1000 Creds Essay

This was a widely used method to produce on a largescale at that period of time. The poster’s style seems to be inspired by street art, graffiti and punk graphics because of the vibrant colours used such as yellow, red, blue. It has a raw feel as it has inelegant handwritten text, scribbling, and colour brushing out of the lines and boundaries. The poster succeeded in grabbing social attention and conscience along with possessing a street art inspired

The CMS-1500 is a universal claim form, which is used to bill for services rendered. This type of claim form is often used by physician’s offices, medical offices, and/or hospitals. There are many different companies that accept the CMS-1500 claim form, such as, Blue Cross Blue Shield, Aetna, Cigna, as well as United insurance.

Although Flagg’s poster shows his intent through the text, Klinger’s poster is much less straightforward and could be hard to understand if the viewer was not from the same country or culture as Klinger. Unlike Flagg’s traditional color scheme in his poster, Klinger uses complementary colors to enhance the contrast between the red figure eight and the green snakelike figure in the center of the poster. Klinger’s poster also does not rely on its colors to represent its purpose. Instead of relying on the color scheme, Klinger’s poster relies on its figure such as the snake and the number to be the main focus of his piece. The arrows going through the snake give the idea that revenge or anger is toward someone. The top part of the 8 wrapped around the head of the snake also gives the idea of someone being trapped or a very concerning situation. Unlike Flagg’s poster, Klinger’s poster seems to take up much more space but does not have a lot of detail or other figures placed in the background. Klinger’s poster is much more simplistic in the tone of the piece. There is very little, if any, value changes that show the rigidness and seriousness compared to Flagg’s piece. Although Klinger relies on its two dimensional form, the items such as the arrows and the figure eight rely on each other in combination as a whole to depict the message. Much like Flagg’s work, the message or context could be lost if the viewer did not speak the same language or was not from the same country. Klinger’s piece captures both simplicity with its two dimensional style and complexity with its unclear

A-1 Pictures created this poster in order to attract people who are interested in watching genres that are the action-fantasy. To be able to portray the action genre, the background is drawn that displayed some sort of conflict. The background displayed a dead tree, ashes, burning building, and embers flying around. The dead tree signified that the land itself was dying. The burning buildings signify the destruction of humanity. The ashes are covering most of the poster which gives the idea that the land has been burning for a long time. With all the destruction on the background, the main focus of the poster is the picture of two determined and strong looking characters. Since the characters looks determined and strong while there is chaos all around them, the audience can tell that the story will not be focused on the hardships of war but on the fights that happen in battle.

The two posters both employ serif and sans serif typestyles but the Ringling poster uses a slab serif while the Barnum poster has a more decorative style serif. Moreover, the serif type on the Ringling poster has a bulkier, rounder, slightly casual appearance to it while the Barnum poster’s serif type appears more angular and rigid with a more formal appearance. The sans serif type on the bottom of the Ringling poster has that same slightly round and informal feel to it that the poster’s serif typestyle has, much like the way that the angular rigidness of the Barnum poster’s serif typeface is echoed in the choice of sans serif typestyle. In addition, the smaller display text at the top of the Barnum poster has a light gray drop shadow to set it apart from the other black text around the poster and to grab the viewer’s attention away from the colored type and image.

The poster is a very suitable choice because it is very detailed, eye-catching, exciting and depicts the genre clearly and represents many aspects of the film.

My eyes move from the fire to the billowing smoke just above it as it encircles the painting even going off of the canvas and back to the seagulls to the lower right side of the work, then I observe the boy whom in turn is observing me. Finally my sight wanders to the background grouping of boats out at sea.The bursting flames from the fire coming alive as if trying to escape the canvas. The flying seagull on the lower right hand corner of the painting helps achieve a sense of depth.The trash laying on this Island looks out of place until you relate it back to the fire. The boy seems at home, not afraid of his surroundings; almost as if he is wondering why I am there and if I am going to start

The black and white photograph captured by Jose Miguel Martinez incites a range of sentiments to the audience with its landscape of the seashore at nightfall. A pile of rocks and a tattered brick wall are in the foreground, the sea and cliffs are in the middle ground, then the remote sailboat, distant land, and the moonlit sky are in the background. This photograph impressively demonstrates the uses of balance, utility, and variety in its composition. Balance is achieved asymmetrically by the raw and unintended placement of the mountains, brick wall, the sea and land. The composition also has a great balance with the use of positive and negative space. Because of the asymmetrical balance, the photograph is more stimulating to look at as both

The first poster reveals a blurry image of a hand raised for the viewer to see while another poster features a creepy, distressed eye, as reported by ComingSoon.net. The third new poster, on the other hand, displays an unidentified flying object hovering around buildings.

I liked the composition of this photo. It was taken from underneath, looking down the length of the pier. What I loved about this photo is that the pillars closest to the lens are much distorted and the Pacific Ocean has soothing yet eerie radium like glow to it. It’s a very strange photograph and I absolutely loved it.

The interplay between time and image arises in the repeated exposure of different freeway aspects. The film primarily depicts the changing of the abandon freeway, emphasizing the process over the product. It deliberately shows the audience the overview of the freeway and the surrounding construction frame by frame. The images are constituted by series of jump cuts of the detail of the freeway, like the iron bar is repeated in three slightly different shots

The scene utilizes tracking shot as a technique to show the audience the characters have reached freedom from the dystopian world. As seen in (fig.5) the camera uses medium shot were Theo faces outside. The background of the scene is bright, symbolizing a new door of the future. The camera technique is a tracking shot were it follows the boat heading towards the bright background from inside the sewage. The effect of the tracking technique makes the audience feel connected with the characters as the camera allows the audience to immerse in the action of the movie. The audience in this case is happy for Theo. This scene also uses framing shots as seen in (fig.5)to frame Theo heading towards hope. Hope is seen as Theo is a figure in black, facing towards the bright future. The frame of the sewage gutter symbolizes the characters past

Playing a vital role in military operations from 80 BC until today, Credenhill would seem like a place perfect for war and history buffs. But there is more to this village than its links to armies and battles. It is home to a rich and mesmerising landscape and protected woodlands that make it one of the best places to see autumn colours in Britain. It also boasts of taking part in the history of one of Herefordshire's key industries, cider production.

I love the entertainment business. I’ve taken choir since I was little. My first solo was at church and I did plays when I was young also. Then in 6th grade, I made the mistake of taking band, and I didn’t enjoy it. Now don’t get me wrong, I love the sound of the saxophone but, I only chose to play it because everyone else was choosing to play the saxophone in 6th grade. But, by doing this I learned a lesson. Don’t do something just because others are. So in 7th grade up to my sophomore year in highschool I went back to choir. My junior year, I learned that I didn’t like singing in groups but individually instead. So I took a break from music that year then in my senior year, I went back to instruments but this

In this event poster, similarity is effectively used. One can see from the repeating faces and the words "The rise of women = the rise of the nation" circling the faces in the center of the poster. It also gives more closure than it would have without the bold, red text. The repetition of faces and words in different colors in this visual composition makes it pleasing to the eye. The faces are very similar to each other, but with subtle differences, such as the three mouths, eyelashes, and the beige face has more hair than the other two. The three faces work well together because they are very different from each other in color and they have the same texture. The poster is divided symmetrically with the color beige on the left side and navy blue on the right. The solid navy blue face in the middle circular figure stops at the diagonal line, whereas the beige face starts on the left side of the poster and ends on the right side.