1.The Merchant of Venice as a Tragicomedy. 2. The justification of Shylock's actions in 'The Merchant of Venice'. 3.The contrast between Belmont and Venice in 'The Merchant of Venice'

The merchant of Venice is a drama and romantic play, by William Shakespeare. Regarding the test for the suitors and the final part of the book, the author is inspired by a fourteenth-century Italian novel of Giovanni Fiorentino, called “Il Giannetto”, (Bullough, 1957). The merchant of Venice is believed to have been written between 1596 and 1598. It is contained on the First Folio, in the contents of Comedies, sharing certain aspects with others plays. That one traditionally ends with the positive return to order expected from the genre, it also has some characteristics of a tragedy, in particular with regard to the punishment and the oppression that are suffered to Shylock Jew. The peculiarity is the title of this book, “The Merchant of Venice”, in fact, it refers to the character Antonio, and not Shylock, a moneylender, which has a pivotal role in this play. One possible reason is that by calling “The Merchant of Venice”, Shakespeare wanted to focus the attention of the readers, on the

Before I discuss the possibility of Antonio's sadness being caused by his love for Bassanio, I must point out that there are scholars who do not believe that Antonio harbors any homoerotic feelings towards Bassanio. Danson, while conceding that

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

Different types of love and marriage play a significant role in Shakespeare’s twelfth night, whether unrequited like with Antonio and Malvolio; or something seemingly unattainable like with Duke Orsino. Love is prevalent as one of Shakespeare's central theme emphasized in the Twelfth Night. With that, we see Shakespeare communicate different interpretations and feelings regarding the subject. He does this with the medium of melodramatic characters. However, this essay will solely elaborate on the character Duke Orsino and his exploration of love. Through Orsino’s actions, Shakespeare conveys several messages still applicable today, some of which are about the fine line between superficial love and genuine love, love's incoherency, and love's

One of the strengths of good theater is its ability to mirror the problems and conditions shaping its time. In The Merchant of Venice, William Shakespeare reflects two important aspects of Elizabethan society: the corrupting influence of prosperity and the increasingly vengeful nature of Venetian justice. To address the former issue, Shakespeare downplays the importance of wealth by associating its involvement in romance with superficial and insubstantial advantages. He characterizes prosperity as a deceiving agent, citing its ability to introduce shallowness into a relationship. Shakespeare reasons that genuine romance depends on sacrifice and emotion, not wealth. The problem with justice is equally striking. In the play, justice is

    The meaningful term “love” can be applied to differing relationships in Shakespeare’s tragedy Othello. In this essay let us examine under a microscope the “love” that we find throughout the play.

First, we see Antonio, a soft-hearted and morose Christian gentleman whose riches cannot provide him the fulfillment that others deem appropriate. He is sad because he lacks love. To fulfill that love, he assists Bassano in his own quest to pursue love. Though usually depicted as a homosexual relationship, it is a portrayal of love between friends or brothers, another type of bond. This act of bonding puts Antonio in gracious light. He helps his loved one by borrowing money from Shylock and pawns his life to strengthen that bond. This reinforced bondage reflects Antonio’s selflessness, God-like quality, and most importantly Christian morality.

One of the earliest idioms taught to students of all ages is “Don’t judge a book by its cover.” Oftentimes, a quote like that can easily be disregarded, however, it is applicable to people who aren’t always who they seem to be. Shakespeare’s play the Merchant of Venice is an outstanding work that contains a very strange villain in Shylock, who is hated by all, although he has not wronged them in the past. Thusly, his habits and personality evolved from his interactions with the Venetian populous. By examining the changes Shylock displays in tone, Shylock the villain’s motivations can be seen and ultimately display that no matter how twisted a person is or may seem, the motivations behind their actions indicate that innately they have a

Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with

Interestedly, instead of Shakespeare using the word bond as a way to tie Portia and Bassanio and their undying love and promises. We find Bassanio discovering out about Antonio’s situation in a letter telling Bassanio about his lost ships and Shylocks intentions of taking his pound of flesh. The news incites a since of guilt from Bassanio which prods Portia to offer and pay twenty times the original sum. After reading the letter aloud to Portia she suggests Bassanio go to his friends aid and go back to Venice by his side. (3.2.314)

William Shakespeare’s comedy The Merchant of Venice tells the story of Antonio, a merchant, who borrows money from Shylock a Jewish moneylender to help his friend, Bassanio, marry a woman. The play highlights the tension between Jews and Christians in society through the interactions between Shylock and the Christians. In contrast, the play also highlights the positive aspects of both religions. The main point of The Merchant of Venice is to critique society’s treatment of religion.

In the play the ‘Merchant of Venice’ by William Shakespeare the antagonist Shylock is both the victim and the villain. Shylock is a Jewish moneylender and is initially portrayed as anger filled and bloodthirsty but as the play continues we begin to see him as more human and his emotions become more evident. As the antagonist, Shylock is a fearful adversary to Antonio, the protagonist. But as good begins to win over evil, Shylock is crushed and we see evidence of his mortality in his grief. Shylock changes significantly though out the course of the play and he is formed into a too complex character to be labeled just victim or villain.

The Merchant Of Venice is structured partly on the contrast between idealistic and realistic opinions about society and relationships. The play tells us mercy is preferable to revenge. Shylock chose revenge over mercy against Antonio and how his choices affected him. The Court of Venice begging mercy of Shylock. Finally, Portia forgiving Bassanio for giving away his wedding band.

The genre of William Shakespeare’s most performed play has been debated for a long time: is it a comedy or a tragedy? The play has elements of both genres, but one is clearly prevalent. While the story hits upon the tragic element of despair, The Merchant of Venice by William Shakespeare, is a comedy because lovers are separated, characters are in disguise, and the story has a happy ending.

Can time and historical events affect the categorization of a literary piece? William Shakespeare’s The Merchant of Venice is a play that is difficult to classify in a specific genre. It is often referred to as one of his problem plays. This means that it does not easily fall into a single category. Most literary sources categorize The Merchant of Venice as a comedy because it fits the description by having a happy ending. There are those, however, that discuss the dark side of the play and insist that the play could also be classified as a tragedy. Due to the plays’ complexity and the events of history, it can be argued that