##s Of Social Repressionism InJane Eyre As A Capricious Witch?

To set the stage in “Jane Eyre” our Protagonist, Jane Eyre is deceived by Mr.Rochester, one of the antagonists in order to “protect” his love, Jane. Mr. Rochester’s deception begins

By investigating the gender roles of the Victorian Era in Jane Eyre and looking at the more modern presentation of gender roles in The Eyre Affair, a clear understanding of these author’s intentions to expose the gender issues can be seen. Jane Eyre is a classic novel in which orphan Jane opposes societal expectations by becoming an intelligent,

Jane Eyre is a personal journey for independence and belonging in an extremely unpleasant society. Jane Eyre is very distinctive from other romantic pieces of the era, in the fact that it portrays a woman searching for equality and dignity through independence from those who treat her as a second hand citizen. Finding independence is Jane’s only way to combat the situation she is stuck in time and time again throughout her life. Throughout Jane Eyre, Jane, attempts to find independence and a sense of belonging, while also attempting to form open and equal relationships.

In its simplest form, Charlotte Bronte’s Jane Eyre tells the story of a young woman, Jane Eyre, who grows up poor, makes the decision to be independent, does so, and, eventually, marries rich. The novel follows her from her childhood to her reunion with the love of her life and she, throughout it, deals with classism and sexism and exhibits her own form of feminism. By the end, it becomes clear that, with this semi-autobiographical novel, Charlotte Bronte was providing a criticism on society’s discrimination toward those of a lower class, a subtle argument against the male-dominated society’s treatment of women, and an even subtler call to action for women to find their own agency outside of the men in their lives. On another end, however,

Throughout Charlotte Brontë’s novel, Jane Eyre is afflicted with the feud between her moral values, and the way society perceives these notions. Jane ultimately obtains her happy ending, and Brontë’s shrewd denouement of St. John’s fate juxtaposes Jane’s blissful future with St. John’s tragic course of action. When Jane ends up at the Moor House, she is able to discover a nexus of love and family, and by doing so, she no longer feels fettered to Rochester. Moreover, Rochester is no longer Jane’s only form of psychological escape, and thus Jane is in a position to return to him without an aura of discontent. At the end of the novel, Jane is finally able to be irrevocably “blest beyond what language can express” (Brontë 459) because she is “absolutely bone of his bone, and flesh of his flesh” (459).

Throughout the Victorian Age, male dominance deprived women from freedom of choice. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. There are several male characters who control, humiliate, and abuse their power over Jane. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.

Before she can become Rochester 's wife, Jane must prove her acceptability based on class. Does she have an upper-class sensibility, despite her inferior position at Thornfield? For example, when Bessie sees Jane at Lowood, she is impressed because Jane has become "quite a lady"; in fact, her accomplishments surpass that of her cousins, yet they are still considered her social superiors based solely on wealth. The conversation emphasizes the ambiguities of Jane 's family 's class status and of the class system in general: Should a lady be judged based on academic accomplishments, money, or family name? The novel critiques the behavior of most of the upper-class characters Jane meets: Blanche Ingram is haughty and superficial, John Reed is debauched, and Eliza Reed is inhumanely cold. Rochester is a primary example of upper-class debauchery, with his series of mistresses and his attempt to make Jane a member of the harem. In her final view of Thornfield, after Bertha has burned it down, Jane

Written by Charlotte Brontë, Jane Eyre tells the story of its title character as she matures and experiences all that life has to offer in 19th century England. Jane Eyre grows up as an orphan and seeks work as a governess at Thornfield Hall, where she meets and falls in love with Mr. Edward Rochester. After discovering that he is already married, she is introduced to St. John Rivers; he asks her to marry him for the sole purpose of being a missionary’s wife and she instead returns to Mr. Rochester, who she truly loves, and marries him. Throughout her journey, she learns many thing about Mr. Edward Rochester and St. John Rivers. Both men display similar characteristics, but as foils they exhibit many different characteristics as well. Both

In the early chapters of the novel Jane Eyre, our heroine resides at Gateshead and Lowood school; her character immediately inspires pity from the readers. She is an outcast within her own family, the Reeds, and is considered less than a servant. John Reed bullies her to the extent that she fears him, introducing weakness as one of her character flaws. Jane is somewhat jealous of her cousins’ lack of punishment and condemnation, although she believes they were “not fit to associate with [her]” (Bronte, 35). She feels wrongly accused, leading to a growing bitterness towards those who have treated her so harshly.

Jane Eyre by Charlotte Brontë depicts the rigid social structure and clear division between the upper and lower classes of Victorian society, in which wealth and status determined one’s beliefs, career, and treatment from those surrounding them. Those of the upper class did not typically converse or involve themselves with those viewed as beneath them; however, Jane Eyre fights the separation between the classes to which she has fallen victim at both Gateshead and Lowood school. Her refusal to conform to the hierarchy eventually leads to the meddling between the Victorian-era elite and peasant class, as seen through Jane Eyre’s romantic relationship with Edward Rochester, an upperclassman and

Deciding to leave Rochester provides Jane with a basis to mature and achieve financial and social independence, only then is she able to return to him and enter marriage as his intellectual and social equal. Encompassing the entirety of “Jane Eyre” is Brontë's unshakable standpoint regarding gender equality; the injustices experienced by Jane a clear reflection of her own life as a woman in the Victorian era. Jane accentuates Brontë's view that stripped of “custom, conventionalities [and] mortal flesh” women and men are at their very core equals; intellectually, emotionally and socially. Physical differences within “mortal flesh” are not a valid basis for condemning women to be second class citizens or servants, and the ensnaring “farce” of traditional Victorian marriage further implicates women as inferior, controllable and despondent. Brontë's strong social activist concepts are manifested within Jane's thoughts and words, and the accountable injustices become palpable for the reader; instilling a sense of compassion toward Jane and the wider scope of oppressed women in society who desire expression and independence.

(190) This boils down to the fact that Jane has strong feelings for Mr. Rochester, and also vice versa. Jane admits that she loves him, “He made me love him without looking at me” (207). His interest in her is intellectually stimulating and implicitly flattering. He is her superior in

Parallel to many of the great feministic novels throughout literary history, Jane Eyre is a story about the quest for authentic love. However, Jane Eyre is unique and separate from other romantic pieces, in that it is also about a woman searching for a sense of self-worth through achieving a degree of independence. Orphaned and dismissed at an early age, Jane was born into a modest lifestyle that was characterized by a form of oppressive servitude of which she had no autonomy. She was busy spending much of her adolescent years locked in chains, both imaginary and real, as well as catering to the needs of her peers. Jane was never being able to enjoy the pleasures and joys that an ordinary and independent child values. Jane struggles

Through the Victorian Age, male dominance deprived women from a certain freedom. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. John Reed controls Jane, Mr. Brocklehurst humiliates Jane, and Mr. Rochester sees women, in general, as objects. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.

In Graham’s Magazine, another anonymous reviewer suggested that Rochester’s character was dangerous and immoral, saying, “No woman who had ever truly loved could have mistaken so completely the Rochester type, or could have made her heroine love a man of proud, selfish, ungovernable appetites, which no sophistry can lift out of lust.” Thus, he intimated that any author who would contrive to have her heroine fall in love with such a total rake would be immoral herself and unknowing of what true love is. He went one step further to say, “We accordingly think that if the innocent young ladies of our land lay a premium on profligacy, by marrying dissolute rakes for the honor of reforming them, à la Jane Eyre, their benevolence will be of questionable utility to the world.” In this, he suggested that the depiction of Jane and Rochester’s relationship would cause young women of the time to emulate Jane’s “romantic wickedness.”