No, I did not miss a plate.” Another
song from this album describes a gambler who “didn’t leave you very much, not even laughter” that was
“just some Joseph looking for a manger.” Another song from this album was inspired by the artist’s friend
who had the surname Verdal. The period of productivity that produced this album also produced the novel
Beautiful Losers
. This album contains “The (*)
Stranger Song,” “Sisters of Mercy,” and a song about a woman
who brings “tea and oranges that come all the way from China.” For 10 points, name this 1967 debut album that
contains “So Long, Marianne” and “Suzanne,” by a Canadian singer-songwriter.
ANSWER:
Songs of Leonard Cohen
6.
Rolf Harris’s wobble board instrument is featured in a long solo section in a song narrated by this
character’s son. This character laments the “Soft, white dreams with sugar coated outside” of his “young
and innocent days.” This character buys a hat “like Anthony Eden’s” while his wife buys one “like Princess
Marina” to distract from their family’s poverty. This character’s son Derek sings of a place with “no class
distinction [...] no drug addiction” on the song
(*) “Australia.” This working-class character praises the
“Croquet lawns, village greens” of a bygone era when Victoria was “[his] queen.” For 10 points, name this title
character of an album titled [him]
Or the Decline and Fall of the British Empire
, released in 1969 by the Kinks.
ANSWER:
Arthur
Morgan
7.
One track on an album that begins with this title word has a 9-bar B section in 3/4 time that is played over
the three pedal points of F, B-flat, and D-flat. In reviewing an album that begins with this title word, critics
like Lawrence Kart and Keith Waters drew connections between songs like “Freedom Jazz Dance” and the
avant-garde, despite the artist’s dismissal of Ornette Coleman. This is the first title word of the album that
contains the Wayne Shorter composition “Paraphernalia,” and the metrically ambiguous “Black Comedy,”
and was released the same year as the artist’s
(*)
Filles de Kilimanjaro
. This is the first title word of a 1967
album that contains “Dolores” and a metrically modular cover of “Footprints.” Tony Williams, Herbie Hancock,
and Wayne Shorter were part of the Second Great Quintet that recorded albums titled [this word]
in the Sky
and
[this word]
Smiles
. For 10 points, give the first name of the trumpeter who recorded
Kind of Blue
.
ANSWER:
Miles
[accept
Miles
Smiles
and
Miles
in the Sky
]
(the opening line refers to “Paraphernalia”)
8.
This song’s success inspired an odd remake of Waltzin’ Matilda by Jimmy Soul, and a Dovells song that
combined it with their hit “Bristol Stomp” and “Work with Me, Annie.” Dick Clark orchestrated this
song’s biggest success by ordering Cameo-Parkway Records to re-record a complete soundalike version of
the original. The original version of this song was the B-side to the ballad “Teardrops on Your Letter” by
Hank Ballard and the Midnighters, who had adapted it from a Sensational Nightingales song. The
impressionist who recorded the most successful version of this song followed it up with
(*) “Pony Time,”
“Limbo Rock,” and a song titled “Lets [do this song’s title action] Again.” This song began a second chart run
after the success of a Joey Dee and the Starliters song titled for “Peppermint.” “Take me by my little hand / And
go like this” is an instruction from, for 10 points, which biggest hit by Chubby Checker?
ANSWER: “The
Twist
”
9.
This type of “punk” is “goin’ up to Frisco to join a psychedelic band” in a Mothers of Invention parody of
“Hey Joe.” In a song by The Move titled for these items, the narrator “wake[s] up one morning half asleep /
with all [his] blankets in a heap.” The highest-charting single by the Statler Brothers is titled for these items
“on the wall.” A Simon and Garfunkel song titled for these items repeats “I’ll continue to continue to
pretend / My life will never end.” These items are “everywhere” in the highest-charting hit by the
(*)
Cowsills, “The Rain, the Park and Other Things.” Scott McKenzie sang that if you’re going to San Francisco, be
sure to have these items in your hair. For 10 points, name these things that named a nonviolent “power”
movement in the 1960s.
ANSWER:
flower
s [accept “
Flower
Punk” or “
Flower
s in the Rain”]
10.
Note to players: naming either side of this single is acceptable
.
The Japanese edition of this single’s B-side transcribed the incorrect lyrics “Stare it down and nourish”
from a vocal part that is played backwards into the song. This single’s B-side used varispeed to match it’s
G-flat vocals and A-flat instrumental to the final key of G major. This single’s A-side uses only two chords,
G7 and C, and includes a Motown-inspired bass line played by Paul McCartney. This single was kept from
the Billboard #1 spot by Frank Sinatra’s “Strangers in the Night.” This song’s B-side describes people who
(*)
“slip into the shade [...] and sip their lemonade,” while its A-side describes an author who “based [...] a novel
by a man named Lear.” For 10 points, name this 1966 non-album single by the Beatles whose A-side describes an
aspiring author writing a letter.
ANSWER: “
Paperback Writer
” / “
Rain
” [accept either underlined portion]
11.
Description acceptable
.
This sound effect is played at the beginning of the highest-charting single by a John
Gummoe-fronted vocal group, which features a celesta part played by Perry Botkin. This sound effect is
played at the beginning and end of the Ronettes’ second-highest-charting song; that song states “I’ll be
certain he’s my guy by the things he’ll like to do.” This sound effect is played at the beginning of the
highest-charting single by (*)
Dee Clark, “Raindrops.” For 10 points, name this sound effect played at the
beginning of “Walking in the Rain,” which suggests a storm.
ANSWER:
thunder
storm [accept reasonable equivalents; prompt on “storm” before it is read]
(the song
referenced in the first line is “Rhythm of the Rain” by the Cascades.)
12.
This song followed the artist’s Billboard top-ten hits “Dreams of the Everyday Housewife” and “I Wanna
Live.” Carol Kaye plays the unaccompanied six-note bass intro at the beginning of this song. This song’s
artist plays a melodic solo on Danelectro bass during a solo break. It’s not (*)
“By the Time I Get To
Phoenix,” but Al De Lory arranged The Wrecking Crew parts that backed this Jimmy Webb song. This song’s
narrator “need[s] a small vacation / But it don't look like rain,” and repeats that he is “still on the line.” For 10
points, name this country song about a lonely utility worker in Kansas, first recorded by Glen Campbell.
ANSWER: “
Wichita Lineman
”
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