1960s Music Revolution

The 1960’s were arguably the most influential years in American music’s history. The music helped connect people of all races, whom enjoyed visiting jazz-clubs in the early to mid-60s, to listen to the music and poetry performed by African-Americans. Much of the music from the 1960s also led to the creation and popularization of new genres and subgenres, such as rock-and-roll. These new music styles influenced the lifestyles of a large majority of Americans, particularly teenagers and young-adults, who mimicked the lifestyles of many stars of the time.

Into the 2nd half of the decade came the arrival of The Rolling Stones and The Who. These continued along the Blues Rock path pioneered by Cream and Zeppelin, and both had great success. It was these acts that led to the nickname, ‘the swinging 60’s’. 1966 saw the beginning of psychedelic music. It was The Beatles who first began to experiment like this. Adding new

The decade of the 1960s can be said to be a subversion of the United States. From the civil rights movements, anti-Vietnam war demonstration, Kennedy’s presidency, to the assassination of the civil rights leader Martin Luther King, the impact of the surging social movements and political turmoils to the American society is extremely far-reaching. There has been a lot of researches on the various social movements in this period. However, people 's attention seems to be limited to another important cultural phenomenon of this period, that is the prosperity of rock & roll. This paper is intended to analyze the

The social and political context of the 1950’s is crucial to any understanding of the birth of rock n roll.

The British invasion change musical landscaped of the 50’s and 60’s began with the British took over AM radio in the 1950”s Then in the 1960’s by introducing musical legends such as the Quarrymen and the Silver Beatles. The members of the Beatles such as John Lennon and Paul McCarthy went on to produce first rate music in the American culture of rock and roll. The mop top hairstyle of the Beatles also caught the attention of the young American pop culture to have a reason to rebel against authority. The Beatles hit the Billboard top 100 in 1964 which made a great impression on the American music scene.

In the early 60s, Britain was known in America for essentially the Queen and tea. However, that all changed in February of 1964 when the Beatles touched down on American soil for the first time. Their first hop across the pond was no ordinary endeavor, as most British boy bands or performers had a hard time making it in the states. However, their venture to visit The Ed Sullivan Show ultimately changed America’s future. From that point forward, Americans began on their journey to find hope and expression through the Beatles’ music and their influence. In present day America, it is hard to imagine a day that passes by without the media mentioning the British Royal Family, the famous British supermodel, Cara Delavigne, or the British pop band, One Direction. However, most of these British obsessions wouldn’t be as prevalent in America today if it weren’t for the Beatles appearing on The Ed Sullivan Show or the pop culture phenomenon that ensued thereafter. If one thing is for certain, the Beatles invasion into the U.S. masked ambivalent socioeconomic affairs in the early ‘60s and accelerated the change in American pop culture.

The appearance of British rock groups in America changed our culture massively. The original Beatles invasion opened the floodgates, and provided a boost for other cultural exports such as films, art and television. British Invasion acts influenced fashion, haircuts and other manners of culture in the 1960s. It became known as the "counter-culture" because the groups gave the young "rebels" of the '60s something to relate to and thus influenced what defined a "cultural rebel."

“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.

On February 9, 1964, Over 45% of America (roughly 73 million people) watched the Beatles’ debut US performance on the Ed Sullivan show. By the next morning, they had become the next big thing in America. Celebrities and schoolchildren alike were wearing Beatles wigs so that they could imitate their new favorite musical act. They had brought a cheeky sense of humor, long recognizable hair, and a new upbeat pop sound that appealed to the general public. By April 6, they owned the top five hits on the billboard hot 100 list. At one point, the Beatles sang 14 of the Billboard top 100 songs in the country. On the Billboard top selling albums list, they owned the top two albums on the billboard charts at the same time. They won two Grammy’s for 1964: one for best new artist and one for best group performance. They toured in Britain, Australia, and a blockbuster North American tour. Women wanted them and men wanted to be like them. Their fame was completely unrivaled. And that was their success simply in the sphere of music. (Kaplan, 2004).

With the taking over of obsession looming large, there comes a point where the world must ask: 'How did this happen?' What happened to the generation that watched 'Deputy Dawg' in their tie-dyed clothes and knitted sweaters. What happened to the unforgetable generation of the Beatles and the truly enormous tidal wave of hysteria and tears they caused as they transformed popular culture in the Swinging Sixties and early seventies. How did this iconic generation deflate to a generation engulfed within self obsession and a culture of self gratification. A generation with icons such as George,

In the 1960’s British artists took their modified edition of rock and roll, crossed the Atlantic Ocean and shared it with America. This concept would end up being acknowledged as the British Invasion. The British Invasion is the movement where bands from the United Kingdom became popular in the United States. It involved the virtual control of AM radio and the record industry in the United States by British artists, particularly the groups who had confirmed to be experts at recycling the American rhythm and blues and rockabilly songs of the 1950’s (Burns 2004). This movement is described as one of the most fascinating aspects of rock revolution that stimulated young American audiences by a second-hand version of American music traditions and filtered through British sensibilities (Winkler 1988). Due to The Beatles’ heavy influence on American music culture, it is still debated whether or not they were the greatest band of all time. There are many theories as to why America supported and embraced The Beatles’ success. The focal point shifted from the aftershock of John F. Kennedy’s death towards The Beatles and their rising popularity. This phenomenon changed the idea of rock and roll, as well as other

During the 1960s Music was heavily influenced by the political and social events happening at the time. At this time civil rights movements were common as many people were trying to spread the emancipation of racism and segregation. As a result the music of the time tended to reflect this counterculture of peace. This “culture” encompassed civil rights, anti-establishment and, inciting revolution. This was a vital time in history for civil rights activists as well as anti-war revolutionaries and the music industry. From folk music to rock music, everyone was affected by the war and chose to express it through the most international form of art, music. Anti-war activists and counterculture enthusiast craved the music that truly expressed

Known for being pioneers for rock 'n roll music in the 1960s the Beatles weren 't always musical celebrities. Coming from humble beginnings in

INTRODUCTION Popular music was heavily impacted by the Cold War, and relationships between political and cultural events and features of the music can be found frequently. The Cold War ‘affected American music of all kinds’, and that certain singers, including Pete Seeger and Bob Dylan, became ‘figureheads in the countercultural, anti-war movement that swept the nation during the 1960s’. THE BEATLES The Beatles were arguably the best known and loved band of the 1960s.

The Sixties were an electrifying, experimental era with huge collective and industrial change. This can be known as a decade of great turmoil because of the race riots taking place in various parts of the country like Detroit and L.A., and the protests against the Vietnam and Cold War. Other people called it the decade of “love and peace,” due to the surfacing of the flower children and the peace movement. There was a lot happening in the sixties. It was about a new style of music, fashion, civil rights movements, assassination, the moon landing, sexual freedom, experimentation with drugs, and Woodstock. But on February 8, 1964 America was presented with one more impact with what would soon be known as “The British Invasion.” Here came, The Beatles! The group consisted of four band members, Paul McCartney, John Lennon, Ringo Starr, and George Harrison. When four shaggy-haired men stepped off a plane at JFK International Airport in New York, one wouldn’t suspect the group would be shot to the forefront of a musical and cultural movement.