3 1/2 Minutes, 10 Bullets Film Analysis

Often, films reflect the expectations and norms of femininity and masculinity of the particular social context in which people create it. However, a film can also challenge such gendered norms and expectations which can cause viewers to perform an inward examination and even begin to challenge the gendered societal norms and expectations within their given social context. While the film, High Noon, conceptualizes characters in their typical gender expectations and norms, the film simultaneously challenges these norms through the characters of Sheriff Will Kane and Helen Ramirez.

The 1946 film The Killers is a renowned film noir based off of Ernest Hemingway’s short story of the same title, focusing on the detailed backstory and investigation for the motive of the murder of Pete Lund/Ole Anderson, commonly known and referred to as “The Swede.” A film noir is a term made originally to describe American mystery and thriller movies produced in the time period from 1944-1954, primarily marked by moods of menace, pessimism, and fatalism. Although the film does not focus on the war itself at all, it still puts forth interesting new ways in how gender relations can be stereotypical as well as divergent proceeding the Second World War.

U.S. Navy SEAL ,Chris Kyle was just the average die hard Texan. He aspired to become a cowboy, but it wasn’t working out in his favor. After seeing the horrors of terrorism on 9/11 he was ready to fight for his country and enlisted into the military. He goes on to fight in four tours and becomes the deadliest sniper in American history. After each tour, he felt that he had to go back. He had two goals that he couldn’t give up on; protecting his team and taking out the deadliest enemy sniper, Mustafa. Chris would not stop until he achieved his goals, when he finally did, he faced a new battle. He struggled with normal daily life, but even then he persevered and found a new passion to aid him. Throughout this film, Clint Eastwood portrays the theme of perseverance through the use of setting, camera angles, and the main character Chris Kyle.

Film noir is a famous era of filmmaking that defined the cinematic experience in Hollywood for a whole decade. No film can correctly represent such a influential cinematic era like Gun Crazy directed by Joseph H. Lewis. Gun Crazy is a unique expression of film noir of the 1950s that utilizes many cinematic elements in unparalleled ways to tell its story in a distinct fashion. Lewis uses cinematic techniques such as lighting, composition, editing, music, and mise-en-scene of the opening sequence to establish the tone and character motivations of the story.

Fruitvale Station depicts the real-life case of Oscar Grant III, a young unarmed black man shot in the back by a white police officer on January 1, 2009 in Oakland. The movie begins with cell phone footage of Oscar Grant’s death recorded by bystanders. Grant’s life was tragically cut short due to a white man’s racism and stereotypical perception of a young black man. The BART police officer Johannes Mehserle abused his authority and shot Grant for no other reason but hatred and racism. At the time of the shooting, Grant was unarmed and pinned on the ground in handcuffs. The movie then walks you through the last twenty-four hours of Grant’s life. As you watch the movie and research the aftermath of Grant’s death you a forced to ask yourself a few questions; why does the media have the right to take away Oscar Grant’s humanity? Where do we draw the line between racism and holding others responsible and will the public’s perception of black men and women ever change? Lastly, we must focus on how this case and others impacts African American society and culture. We also must focus on the necessary changes African Americans must make in order to survive in a world that does not value black lives.

My gut reaction to hearing a film about wheelchair rugby was one of pity. I thought that as soon as I saw the players I would feel sorry for them not being able to play the sport the “right” way, or the traditional way. My unconscious bias towards disabled people seemed hard-wired into my brain. I was expecting less of them athletically but after sitting through the 88-minute documentary on wheelchair rugby I was proven wrong in the best way possible.

Imagine having to face impossible odds, if failed, would kill you. This is exactly what the Spartans had to face when they were protecting their home. The movie 300, directed by Zack Snyder tells the story of the courage and solidarity of King Leonidas (Gerard Butler) and his army of three hundred Spartans who fought the army of King Xerxes (Rodrigo Santoro) and his colossal Persian army to their deaths. In 300, producers cover the Spartan life, the Spartan women, and the Battle of Thermopylae.

This video showed the public how the police brutally beat a man that was defenseless. The video spread ramped around the whole news community and a title of the LAPD became known as the most hated cops in America. In LA, there was a problem with racial profiling and police brutality but the blacks were never able to prove the police’s wrong doing. With the video, the blacks felt that this could be an open door to showing the world how the LAPD really acted.

Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.

The main purpose of the article “Lights, Camera, Police Action!” is to shed light the growing influence of technology in matters of disputes between law enforcement and citizens. This article focuses on the current distrust between law enforcement agencies and the African American community. The author of the article uses pop culture, recent cases of police shooting, and film history to inform readers. The article mainly focuses on race and criminal justice in the context of recent videotaped cases of young black men dying at the hands of police officers.

The “Lost Battalion” film was a great film about World War One. It showed a lot about the horrors of the war. It also brilliantly depicted the reality of the war.

When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose

The film, American Gangster, directed and produced by Ridley Scott is a drama based on the biography of Frank Lucas. In the movie, Frank Lucas constructs his own business of illegal work after his boss, Bumpy Johnson, passes away. Frank builds a heroin business, following in the footsteps of Bumpy, and becomes the most powerful crime boss in Manhattan. Furthermore, because of Frank’s immoral ways, he gets caught by the police and is sentenced to 15 years in prison. As the movie progresses I form a couple assumptions of what could happen in the short term and long term. First off, when Frank Lucas attains his heroin I believe that in the short term he will succeed. Frank has established a vast amount of insights into the drug business from Bumpy, and from what he has learned he will take in and apply it to his situation. However, all immoral acts will have to be put to an end, so in the long term, Frank’s heroin business will be caught. If Frank’s business is the biggest thing in Manhattan then the police are bound to question where are all the illegal drugs coming from, how, why, and who. The police were already hunting him down so it was inevitable for him to get out of his illegal mess.

The movie A Time to Kill is engrossed in the emotions that revolves around hatred, this hatred originates from racism in the south. It begins with the brutal rape of a young black girl, Tanya Hailey. The rape was committed by two rednecks in a pickup truck. Tonya’s father Carl Lee Hailey takes the law into his hands and lashes out by killing the rapist. Charged with two counts of murder, he is assigned the young and brilliant lawyer Jake Brigance, who still believes he is able to receive a fair trial. With the trial beginning, viewers get to see this hatred somehow rise to become more significant. Focusing on the relationship between Carl Lee and Jake Brigance, and its impact on the southern town. The producers of this movie tried to make the audience or the viewers understand how these people in the south struggle with this hatred of racism, facing segregation head on and its judicial system. A Time to Kill is based on the first novel by John Grisham. Directed by Joel Schumacher, with the strong performances from Samuel L. Jackson as Carl Lee Hailey, the avenging father, and Matthew McConaughey as Jake Brigance, the lawyer. This paper will be analyzing some clips and scenes from the movie, and discussing how every visual aspect of a film's language especially cinematography. For example, shots, sounds, settings, and movements can give the audience a clear sign of emotions, motive, and clues as to what the filmmaker feels and

“The Story of an Hour” tells the story about Mrs. Mallard, who learns that her husband is dead and right after that faces a great variety of emotions and feelings. Mrs. Mallard has a heart problem. One day she gets news that her husband has died in a railroad disaster. She starts crying at once, goes upstairs and locks herself in her room. She feels very lonely at first but then she starts feeling happy and free from her marriage. After some time she opens the door and descends the stairs. She surprisingly sees Mr. Mallard at the door. When she looks at Mr. Mallard, she dies suddenly. The doctor says that she dies of her heart disease, from the "joy that kills." This story illustrates the dependent condition and status of married women in the 19th century and reveals the fact that there is no way of escaping from marriage except one’s death.