##ymbolism In Fyodor Dostoevsky's Crime And Punishment

When you see colors what do you feel? Different colors have the ability to convey different emotions. For example, red can commonly be associated with anger and blue is often associated with sadness. In the book, Of Mice and Men, many emotions are conveyed, especially by Lennie. Lennie is like a child, trapped in the body of a big, strong man and he experiences many emotions throughout the book, ranging from innocence to loyalty, which are represented by the color, yellow. Yellow is representative of innocence, loyalty, and helplessness, that Lenny experiences throughout the book, Of Mice and Men. From its childlike quality to its warm undertones, I’m going to tell you why.

In the novel “Crime and Punishment”, the author, Fyodor Dostoevsky gives the reader a glimpse into the mind of a tormented criminal, by his guilt of a murder. Dostoevsky’s main focal point of the novel doesn’t lie within the crime nor the punishment but within the self-conflicting battle of a man and his guilty conscience. The author portrays tone by mood manipulation and with the use of descriptive diction to better express his perspective in the story, bringing the reader into the mind of the murderer.

Poverty is an essential motif in Crime and Punishment that enables characters to expose their isolation from society. Raskolnikov demonstrates the true effect that poverty can have on an unemployed man in the 1860s. Razumikhin is seen as Raskolnikov’s foil character that reacts to his form of poverty in the opposite way of Raskolnikov towards society. The weight of being desperately pour effects Marmeledov to extensive lengths that ultimately ends in his death.

Colors have a large impact on society. They have the ability to affect people’s moods, appetites, and behaviors. Colors also have the ability to act as symbols. For example, the color white often acts as a symbol of innocence, and the color yellow often represents happiness. Throughout the book The Great Gatsby, multiple colors symbolize different aspects of Jay Gatsby’s life.

While Christine is sharing her story, the color of yellow appears again. At first, it represents failure and cowardliness, but later the color symbolizes complete peace within her. As a young child she was the

It is also in this bedroom that she is met with the infamous yellow wallpaper. Paula A. Treichler, of the University of Illinois, explains that the yellow wallpaper, “... represent(s) (among other things) the ‘pattern’ which underlies

Yellow represents money and greed but it peculiarly represents death as well. The color yellow can be seen at two of the deaths in the book. The yellow Rolls-Royce owned by Gatsby that killed Myrtle, it is discernible that yellow was involved with the death of Myrtle. Another way yellow is shown through death is when Gatsby walked past the yellowing trees that were on the way to his pool before he was killed by George Wilson. “Gatsby shouldered the mattress and headed for the pool. Once he stopped and shifted it a little and the chauffeur asked him if he needed any help, but he shook his head and in a moment disappeared among the yellowing trees.” (Fitzgerald p.169). This shows the color yellow playing a role in death once again. At the parties you can tell that yellow is apparent. The “yellow cocktail music” and the “girls in yellow dresses” are too ways that show that Gatsby tries to fit in with “old money.” Yellow or gold deals with the real money, gold of course, while green would be considered new money. It is also humorous that Daisy which is a yellow flower is also the most impure character in the book.

Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.

He also connects the color yellow, on Doctor T.J. Eckleburg’s glasses, with the greed and wealth of the characters.

The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the

In Fyodor Dostoevsky book Crime and Punishment, women at this time in Russia were not the equals of men in terms of education and power. In Crime and Punishment the women in the story were self-sacrificing in their actions, which in return paid off for the women. Majority of women, in Crime and Punishment, such as Sonya were selfless in their actions. The women in this story play a motherly role towards the men. Women in this story may have lived in a male dominated society, but it seemed that the words the women spoke in this story were very strong in influencing the men. Sonya plays a major role in Raskolnikov's life, being the person Raskolnikov relies on while he was in and out of prison. Raskolnikov felt a heavy connection with Sonya

The color yellow can be connected with the symbolism of greed, desire for wealth, and “old money”. Corruption is also distinctly represented by yellow, but death is also a key to yellows dark symbolism. The color yellow can be seen around a tragic death. The first time this is seen is when Myrtle is killed. She is the mistress of Tom, and is also married to a man named George Wilson. Myrtle was killed by Gatsby’s yellow Rolls Royce, in front of her yellow brick house, and under the yellow spectacled eyes of Dr.

Roy links yellow to disgust, which creates a sense of foreboding in the reader’s mine when Estha first meets the Orangedrinklemondrink man who later molests him. Objects meant to disgust the reader are associated early on with the color in yellow in phrases like, “[Baby Kochamma] was wearing a limp checked seersucker nightgown with puffed sleeves and yellow turmeric stains.” and, “A yellow brook burbles through a mountain pass”. Later, when Estha meets the Orangedrinklemondrink for the first time, the scene is bathed in yellow, which mirrors Estha’s disgust. His teeth are, “ like yellow piano keys”, and the man’s name is usually forgone is favor of referring to him by his teeth. Even before Etha is molested, the author uses a tone of foreboding by introducing the color yellow.

Most colors within the visible light spectrum hold specific emotions that are conveyed to individuals by artists through their pieces of art. Van Gogh carefully incorporated both vibrant and dark colors in his iconic painting Café Terrace at Night, of which span across a vast array of emotions. One of the colors that stand out when you first observe the painting is the vibrant yellow used for the exterior of the café. The color yellow is known within the art community as a cheerful and warm color, helping the café to come across as an inviting gathering place to the individuals observing the painting. Another color that Van Gogh used which quickly grabs

In Dostoevsky's Crime and Punishment, the murder of the pawnbroker bears little significance when compared to the 'punishment' that Raskolnikov endures. The murder is the direct result of Raskolnikov's Ubermensch theory. Though it takes a while for Raskolnikov to realize the profound mistake in his theory and in his logic, his tedious yet prolific journey eventually leads him to redemption. Suffering, guilt and societal alienation prompt Raskolnikov to reject his Ubermensch theory and ultimately achieve redemption. Through Raskolnikov's character, Dostoevsky reveals that the psychological punishment inflicted by an unethical action is more effective in leading to self-realization than any physical punishment.