10 Things I Hate About You's Patrick Verona

Additionally, in both the play and film the characters are similar in names and characteristics, for example, Kate and Katherine are both portrayed and corresponded as “shrews”. In 10 things I Hate About You Kat is illustrated as very opinionated, verbally abusive, cruel and a b**** towards others in the modern day society, majorly it is her attitude and overall mouth that gets her into misconception with those she confronts. Whereas Kate in Taming of the Shrew is seen as more of a physically abusive than opinionated like-minded personnel in contrast to Kat in the film 10 Things I hate about you, we find that often when she gets anguish with an individual or has the desire of wanting something she expresses her views by assaulting others erratically

Through intertextual relationships, detecting the significant differences and transformations between William Shakespeare's play Taming of The Shrew, and Ten Things I Hate About You, a contemporary hollywood film directed by Gil Junger enriches our understandings towards cultural issues through feminist attitudes, social hierarchy and the transformation in sentiments towards love and marriage. Both texts exert compelling issues through different techniques to proclaim to the audience that women during the 16th century were seen as obsequious, however Ten Things I Hate About You, an allusion of Taming of the Shrew, enriches our understanding of these gender role issues by proclaiming that we must reject blatant consumerism. Among this, issues of class and love are explored, and through a historical reading I was able to depict the changes in values and cultures between the production of both texts.

Love is represented in many shapes and ideas based on social context as well as those caught within. William Shakespeare’s Taming of the Shrew as well as its adaptation 10 Things I Hate About You by Gil Junger, represent their respective ideas on love which shares its similarities and differences, both portraying love in their own forms. Both texts highlight the ideals of love in their context as well as one of the main courtships, Katharina and Petruchio, involved in love, portraying their values of love.

The theatrical play of ‘The Taming of the Shrew’ (1594) and the live action film ’10 Things I Hate About You’ (1999) are clearly similar in many ways (as the drama film is a modern adaptation of the classic Shakespearean text), these similarities can be recognized through themes which point out scenes, quotes and/or effects both text types share with each other. Themes include, Gender Politics/Roles, Romantic Relationships and Social Hierarchy (social status/class). The themes of Gender Politics and Social Hierarchy support the precisely represented similarities both text types share, highlighting the enduring provenance of these concerns over time.

In addition, Shakespeare intermingles the play with the idea of appearance versus reality, highlighting how truelove can exist within even the curst and is absent amongst even the most attractive. As the play progresses, we see how true this is, as Bianca and Katherina contrast one another on the interior as well, yet Katherina?s true love underneath, allows her to dwell in an effective relationship. As we know, Petruchio?s love is obvious yet Katherina?s shrewish nature masks her true love for Petruchio - proving the deceptiveness of appearances. On the other hand, even though Bianca has many desperate suitors we see how shrewish she really is as she questions, ?Am I your bird? (5.1)?. Bianca?s rhetorical question and indignant tone towards Petruchio highlights her lack of respect and her internal shrewish personality. Moreover, Bianca?s interior personality

In this respect, the play is a typical romantic comedy. However, unlike other Shakespearean comedies, The Taming of the Shrew does not conclude its examination of love and marriage with the wedding. Rather, it offers a significant glimpse into the future lives of married couples, one that serves to round out its exploration of the social dimension of love. Unlike in Romeo and Juliet, inner emotional desire plays only a secondary role in The Taming of the Shrew’s exploration of love. Instead, The Taming of the Shrew emphasizes the economic aspects of marriage; specifically, how economic considerations determine who marries whom. The play tends to explore romantic relationships from a social perspective, addressing the institutions of courtship and marriage rather than the inner passions of lovers. Moreover, the play focuses on how courtship affects not just the lovers themselves, but also their parents, their servants, and their

In the play The Taming of the Shrew, men do quite absurd things to get what they desire. Petruchio, Lucentio, Hortensio, and Gremio all derive schemes to win the heart of the woman they choose. Throughout the play many characters create alternate personas to woo the one they love. However, one man, Petruchio, prefers to pursue his soon to be wife ingenuously. All of the ideas the men concoct are in hopes that Bianca or Kate might fall in love with them, whether or not they do fall in love is due to how well their suitors perform their acts of love.

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

Throughout the play, Petruchio’s behavior illustrates his chauvinistic mindset to force Katharina into obedience. After the wedding ceremony, Petruchio wants to head home with Kate while she disagrees and he says “I will be master of what is mine own:/She is my goods, my chattels; she is my house,/My household stuff, my field, my barn,/My horse, my ox, my ass, my any thing;” (Shakespeare 52). Instead of treating her like a human being, he speaks of her as if she is an object that he owns and controls. Also, when the newly married couple prepare to leave for Baptista’s house, Petruchio claims that the time is different from what it actually is and when Kate argues, he states, “Look, what I speak, or do, or think to do,/You are still crossing it. Sirs, let ’t alone:/I will not go to-day; and ere I do,/It shall be what o’clock I say it is” (Shakespeare 69). Petruchio is basically saying that the only opinion

   William Shakespeare's comedy, The Taming of the Shrew illistrates the difficulty of trying to tame a headstrong, stubborn, and a high-spirited woman so that she will make a docile wife. The one attempting to tame Kate, the shrew, is Petruchio. They contend with each other with tremendous vitality and have a forced relationship. In contrast, there is another romantically linked couple who seemingly possess an ideal relationship. These young lovers, Bianca and Lucentio, share a love that is not grounded in reality, but in fantasy. These two sub-plot characters are stock characters and Shakespeare creates the irony of the play through the differences between the two couples. It

Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and

Wonder, for a moment, what Shakespeare means when he uses the word “love”, if it really does exist in any of the relationships in this play, particularly between Petruccio and Katherine. Is love not a certainty?

Love is one of the most powerful things in this world. People will go to great lengths to achieve another’s love. From youth we have been showered with tales of true love’s kiss and of Prince Charming breaking the Evil Queen’s curse. Time and again, we are made to see the power of love. In the play, “The Taming of the Shrew” by William Shakespeare, the renowned playwright takes love deeper than just passion. Shakespeare goes under the surface of love, all the way to its core. The story truly begins as Baptista Minola’s two daughters are readied for marriage: Bianca the sweet and innocent; Katherina the shrewd and curst. Men gravitate towards beautiful Bianca and flee when Katherina appears. Hortensio, a good friend of the main protagonist, Petruchio, wants to marry Bianca, in order for that to happen, Hortensio must get Petruchio to marry Katherina. Yet, Petruchio knows what he is getting himself into and he wisely sees past Katherina’s prickly outer shell. He proves that the Katherina isn’t what everyone in Padua thinks she is. Petruchio exposes the superficial problems in his society and demonstrates that respect and love are one and the same. Furthermore, Petruchio’s determination and heart allows him to woo the girl, marry her and activate the Taming of the Shrew.

With regards to The Taming of the Shrew, it can be determined that the relationship between Baptista and his daughters is built on the boundaries put in place by gender roles. This becomes apparent when, at the beginning of the play, Hortensio and Gremio confront Baptista about his intentions regarding Bianca's courtship:

During the play Taming of the Shrew by Shakespeare, Petruchio is a very intriguing character. One of the more notable things he does in the play is ‘tame’ Katerina. However while the play is called “taming” of the shrew, I believe his intentions are to have a loving relationship with his spouse. However I don't believe that was the case the whole time! Petruchio originally did not have feelings for Kate because he claims during the beginning of the play that he travelled to Pertua to marry a woman with a rich father. Whilst attempting to tame her he claims he is enjoying doing so, I believe that he is enjoying because he is getting to spend time with her, while falling in love with her and not even realizing it. After Petruchio has starved her and deprived her of sleep as well as other things, he makes a real attempt to be nice to Katherine and I believe that's what really tamed her. Overall I believe Petruchio’s original intentions were to use Katherine and marry her for her wealth. But over time he began to fall deeply in love with her. We see this by Petruchio putting a great amount of effort into his attempt at taming Katherine. We see this during his thoughts and speech about marriage and happiness. And lastly, we see this through his flirty and affectionate gesture towards Kate. Through these things I believe that Petruchio as well as the audience learn a valuable lesson about love, you cannot force it.