##und Man, By Ilse Aichinger And The Handsomest Drowned Man In The World

The novel “Into the Wild”, by Jon Krakauer, is an excruciating story about a young man facing off against the dangers of nature. The main protagonist, Chris McCandless faced off against many internal and external obstacles that stood in his way of achieving his goal of successfully surviving on his own in the wilderness of North America. McCandless clashed with many lethal and perilous obstacles as he travelled all the way across the continent. The challenges he faced varied from surviving in the harsh wilderness, the difficulties of young manhood, and also the challenge of person versus society.

The title of Gabriel García Márquez’s short story “A Very Old Man with Enormous Wings” says it all about the character who will turn the life of Pelayo, a simple villager, upside down when he discovers the mystery man in his backyard. The story demonstrates the coexistence of cruelty and compassion within humans and the way they react towards what’s considered as different.

Man is a product of two worlds— the one he inhabits and the one he strives to create. The fisherman in Lawrence Sargent Hall’s “The Ledge” is caught somewhere between the two. A calloused, hardworking man who lives in a cold corner of the world, he is a father, a husband, and a man. Hall uses the perception of others, the actions of the protagonist, and direct narration to ultimately expose the real, imperfect humanity of the fisherman.

The epic journey of “The Old Man and the Sea” describes struggle, discipline and manhood. The main characters relationships exemplify how faith and skill overcome man’s adversity during life on the sea. Santiago’s growing relationship with the boy idealizes his statute as a father figure and develops his integrity and values towards the boy. Hemmingway shows us how an old fisherman’s will to overcome the sea’s obstacles proves his manhood to himself and the young boy. His skills and knowledge of the sea provide a positive influence for the young boy to become a great fisherman someday.

Although both short stories, “A Very Old Man with Enormous Wings” and “The Handsomest Drowned Man in the World”, were written by Gabriel Garcia Marquez, there are many other differences between the two tales. Both stories were about men who arrived in foreign places and how these men were treated by the people who found them. The old man from the story “A Very Old Man with Enormous Wings” and Esteban from the story “The Handsomest Drowned Man in the World” are apparently opposites of each other.

However, the spiritual being was born from God, which is evident because the poet is a Puritan; therefore, religion contributes immensely to her demeanor and actions she makes. While the flesh solely admires “sinful possessions” (Bradstreet 192) and has a zeal for worldly pleasures, the spirit claimed that her honors and “ambitions lie above” (Bradstreet 192) with God. The spiritual being knows that worldly objects and will not earn her way into Heaven, because God already has a plan for her in regards to predestination, and no amount of material goods will allow her to be a true model of God’s works. Bradstreet also conveys the central idea that religion is far more powerful than any material object, because the flesh is acquisitive and solely desires worldly, tangible temptations while the spiritual being believes that she has unseen riches that await her in Heaven. This is made evident when the author stated “my garments are not silk nor gold…but royal robed I shall have on…the city where I hope to dwell” (Bradstreet

Throughout literature, characters who live transcendentally share similarities. Their descriptions evoke clarity and purity, and their names often symbolize their beliefs. Mindful characters tend to stand out from the crowd, stepping away from the boundaries of society and choosing their own paths. As transcendentalism is difficult to develop alone, most of these characters have some sort of role model, someone to gain a message from. They then go on to spread that message to the people they meet. A transcendental character’s mission is to impact some un-transcendental character by bringing them clarity, and this can be seen in the characters studied this semester. The similar descriptions, messages, and impacts of conscious characters prove

“Silence. These were the habits that I wore as I lived what survivors of the Holocaust now call a U-boat, a Jewish fugitive from the Nazi death machine, hiding right in heat of the Third Reich.” With these words, Edith Hahn lays down the foundation for her captivating memoir. Born in Vienna, Austria in 1914, Edith Hahn was a Jewish girl who strived to go further in the education and not become a housewife. Despite her hopes and dreams, at the age of 27, and only one test away from achieving her law degree, Edith was turned away from her University due to the rules set up by Hitler and the Reich during the Anschluß. As they are witnessing the Nazi rise to power, Edith's sibling, all but her, leave. One sister takes refuge in Israel, and her brother in England. From then on, Edith and her mother were stripped of their home and forced to live in the slowly degrading conditions of the Jewish ghetto.

Magical realism is a genre that portrays both reality and fantasy. As defined by Faris (2004) in Ordinary enchantments, magical realism is a genre of writing that includes an irreducible element of magic and details that suggest phenomenon (Faris, 2004, p. 7). He describes the irreducible element as: “…something we cannot explain according to the laws of the universe as they have been formulated in Western empirically based discourse…” (Faris, 2004, p. 7). In Gabriel Garcia Marquez’s short story, The handsomest drowned man in the world, the facets of magical realism are rife. He uses magical realism to enchant the reader. The story is of a small cliff-side and coastal community

“Master and Man” by Leo Tolstoy is a story that explores the dynamics between a peasant, Nakita and his master,Vasillii Andriech. Andriech foolishly risks both of their lives, when they venture to another town in inclement weather to secure a business deal. Unfortunately, Andreich's impatience and greed ultimately leads to his demise. At the end of the story Nikita dies and is denied the same bliss that Vasillii Andreich experiences in death; in order to solidify the dichotomy between these two men, demonstrate how Andriech cheated Nakita, and he uses Nakita's lackluster death to amplify Andriech's extraordinary passing.

How hard is it to do the right thing? In the article, “The Man in the Water”, many people did the right thing right until the end. “The Man in the Water” takes place in Washington D.C., where there was a blast of winter. It was a chaotic disaster that caught the nation’s attention. In reality, not everyone is willing to be the “good guy”. Everyone have once, thought of themselves more than others but, in this article, not everyone was selfish. Not being selfish, showed heroism and bravery. In the article “The Man in the Water”, Roger Rosenblatt uses conflict and setting to develop moral courage.

What’s more, these gifts of beauty and intelligence are described as Heavenly-endowed. When first meeting Vesperus, Lone Peak muses, “What a fine intelligence the man has! But the Creator is at fault for giving him this physical form. Why match a heart that was meant for the study of Buddha with a face that will lead to damnable deeds?” (Yu 21). This sentiment of beauty as a cosmic gift from higher beings is echoed in Vesperus’ narcissistic self-reflection when deciding whether to take a life path of asceticism, filial piety, or sexual debauchery: “Since Heaven has given birth to someone like me, it must also have given birth to a girl fit to be my mate….That is why at twenty I am still unmarried—I want to do full justice to my genius and my looks” (Yu 25).

Santiago of The Old Man and the Sea is the quintessential “Hemingway Hero”-a type of fictional character created by Hemingway in all of his books whose basic response to life appealed very strongly to the readers. The Old Man begins the narrative with all the elements of such a hero despite his senescence and poverty. He shows strength, determination, and dedication to himself despite his struggles. Santiago relates back to readers as a strong failure who picks himself up repeatedly.

Ernest Hemingway's The Old Man and the Sea has engendered some lively debate in literary circles. Critics have concentrated on everything in the novella from the verity of Rigel's early evening appearance over Cuban skies in September (Weeks 192) to William Faulkner's judgment that Hemingway discovered God while writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple fishing tale into a sublime narrative of human endurance. A reading that examines these images will serve to clarify the hidden significance in

Gabriel Garcia Marquez’s “The Handsomest Drowned Man In The World” achieves powerfully fantastic story-telling. As the story begins, we are met with the discovery of a floating corpse at sea that shores itself on an unassuming village’s beach. The drowned man is not of the village, which quickly piques the villagers curiosities. The villagers acknowledged him as a stranger among them, “…when they found the drowned man they simply had to look at one another to see that they were all there.” No one had seen him before.