Analysis Of Il Cavaliere Inesistente By Italo Calvino

Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The

A medieval romance is a kind of writing that has a mysterious, supernatural setting, idealizes chivalry and courtly love, and may involve masking a character's real identity. Usually the hero of a medieval romance is a knight who takes an unusual challenge and whose triumph brings glory to the king and the nation. This paper will be an analytical essay, I will examine the writing “Sir Gawain and the Green knight” and show how it fits into the medieval romance genre.

In this novel “Otranto”, Manfred has a son that gets killed and no one knows how or why. His son is to be married to Isabella, but things go a different direction when she finds out that Manfred wants to marry her now. When Manfred pursues Isabella in a sexually way, his demand for a divorce from his wife Hippolita seems unreal, due to the incestuous nature of both relationships. Manfred’s logic seems to be lost and his justification, and his reasoning for his actions makes very little sense. What makes this Gothic is, this is a dark way of living, and how evil it is to live this way.

In Sir Gawain and the Green Knight and the Lais of Marie de France, the authors use animals as metaphors for human actions, and as characters. By analyzing the use of these animals, we are able to explore the meaning the authors were trying to communicate through specific scenes. The Book of Beasts, a translation by T.H. White (1984 ed.), provides a medieval standpoint when analyzing the use of animals in the Lais and in Gawain.

Thomas Malory’s “Le Morte d’Arthur,” and the Gawain Poet’s “Sir Gawain and the Green Knight” are important works that should be considered when studying medieval literature. They both portray the style and structure of medieval romance. They also tackle the same topic of King Arthur and his knights, as well as share the same characters of King Arthur and Sir Gawain. In order to be able to go over these works and understand them, one must understand the aspects of literature of the time.

Gioachino Rossini, like many great composers, was born in the right place at the right time. The musical firmament was still mourning the loss of Wolfgang Mozart in 1792 when Rossini was born. His parents were both gifted musicians, and young Gioachino was in a music conservatory by the age of 14. Rossini composed ten operas within the following seven years and had established himself as a gifted composer in the opera buffa style. This genre of comic opera was strikingly different from the rigorous opera seria, but it still managed to acquire some noticeable traits. Primarily, the arias in opera buffe shirk the da capo style of the seria mold. The subject matter deals frequently

In Alvar Nunez Cabeza de Vaca’s “The Relation”, he begins the work by placing all sense of glory and success upon that of Emperor Charles V. This is customary during this time period, but the underlying exaggeration of Charles V’s magnificence show the disconnect that Cabeza de Vaca possessed when pertaining to old world ways of life. It in essence solidifies his self-centered persona that he was said to posses (43). It also magnifies the feeling Cabeza de Vaca has towards the societal norms, and suggests that he would later on consider himself a renegade. It is here that the question is raised, did Cabeza de Vaca essentially abandon his monarch and country during his journey with the Native American tribes?

A critical point in European history was the Renaissance period, which took place between 1300-1700. The term Renaissance stands for ‘rebirth’, and in this context refers to the increased interest that was taken in learning from Greek and Roman classical writing. Recent exploration by historians into the Renaissance period has seen a fixation on the discussion of the role of gender during the Renaissance. A variety of historians, such as Joan Kelly and Merry E. Weisner, believe that women didn’t experience any form of a Renaissance during this period. It can be widely acknowledged that during this period society did experience a ‘rebirth’, especially in terms of the role of the men in Europe. Women, on the other hand, weren’t as fortunate.

Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.

Einhard’s The Life of Charlemagne is one of several prominent texts from Mediaeval Europe. The main focus of the text is on the life of Charlemagne, the Frankish king from the Carolingian dynasty. Under his rule, the Frankish kingdom experiences an extensive period of prosperity and growth, especially in intellectually related areas since Charlemagne himself is a well-known patron of the arts (#). Hence, Charlemagne is the ruler often credited for the “Roman revival” across Mediaeval Europe. In order to ensure that Charlemagne’s glorious reign will leave its mark in history, all of Charlemagne’s works and accomplishments are accounted for Einhard’s book. As expressed in the preface of the book, Einhard’s intention is to document the life of the greatest king that is often overlooked in other texts (*). Four essential facts are noted in The Life of Charlemagne: 1) The prevalence of alliances & foreign relations 2) Cultural revolution through public works & endorsement of the arts 3) Promotion of the Christian faith 4) Public reforms throughout the state. The Frankish kingdom rises as the dominant post-Roman European entity through the political and economical stabilization of the state with the use of foreign alliances. Emperor Charlemagne is said to have close relations with Kings of Persia, Scotland, and Constantinople (*). Prosperity in the Frankish kingdom is due to the frequent correspondences that exist between these European states, further promoting the flow of

During the medieval times, Marie de France, unlike the male writers of her time, wrote courtly stories that depicted women who were predominantly featured in the primary roles with empathy and questioned the sexist predicaments women were often subjected to. Women often times struggled to find their voice, but her stories told the perseverance and progress within those constraints. Instead, she wrote of men idealizing wealthy, powerful, independent, beautiful women. She inserts the thoughts and feelings from a woman’s perspective. In a sense, giving women the voice they strived to have heard in a male dominated time period. As Damon stated in the article “Marie de France: Psychologist of Courtly Love,” “Contemporary readers might have noted that the characters departed occasionally from the established laws of courtly conduct; none the less, as all such departures were towards reality, they were welcomed.” She opened the door for women’s self-expression and individual achievement. Marie de France’s popular adulterous love stories bring about many fascinating ethical questions.

Ideas that have been taught in many societies since the first civilizations of Mesopotamia to the world now are duty, loyalty and bravery. No period relied on these ideas more than the Middle Ages time of Europe. The European societies were based on the nature of feudalism. Feudalism worked if everyone in the society did their duty and gave loyalty to everyone above the on the social latter. The knight was the backbone of the feudal society. He was the protector of the heavenly Lord, their lady and the earthly lord. The roles and duties of the knight are quotes as, “the most noble knight under Christ, And the loveliest lades that lived on earth ever, and he the comeliest king, that the court holds.” (P. 26) Sir Gawain and the Green Knight gives a perspective to view life from the courtly aspect of the European feudal

The Decameron, by Boccaccio, is a frame story written in the mid fourteenth century. There are a hundred stories told over a span of ten days. On the second day, a man tells a story about a princess, Alatiel, who was sent away to marry a king. Before Alatiel reaches her destination, she has sexual experiences with a lot of different men. Alatiel is treated like an object and allows this objectification to happen because she is so fickle and does nothing to stop the men. The fickleness of Alatiel and the treatment of her as an object is evident throughout the story.

“At the heart of Don Quixote is the discrepancy between external appearance and internal perception.” says Wirfs-Brock (2). In that respect, Don Quixote is depicted as a character who is guided merely by his internal perceptions, disregarding external appearances. Most of the time, he is deluded, depended on his faculty of imagination, stuck in his make-believe world through the guidance of chivalric books he is obsessed with and “everything he read in his books took possession of his imagination” (1/1 p.27). He takes everything he reads in those books for real as if they were parts of history and decides to join this glorious history by making a knight errant of him. In order to put all he has read into practice, he puts on a rusty armor, devises a heroic name for himself which is ‘Don Quixote de la Mancha’ and for his horse which is ‘Rocinante’. Additionally, since “a knight errant without a lady-love is a tree without leaves or fruit, a body without a soul” (1/1 p.29) he finds “a good-looking peasant girl” called Aldonza Lorenzo and decides to call her ‘Dulcinea del Toboso’. So this peasant girl becomes a princess, the most beautiful lady in the world for him to whom he may serve “as if he really were in love” (1/1 p.31).

The following close reading concerns itself with the Middle English Breton Lay Sir Degaré, though speculative, the poem’s composition has been dated to the 14th Century and the poem survives in six manuscripts and three early printed editions, it is a romance of high antiquity, preserved in the Auchinleck MS. Some suggest that the poem takes clear inspiration from the Middle English translation of Marie de France’s Le Fresne: Lay le Freine. Moreover, some propose that Sir Degaré is more accurately described as an emulation, believing it to be more an imitation made up from a variety of stories, as it borrows not only motifs but direct phrasing from Lay Le Freine. Not only do both texts share a similar rhyming scheme, rhyming couplets, and semi-alliterative lines, they are also similar in relation to common genre conventions. In this respect, the Breton Lay has been understood by many to be the predecessor to the modern fairy-tale, and indeed, Sir Degaré is enveloped in themes such as love, the supernatural, and critically, the correlation between the two constructs of gender, which themselves are manifested in the modern day fairy-tale.