10 Things I Hate About You Analysis

Through intertextual relationships, detecting the significant differences and transformations between William Shakespeare's play Taming of The Shrew, and Ten Things I Hate About You, a contemporary hollywood film directed by Gil Junger enriches our understandings towards cultural issues through feminist attitudes, social hierarchy and the transformation in sentiments towards love and marriage. Both texts exert compelling issues through different techniques to proclaim to the audience that women during the 16th century were seen as obsequious, however Ten Things I Hate About You, an allusion of Taming of the Shrew, enriches our understanding of these gender role issues by proclaiming that we must reject blatant consumerism. Among this, issues of class and love are explored, and through a historical reading I was able to depict the changes in values and cultures between the production of both texts.

The movie 10 Things I Hate About You is comparable to the book The Taming of the Shrew. William Shakespeare wrote The Taming of the Shrew with the focus of marriage in the 1500s. 10 Things I Hate About You is a romantic comedy that was made in the 1900s. In The Taming of the Shrew and 10 Things I Hate About You, Petruchio and Patrick are similar because they are manipulative and indifferent to other’s opinions of themselves; however, Patrick is more compassionate.

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

Love is represented in many shapes and ideas based on social context as well as those caught within. William Shakespeare’s Taming of the Shrew as well as its adaptation 10 Things I Hate About You by Gil Junger, represent their respective ideas on love which shares its similarities and differences, both portraying love in their own forms. Both texts highlight the ideals of love in their context as well as one of the main courtships, Katharina and Petruchio, involved in love, portraying their values of love.

Gender Politics encapsulates the hierarchy that separates men and women on an imaginary ladder based off of class or social status. In ‘The Taming of the Shrew’ and ‘10 Things I Hate About You’, men are portrayed as superior to women. Whereas women on the other hand are portrayed as subservient servants, and in many cases, more like objects than people. An example of Gender Politics clearly evident in the play, The Taming of the Shrew is when Katherine is bargained for by Baptista, without her consent nor say. This can be shown during Act II, Scene I when Baptista is convincing Petruchio to “woo” Katherine over along with a bribe.

Shakespeare’s play ‘Othello’ and the contemporary appropriation of a film ‘O’ by Tim Blake Nelson are based on the societal values and morals of their time. Issues such as racism, the use of language and deception are timeless making them evident throughout both contexts, hence the engagements in both textual forms.

Thomas Foster first asserts the significance of symbols and common themes in literature with countless examples from key writers and texts. Foster’s list of examples to support this begins with William Shakespeare. Shakespeare’s contribution to literature, through timeless writing, themes and symbols, is limitless. Foster argues the pervasiveness of Shakespeare’s work by first illustrating the profound and lasting impact of his work on culture (books, music, movies, plays, etc.) and society as a whole. The Bard’s influence begins with direct remakes and indirect spin-offs of his comedies and tragedies: Romeo and Juliet (done hundreds of times), Paul Mazursky’s remake of modern version of ‘The Tempest’ (named ‘Tempest’), Woody Allen’s ‘A Midsummer Night’s Sex Comedy’ (modern spin-off of ‘A Midsummer Night’s Dream’), numerous ‘Hamlet’ films, and much, much more. Beyond the reworks, though, Shakespearean themes influence nearly all literature in one way or another, and quotes from any of his works are

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

Texts and ideas from texts are appropriated and transformed into other text forms and other compositions in a different context. An appropriation is a text that is appropriated or taken over by another composer and presented in a new way. ‘Romeo and Juliet’ is a well-known high culture text that is a tragedy about two young star-crossed lovers whose deaths ultimately unite their feuding families. In the 1997 film, Baz Luhrmann has taken what is valued about the original play of ‘Romeo and Juliet’; the themes, evocative language and poetry, the timeless storyline and humour, and has placed it in a context which is accessible and

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

Context affects ideas and the way ideas are portrayed in text. The parallels seen between the contexts of the two texts causes both to contain ideas about similar themes, including the progression of society, and man’s place in

Literary works that explore core human experiences are able to retain their textual integrity through a range of contexts, despite the dynamic nature of prevalent social constructs and moral viewpoints. Playwright William Shakespeare whose works were originally composed during the Elizabethan era encompasses this idea, but they have been appropriated through different mediums, as the exploration of universal concepts is still relevant to contemporary responders. This is particularly evident in Shakespeare’s “Othello” (1603).

Texts reflect their contexts and this is evident in both William Shakespeare’s Othello and Geoffrey Sax’s film Othello. This reflection is established through the two ideas of racism and the inequality between genders. The context of a text plays an essential role as it is the way in which the composers convey their message and this is done effectively as both composers are conveying an important message about racism and gender inequality.

Sexism is the stereotyping and discrimination based upon gender. Typically steered towards women, it has played a large part in not only our society today but in the past as well. In the play The Taming of the Shrew by William Shakespeare, it is shown in the treatment of the women by their male counterparts. It is most prevalent in the way that fortune-seeking Petruchio goes about taming his aggressive and sharp-tongued wife Katharina. By examining Petruchio’s actions and Katharina’s reactions towards his efforts at taming her, once can see that the play is indeed sexist.

Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and