Essay questions test 2 Music App

.docx

School

Daytona State College *

*We aren’t endorsed by this school

Course

RED4844

Subject

Mechanical Engineering

Date

Dec 6, 2023

Type

docx

Pages

Uploaded by ProfessorBraveryPorpoise26

MUL 1010: Music Appreciation Test 2 Essay Questions 1. What were some of the problems that led the Council of Trent (Counter-Reformation) to regulate Catholic Church music? Concerns concerning liturgical music were among the challenges the Catholic Church was facing when the Council of Trent convened in the 1500s. The council's goals were to combat secular influences on sacred music and address abuses of the liturgy, such as improper behavior during Mass. Some religious music was starting to seem too commercial. It was emphasized that the text in liturgical music needed to be understandable because intricate compositions made it hard for the crowd to follow the lyrics. The artists' expertise and moral behavior were also highlighted by the council. The ultimate goal of the changes was to give the Catholic Church a more standardized and serious liturgical experience. Consequently, as part of the Tridentine reforms, uniform texts for the Mass and liturgical music were issued. 2. Compare/Contrast the lives and careers of J.S. Bach and G. F. Handel. Johann Sebastian Bach and George Frideric Handel, both born in 1685, were Baroque composers whose lives and careers shared similarities while demonstrating distinctive differences. Bach, a German composer and musician, spent much of his career in church positions, creating an extensive body of religious and secular works. His compositions were characterized by intricate counterpoint and deep religious expression. In contrast, Handel, a German-born composer who later became a British citizen, achieved fame in England through his operas, oratorios, and instrumental compositions. Handel's works were marked by grandiosity and dramatic flair, catering to the public tastes of his time. While both composers were prolific and shaped the Baroque era, Bach's output leaned heavily towards religious compositions, showcasing his mastery of polyphony, while Handel's diverse repertoire encompassed opera and oratorio, highlighting his theatrical and more accessible style. Despite these differences, both Bach and Handel are considered masters of their craft, leaving an enduring impact on the world of classical music.

3. Discuss the effect of the growing middle class on music during the Classic period. The classical era saw the rise and expansion of the middle class, which had a significant effect on the music industry. The need for music as a medium of entertainment and cultural expression grew along with this social stratum. In response to this need, composers like Mozart, Haydn, and Beethoven created pieces that were easier for a wider audience to enjoy. With the growing middle class as a major audience for musical events, the patronage system—which had previously been mostly dependent on aristocratic support—saw a change. The content and style of compositions were affected by this shift in patronage, with a stronger focus on emotional expressiveness, clarity, and well-balanced frameworks. A greater distribution of music was made possible by the growth of subscription series and open performances, which further democratized access to the arts. Therefore, the Classical era saw the democratization of music as performers and composers tailored their pieces to appeal to the growing middle-class audience's tastes and preferences. 4. What were some of the perceived weaknesses of Baroque serious opera that led to the development of comic opera in the classic period? The perceived weaknesses of Baroque serious opera that spurred the development of comic opera in the Classical period were rooted in the desire for a more natural and relatable theatrical experience. Baroque serious opera, often characterized by elaborate plots, ornate arias, and mythical or historical themes, was criticized for its artificiality and emotional excess. Audiences and composers sought a departure from the stylized conventions of Baroque opera, leading to the creation of comic opera. This new form introduced more realistic and everyday characters, relatable situations, and a lighter musical style. Composers like Mozart and Haydn played pivotal roles in this shift, infusing their comic operas with humor, wit, and a focus on the ordinary human experience. The emergence of comic opera in the Classical period marked a departure from the grandiosity of Baroque serious opera, offering a more accessible and entertaining form of musical theater that resonated with a broader audience. The following question is for extra credit 1. Draw a diagram of sonata form. Include as much information about the form as you can. The sonata form is a structure commonly used in the first movements of many classical compositions, particularly in the Classical and Romantic eras. It typically consists of three main sections: the exposition, development, and recapitulation.

Your preview ends here

Eager to read complete document? Join bartleby learn and gain access to the full version