Essay about 1984 Symbols: George Orwell Novel

In describing his thoughts on Julia when he first saw her, Winston says, ““‘I hated the sight of you,’ he said. ‘I wanted to rape you and then murder you afterwards. Two weeks ago I thought seriously of smashing your head in with cobblestone’” (121). Winston’s hate for Julia is evidently severe because he “seriously” thought of killing her. The hatred feels even more real because not only did he want to “murder” her, he also wanted to “rape” and degrade her. The hate is graphic and raw which makes it feel real, but his feelings change so quickly to love that the authenticity of these feelings are

In 1984 George Orwell uses many symbolic objects such as the paperweight, the prole's, big brother, and telescreens to assist the readers in a deeper understanding of the book and its purpose. When Winston Smith, the main character, purchases the glass paperweight he represents the struggle in

Winston walked down the sidewalk, a sense of apathy after his encounter with O’Brian in room 101 on several occasions, a sense of love; apathetic, emotionless love, for Big Brother. Winston did not remember what had happened in Room 101, nor how long he had been there for. Winston headed towards the park where he would meet the dark-haired girl he knew as Julia. Winston had an unexplainable emotion trapped inside his conscious, wanting to break free.

In essence, the room above the shop could be seen as a haven, where Winston and Julia would be “utterly alone, utterly secure, with nobody watching [them], no voice pursuing [them], no sound except the singing of the kettle and the friendly ticking of the clock” (99). As seen throughout the novel, this room becomes a refuge where they can eat jam, chocolate, and drink real coffee as well as make love without the concern of the party. This setting elicited a flourishing relationship, as paralleled through the paperweight, where Winston “had the feeling that he could get inside it, and that in fact he was inside it, along with the mahogany bed and the gate leg table and the clock and the steel engraving and the paperweight itself” (150). The imagery and polysyndeton depicts an amicable atmosphere where Winston desires to further delve into an ideal world, as opposed to the repression of the society that he lives in. The “paperweight

Through the beginning sections of the novel, the severity of the consequences from Julia and Winston’s affair become quite prominent after the realization that they are taking part in one of the ultimate acts of defiance to Big Brother. Because Julia and Winston are risking a lot to be with one another, the secrecy of their relationship is a key factor in the suspense that builds towards the climax of the story. The suspense greatly affects the plot of the story by

Initially, Winston develops thoughts in his mind, with what he believes about Julia being with the thought police. His fears of the telescreen, which leads to Winston being afraid of the party and being caught for his thought, which develops the internal conflict.

The lyrics of Radiohead’s 2003 single, “2+2=5” refer to both 1984 by George Orwell and the administration of President George W. Bush. In the three distinct sections of the song, we hear about a character who chooses to live in ignorance, then becomes aware of the evils of his society. In the final segment of the song, the character struggles after learning about the truth, much like Winston Smith did in Orwell’s novel. The music was written and released during the presidency of George W. Bush, whose public reputation had shifted from negative to positive in the years following his controversial election in 2000. The songwriters suggest that, just as citizens of Oceania were trained to forget about history in order to maintain their

While interrogating Winston, O’Brien tells him, “[Julia] betrayed you Winston. You would hardly recognize her if you saw her. All her rebelliousness, her deceit, her folly, her dirty-mindedness – everything has been burned out of her” (272). Through systematic torture, Big Brother was able to change everything Julia believes in and who she is as a person. When placed in Room 101 and faced with his greatest fear, rats, Winston exclaims, “Do it to Julia! Not me! Julia! I don’t care what you do to her. Tear her face off, strip her to the bones. Not me! Julia! Not me!” (289). Winston loved Julia, but has been tortured and broken to the point where he is willing to betray her to save himself. As Winston looks up at a picture of Big Brother on a telescreen, he feels happy and safe and acknowledges that “he loved Big Brother” (300). Winston once passionately loved Julia and hated Big Brother, but torture has changed him to accept and love everything the Party says and

Winston a grey and rough skinned, emaciated, fearful, thirty nine year old man with a varicose ulcer on his leg, who hated a woman named Julia. Winston described her as not handsome, attractive, natural looks, and he liked her hips. Winston has many thoughts about mortally wounding her. (Winston) Julia a twenty six year old woman, known as a rebel from the waist down and she’s a product of the Party. Julia wanted to experience love with someone, in this case Winston. Why did Julia like Winston? One reason Julia liked Winston happened to occur because he wanted to revolt against the party. (How) Winston’s rebellion takes place on a more "intellectual" level than does Julia 's. (How is) Winston hated

1984, Orwell’s last and perhaps greatest work, deals with drastically heavy themes that still terrify his audience after 65 years. George Orwell’s story exemplifies excessive power, repression, surveillance, and manipulation in his strange, troubling dystopia full of alarming secrets that point the finger at totalitarian governments and mankind as a whole. What is even more disquieting is that 1984, previously considered science fiction, has in so many ways become a recognizable reality.

book, living in a one-bedroom apartment. Smith is miserable and keeps an incriminating journal of all negative thoughts of the Party, if caught Smith will be vaporized, he will become an unperson. One day in the office he noticed a dark haired woman staring at him, she is “Julia”. Smith hates her, he desires to rape her and murder her. Winston feels she’s a member of the Thought Police and that she is spying on him ready to denounce him. Her youth and decorative Anti-Sex League (Party League that degrades on the pleasures derived from sexual intercourse) sash disgusts him. Months later Winston bumps into Julia and she slips a note into his hand; the note says “I love you”. They make arrangements to meet and

Orwell displays human tendencies of initial compliance throughout his novel as the reader discovers early on within the novel that the protagonist, Winston, internally rejects the culture and societal expectations forced upon him. Winston concludes that “Orthodoxy means not thinking”, leading the reader to expect his actions to align with his way of thought. However, within the story’s exposition the protagonist’s actions show little to no indication of his true thoughts regarding The Party. Winston’s justification for the contrast between thought and action was that “…to control your face, to do what everyone else was doing, was an instinctive reaction” despite however adamantly one may have been opposed to whatever was taking place (Orwell 18). This pattern of behavior is displayed during the Two Minutes Hate when Winston internally states that “…it was impossible to avoid joining in. Within thirty seconds any pretense was always unnecessary” (Orwell 15). Eventually, the reader observes a similar divide between the thoughts and actions of both Julia and O'Brien, further cementing Winston's speculation. The reoccurring acquiescent acts toward The Party and Big Brother's ideals accurately illustrate the

In the book 1984, George Orwell uses symbolism in his book about a dystopian society. George Orwell wrote the book in 1948, which means that 1984 would be in the future. Orwell guesses what would happen in the future but in a dystopian society which is ruled by a totalitarian government where everyone is the same having no emotions instead of a utopian society where everyone is unique and happy.. The main character, Winston Smith, stands out from his society because he remembers some of the past and wants Big Brother, the leader of the Party which controls Oceana, to fall. By writing the book, 1984, Orwell exercises many ideas of symbolism in his book including his character's, government and objects.

The two of them get caught by the Thought Police and brutally arrested. Winston sits in a bright, bare cell in which the lights are always on—he has at last arrived at the place where there is no darkness. Four telescreens monitor him. He has been transferred here from a holding cell in which a huge prole woman who shares the last name Smith wonders if she is Winston’s mother. In his solitary cell, Winston envisions his captors beating him, and worries that sheer physical pain will force him to betray Julia. Seeing starvation, beating, and mangling, Winston hopes dearly that the Brotherhood will send him a razorblade with which he might commit suicide. His dreams of the Brotherhood are wrecked when O’Brien, his hoped-for link to the rebellion, enters his cell. Winston cries out, to which O’Brien replies, “They got me long ago,” and identifies himself as an operative of the Ministry

War Is Peace. Freedom Is Slavery. Ignorance Is Strength. The party slogan of Ingsoc illustrates the sense of contradiction which characterizes the novel 1984. That the book was taken by many as a condemnation of socialism would have troubled Orwell greatly, had he lived to see the aftermath of his work. 1984 was a warning against totalitarianism and state sponsored brutality driven by excess technology. Socialist idealism in 1984 had turned to a total loss of individual freedom in exchange for false security and obedience to a totalitarian government, a dysutopia. 1984 was more than a simple warning to the socialists of Orwell's time. There are many complex philosophical issues buried deep within