In “The Allegory of the Cave”, the focus is based on prisoners who are chained up in a cave and can only see the shadows of the real world. In this story one prisoner is released into the “real world” and tries to enlighten the other prisoners. In The Matrix, the main character Neo is living in a world controlled by a computer program and he does not know. He is brought into the real world by people that have been enlightened and he plans to help the other people. Even though The Matrix and “The Allegory of the Cave are set in different points in time and show some different points of view , they also have comparable plots, characters, and symbols.
In its most simple and basic terms, Plato’s “Allegory of the Cave” creates an illustration of prisoners who are being kept in a cave; their crimes are never mentioned, but their punishments are beautifully described. Each prisoner, according to Plato, is kept within a cave and is chained in such a way that not only do they face the cave wall, but they are also unable to turn their heads, making the cave wall the only thing they see. Behind them and higher up in the cave is a fire. By utilizing the fire, there are “men carrying past the wall
In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).
When Neo is revived from being detached from the pod, Morpheus tells him what state the world is in now. Neo turns into a state of disarray and denial. This new knowledge of the truth overwhelmed Neo so much that he vomited and passed out. The released prisoner in "The Allegory of the Cave" might feel that what he is seeing was the illusion and shadows on the
Thesis: There are many similarities in the Matrix ( Wachowski, Andy, and Lana Wachowski 1999 ), The Allegory of the Cave ( Plato ) and Meditation I of The Things of Which We May Doubt ( Decartes, 1641 ). It appears as you take a close look at the Matrix that it is a retelling of “The Allegory of the Cave” with elements of “Meditation I of the Things of Which We May Doubt” in it as well.
The purpose of Morpheus is not to tell Neo what the truth is but to only show him the path that he must take to discover this truth, and Neos identity will be revealed through this truth. Their first “upload” known as a residual self-imaging program, gives a mental projection of the digital self. It is here that Neo realizes the distinctions between reality and fantasy. In this program, he is taken a step closer to finding out what the truth really is. When in this program, he believes that an object such as the chair in front of him is real because he can feel it. Subsequently, Morpheus informs him that reality is not based on senses, because if reality and senses were the same, reality would simply be electrical signals processed by the brain. Morpheus also reveals the truth about the fantasy Neo had been living throughout his life in The Matrix. He said “The Matrix in itself is a computer generated dream world, built to keep humans under control, so that machines could consume energy by harvesting them.” When Neo heard this, he didn’t want to believe it anymore. Neo struggled with the idea that he didn’t know what he was and if he or what he was living in was real. He began to question whether choosing the red pill was a good idea to begin with. He wants to go back, but he realizes that he can’t.
The Matrix itself is very comparable to the cave because both are prisons of false reality. Humans are trapped and manipulated by their surroundings.Their senses are tricked and they can 't recognize the truth. In the Allegory of the Cave, “people have been in this dwelling since childhood, shackled by the legs and neck. Thus they stay in the same place so that there is only one thing for them to look that: whatever they encounter in front of their faces. But because they are shackled, they are unable to turn their heads around.” Just like the prisoners, Neo is chained to a bunch of machines who blind him from the real world. In the film, Morpheus says: “Like everyone else, you were born into bondage, kept inside a prison that you cannot smell, taste, or touch. A prison for your mind”. Neither the prisoners or the people living in the Matrix know they are trapped. They are unaware anything exists beyond their
Like the prisoners in the cave, Neo and Cypher are the prisoners of the misleading world of the matrix. In addition, it is heartbreaking both for Plato's prisoners and Neo to understand their past confusions about the real condition of things. Like the shadows from the objects disguise reality from the prisoners, so does the matrix blinds the people who are in
In Plato's Cave, the prisoners are tied down with chains, hand, and foot under bondage. In fact they have been there since their childhood, which much like matrix people are seen as in reality being bound within a pad whereby they are feed images/illusions which keep them in a dreamlike state and they have been in this bondage by virtue of the virtual reality pads in the fields since their youth and like the allegory of the Cave they are completely unaware of such a predicament since in regards to the Cave they have become conditioned to the shadows that dance upon the wall and do not see the true forms of which the shadow is a mere non-substantial pattern of. In the Matrix, within the person of the virtual world, it is a non-substantial pattern of the world, it is reflective of the real world, it is a shadow in its form and nature being a simulation of the world at a particular point in history. Like the prisoners in the cave, those who are prisoners in the system of a matrix are held in their calm state by reason of the illusion that stimulates them and tricks them into remaining asleep or rather into being ignorant of the fact that they are prisoners in pads so the machines can feed on their bio-energy. The shadows on the wall which are reflective is to keep the prisoners on the Cave unaware of the fact that they are prisoners, that they are under bondage and have never truly seen life outside of the Cave. The shadows on the walls are by puppets, perchance puppeteers. They could be seen as the agents, whom within the Matrix being programs are to maintain that the humans asleep in the matrix remain in their comatose state, they are to support the illusion, by keeping man actively ignorant of what is truly happening, so they never wake up. The puppeteers of the puppets which are seen on the wall to keep the mind of the prisoners stimulated so they never realize that they are chained, and only have a vision that is straightforward, which is basically saying their minds are only subjected to a single perspective and they are blind to the degree of seeing within other perspectives, broader perspectives and this in and of itself is a limitation.
While interpreting Plato’s “Allegory of the Cave’’ in which is a representation that described a narrative of the society of people in before Christ years. I realized how there was a major comparison of people in today’s society that reflected the same prisoner traits as the prisoners that were described in the dialogue. According to the Plato’s “Allegory of the Cave.” It described conditions of people chained at birth unable to function as independent individuals that were locked in a protracted dark cave. They were allowed to rotate their necks but could not stand up unless told to or leave the cave. Within this cave they could only watch a wall showing flash images and objects as if the prisoners were watching a play or movies at a theater. They believed that the pictures shown on the wall were factual in which they were just shadows of objects that were behind them. The objects reflected forms and puppet that were placed up by puppeteers to create shadows on the wall. The prisoners were unable to see the puppeteers and seemed as if they were watching a puppet show in the dark.
The similarities between The Cave and The Matrix are too uncanny. The description of the cave above, which is discussed in the first paragraph of Plato’s seventh book, can be portrayed similarly in
In “The Allegory of the Cave,” Plato also stated that eventually one of the prisoners, who Plato would say was the philosopher or intellectual, would break free from the cave and into the outside world. The one prisoner that Plato refers to, would also reflect Neo in “The Matrix” when he in being released from his pod that the machines have created. Once the prisoner of the cave has broken free he can now look all around him, and see the objects as they really are and the people carrying them as well. While in the movie “The Matrix”, Neo is using is own eyes for the first time and sees that he is actually living in a human factory. In Plato’s “Allegory of the Cave” he states that the freed prisoner would be shocked by the outside world, he would not be able to see the realities that he was used to deep in the shadows of the cave. The prisoner would try to think that what he saw and experienced before was truer than what is he sees now. When Neo is revived from being detached from the pod, Morpheus tells him what state the world is in now and Neo is in a state of disarray and denial. This new knowledge of the truth, overwhelmed Neo so much that he vomited and passed out. The released prisoner in “The Allegory of the Cave” might feel that what he is seeing was the illusion and shadows on the wall
The Matrix Written and directed by the Wachowski brothers, ‘The Matrix’ is a science fiction film, which was released in the year 1999. It was the first film to use the now famous camera technique of ‘bullet time’ and also introduced wirework martial arts into conventional cinemas. Its vision of the future is similar to other science fiction films such as ‘Men In Black’ with the agents always wearing sunglasses and the idea of man vs. machine\evil. In the opening sequence of the film, I am going to analyse the effects of different camera shots, as well as other factors, which engage the viewers’ interest.
The Matrix Interweaves much symbolism, mythology, philosophy, and psychology. On the surface, the movie challenges the dominance of technology in our culture and predicts an apocalyptic result from the use of artificial intelligence. Yet, behind the human struggle for survival is a mythical backdrop upon which are backlit some of C.G. Jung's basic ideas regarding the human psyche. These Jungian ideas include the ego-Self relationship and how it relates to the persona, the shadow, individuation, and the transcendent function.
The Matrix has been doing remarkably well in sales since its release in the cinema last summer and its recent video releases. This is largely due to stylish advertising techniques and word of mouth. The Matrix has been approved by critics who enjoy the film and also the ones who dislike the theme. Among young viewers, it has already achieved great status. So what else is the film about? Firstly the film copies the theme from many popular films that came before it, and involves intelligent science fiction, a large chunk of action and breathtaking special effects,