1 - Rhythm Part I
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University of California, Irvine *
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Course
I FORGOT
Subject
Mathematics
Date
Feb 20, 2024
Type
Pages
31
Uploaded by HighnessSeaUrchin4066
1/8/24, 1:27 PM
Music Theory 101 - Berklee Online
https://bocce.online.berklee.edu/#/16964/OHARM-101.03/17044/1/introduction
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Introduction
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Rhythm is the aspect of music relating to time—when musical events happen (notes and other
sounds) in relation to other musical events. In this lesson, we will examine the fundamentals of
rhythm and the important role it plays in music.
Objectives
By the end of this lesson, you will be able to:
define meter, pulse, 4/4 time signature, quarter notes, measures, regular bar lines, and final
bar lines
distinguish between whole, half, and quarter notes, and rests
demonstrate correct placement of measures and bar lines
define 5/4, 4/4, 3/4, and 2/4 meter signatures
explain the concept of shifting meters
write correct rhythmic notation using whole, half, quarter notes, and rests
Recommended Reading
Reading assignments from the book, Berklee Music Theory
(Book 1), will be recommended
throughout the lesson.
Timeline for Lesson 1
Meet and Greet—Due Monday
Discussion 1.1: 2, 3, 4, and 5 Pulse Words—Due Wednesday
Discussion 1.2: Setting Words to Music—Due Thursday
1/8/24, 1:27 PM
Music Theory 101 - Berklee Online
https://bocce.online.berklee.edu/#/16964/OHARM-101.03/17044/1/introduction
2/31
Assignment 1.1: Rhythmic Notation 1—Due Thursday
Assignment 1.2: Rhythmic Notation 2—Due Friday
Quiz 1.1: General Knowledge—Due Saturday
1/8/24, 1:27 PM
Music Theory 101 - Berklee Online
https://bocce.online.berklee.edu/#/16964/OHARM-101.03/17044/1/introduction
3/31
Meet and Greet
(Due 11:59PM EST)
Let's get to know each other by posting your answers to the following questions:
1. What is your name and where do you live?
2. What are your career goals?
3. What do you hope to learn by taking this course?
4. What else would you like to share with the class?
If you have a webcam and microphone, record a video message with your responses.
A Note on Participation
Berklee Online courses provide a collaborative environment for
learning, and we encourage all our students to learn as much from each
other as they do from the course itself.
You can do so by commenting on each other's
discussion
responses within the course flow,
starting your own conversations
on related
topics, reaching out to classmates directly via
one-to-one
or group messaging
, or starting
group web chat sessions
about specific
topics in the course.
In addition, each week you'll have a chance to interact with the course
instructor via a scheduled weekly live chat
. These chat sessions are a
very valuable aspect of this course and while attendance is not
mandatory, we do expect you to attend—unless you are working or
otherwise unavailable. If you are unable to attend a particular chat
session be sure to, at least, review the chat recordings.
1/8/24, 1:27 PM
Music Theory 101 - Berklee Online
https://bocce.online.berklee.edu/#/16964/OHARM-101.03/17044/1/introduction
4/31
Participate in Discussion!
1/8/24, 1:27 PM
Music Theory 101 - Berklee Online
https://bocce.online.berklee.edu/#/16964/OHARM-101.03/17044/1/introduction
5/31
Pulse
A regular pulse is fundamental to music. Click the play button below to hear an example.
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Four Pulse
In music, some pulses or
beats
are emphasized more than others.
Say the word "
alligator
." Notice that "al" has the strongest emphasis. The strongest beat is beat 1
("al") and is called the downbeat. Beat 3 ("ga") is also considered a strong beat, although not as
strong as beat 1.
Say "alligator" over and over, keeping the beat regular and on each syllable. Notice how the beats
are grouped into sets of four.
Click the play button below to hear the example.
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Three Pulse
Say "crocodile" over and over. Here, the beats are grouped into sets of three
. The downbeat is on
the syllable "croc."
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Two Pulse
Next say "lizard" over and over. What do you notice? Yes, "lizard" has 2 beats. The downbeat is on
the syllable "liz."
1/8/24, 1:27 PM
Music Theory 101 - Berklee Online
https://bocce.online.berklee.edu/#/16964/OHARM-101.03/17044/1/introduction
6/31
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