1940's: Film Analysis

In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.

To begin with, some background information on movies and Hollywood in the 1920’s. In the 1920’s, movie attendance soared (The Rise of Hollywood par. 4). As stated in the introduction, with the influx of money in the American economic system, the average person also had an influx of time on their hands. The normal solution was to spend that time on entertainment and movies were the perfect way to do that. By the mid-decade, movie attendance rose to fifty million and only increased from then. The five main movie studios were Warner Brothers, Paramount, MGM, RKO Radio Pictures, and 20th Century Fox (Dirks 1). Before these studios were formed, every aspect of making movies was separated into different companies. The aspects may include filming, editing, or distributing. With the spark of interest in movies, these five companies took it upon

This new period created the films to become more realistic. The Movie Brats have created biggest blockbusters in American history, from Star Wars, The Godfather and Jaws.

In a time of diversified avant-garde theatre, painting and literature, the arts began to mirror revolution and industrialisation through a modernised, progressive flair. With the rise of communism dominating politics, filmmakers concerned themselves with constructing a socialist film industry exposing authorial innovation and political inferences. Man with a Movie Camera (1929) adopted a constructivist approach by utilising experimentalist technique in what was considered to be the early stages of modernism. The director, Dziga Vertov, helped to radicalise cinema by emphasising the fundamental basis of cine-poetics, more commonly referred to as ‘montage’. This non-linear, reportorial documentary differs from the chronological,

What is narrative? Narrative is a story, narrative is a type of movie, narrative is a way of structuring fictional or fictionalized stories presented in narrative films, narrative is a broader concept that both includes and goes beyond any of these applications.

Hollywood has influenced American history since it began. It boosted and shaped the morale of a nation for almost a century. But Hollywood has not only been the influencing American society, it has been influenced by American society. In the 1920s, American society was booming; people were getting rich, spending and borrowing money, and they thought life was looking good. Then in October of 1929 the stock market crashed. Many people lost all they owned. People had invested all their money into the banks before the Crash. After the Crash, the banks had nothing. People were destitute. They had no money to pay for their houses, electrical bills, and food. It became the Great Depression. Likewise, Hollywood was impacted by the Great

The Classical Hollywood cinema has style which is difficult and mostly invisible for the average audience to see. Classical Hollywood narratives are delivered so effortlessly to the audience to a point that they appear to have no source. In other words, it appears off the screen. The style has been effective from the 1920s and it convinces us that whatever we see on the screens is real and sometimes we as the audience have to keep reminding ourselves that it is only a movie not a real thing. For a movie to follow the Classical Hollywood style, its plots must progress through time in a linear way, must be based on the main characters and use continuity editing styles. First, the movies are character driven. The story revolves around the main

Hollywood, widely known as ‘dream factory’, originally functioned as an escape route from the controlling powers over film companies of the Eastern Trust (1909). The geography and low land prices of California made it an ideal and profitable place to set up film studios. By 1920s it became the major production unit of American films and massive exporter of films abroad. By 1930s Hollywood studios were totally vertically integrated, where modes of controlling production, distribution and exhibition-everything came under its ambit. Same year also witnessed Hollywood making around 600 films a year, six times more than its western counterparts and had huge influence over American audience. By 1948, everything changed when Supreme Court

In conclusion, we discussed the variations and growth of women's roles in movies from the early 1900’s until the present including the under represented, sexualized roles women played, how the gender gap has been shrunk, and the successes of many talented female actresses.when it comes to the portrayal of female characters in movies. We have made significant progress in the equal and fair representation of the sexes, but also still have a lot to change. It’s very simple and easy. Women need to be portrayed as who they are, the real, hard-working independent woman. We need to allow women to be women, not fake characters used to create sexist

Since the inception of the motion picture, business has served as the primary influence on the entertainment industry. Although film allows for freedom and experimentation within storytelling techniques, the classical Hollywood cinema style emerged as the front runner of cinema; it told a story, it made money, and it entertained. However, this became stagnant and formulaic, artists not only wanted to entertain, but to provoke and inspire viewers. This mindset is what inspired cinematic innovation within the post-war period— art movements such as the French New Wave and Italian neo-realism emerged. Filmmakers like Jean-Luc Godard rejected the traditional conventions of cinematography, editing and structure and chose to create their own.

Independent Film Industries Reinforce The Global Construction Of The Hybrid Genre Almost every country has its own film industry. Films are being produced across the world, from the low budget gangster films of Britain's "Lock Stock and Two Smoking Barrels" and Australia's "Chopper" to the French 'art cinema' of "L'aventura" and the German action offering of "Run Lola Run". This is of course to exclude America. Hollywood is the center of the global film industry and it can be considered impossible to gain international superstardom without passing through its coiffured gates. What is it that separates Hollywood from the rest of the world?

Narration is the telling of a story, and Narrative is the way you tell stories. It’s the glue that ties your creators to the to the plot events in your story. As well as elements like scene setting, narrative includes description, so we’ll deal with these features together.

Narratives are the way stories are told, therefore how meaning is constructed to achieve the understanding of the audience. Narratives tell a story, it is common in fiction film but can be applied in other types of film. Narratives group events into causes and effects, action and inaction. Narratives also organise time and space in very compressed forms, meaning that a two hour movie could compress a series of events that take place over a day, year or 20 years. A narrative is an account of a string of events occurring in space and time. Narratives are not random and do not unfold randomly, there is a reason in the ordered series of events connected by the logic of cause and effect.

Hollywoodland, known as the most recognizable film industry in the world from the 1920’s to now, slowly went from black and white silent movies to colorful motion pictures in the screens. This lead to a major production of movies along the road and introduction to big world famous stars that helped with the expansion of the entertainment business. Hollywood became an overnight success during the 1920’s by making improvements in the film and motion picture industry.

In Media Studies, it is significant to state the difference between the narrative and story. According to K. R. Jennings (2015) “A story is a structured narrative. It has a beginning, middle and end. It typically contains other ingredients too, like characters and a plot.” Furthermore Jennings states that “a narrative, on the other hand, is a sequence of events. It has no standard form or structure. No distinct beginning or end.” Simply put, narrative is basically the order in which something is put in and there is always a reason for this. For example, directors often use flashbacks, voiceovers or montages to show previous stories or show a passing of time. Genre, Character, Form and Time help us make sense of a narrative and also about what to expect. For example, Pulp Fiction has various stories with different characters going on. We call this a “Meta-Narrative”. There are a number of different narrative theories which propose ways in which stories (including films) are commonly put together.