"300" from Anti Essays

Editing, Cinematography, and Sound in Gladiator The film that I have chosen to analyse is Gladiator. I have chosen to analyse the scene where the gladiators are battling in the Middle East. The scene contains many features and editing techniques which make the fight sequence exciting and thrilling.

“I am not here to represent Leonidas. His actions speak louder than my words ever could”, although Queen Gorgo believes this to be true, it is evident that her words still make quite the impact. The speech that was chosen for analysis was Queen Gorgo’s request of Sparta’s council to send their forces to the Battle of Thermopylae, from the movie 300. This speech was chosen simply for the fact that I have always enjoyed this movie and that I’ve always admired Queen Gorgo’s character. Although she does not immediately convince the council of sending Sparta’s army, her actions that follow do. Through the use of pathos, metaphors, and an urgent tone, Queen Gorgo is able to make a strong case to the council as to why they should aid King Leonidas at the Battle of Thermopylae.

When Antony is heard speaking to the crowd, it was rather clear that he could inspire large groups of people to take action with a startling eloquence given to him. A person that can inspire will very often be a better leader

Society has not remained stagnant for the last thousand years, so it is only natural that the definition of a hero has changed, too. Greece’s Odysseus was the opposite of Martin Luther King Jr. when it came to peace; his blade bore the blood of many man and beast because of his involvement in the Trojan War and his penchant for adventure. Instead of talking to his enemies, he found it easier to defeat them through force. For example, while in the Cyclops’ cave, “he took the olive sapling, and buried under the ashes; and when it was red hot . . . [he] pushed the point hard into the eye of the Cyclops” (Rouse 3).

The movie 300, tells the story of the Persian and Spartan War also known as the Battle of Thermopylae. At the beginning of the movie, a Persian messenger is sent to Sparta to talk to the King of Sparta, Leonidas. As Leonidas has a chat with the messenger, Leonidas brings out his sword and holds it against the messenger because he feels as if the messenger had threaten and disrespected his city and insulted his Queen. Leonidas then stomps on the ground and shouts "THIS IS SPARTA!" and kicks the messenger down into a pit.

The soldier’s lives should be remembered but not their deaths. The speech reminds Athenians what their ancestors have died for and mournful citizens should be proud they died defending the freedom of their country Athens. The oration also reminds Athenians of their greatness because of the fact that Athenian warriors have more to fight for. Athenian warriors are fighting not only for their country but also for their family, friends and other communities in the city. These warriors have more to lose because they are fighting for everyone in the city. During this time possessions were incredibly significant. Wars were usually about gaining land and having as much land as possible. Soldiers were not afraid of dying during combat and chose the most “honorable” course of action by fighting boldly and courageously. In this way, Athens was able to accomplish an enormous army and standard of living, without the harsh everyday training found in city-states.

The French New Wave was a style of film used during the 1950s through the mid 1960s by French directors such as Francois Truffaut and Jean-Luc Godard. During the French New Wave, directors used an independent style of filmmaking called cinéma-vérité to portray a very realistic outlook on the lives of people who were living in France during the era of the New French Wave. In Francois Truffaut’s The 400 Blows, we see right away in the opening scene a prime example of cinéma-vérité. The opening scene depicts the view of a young, mischievous child Antoine Doinel, looking out of a car window while driving through the beautiful city of Paris, France. We see the elegant buildings along the side streets of Paris while seeing the Eiffel Tower in

Strategy wise, they were also far superior. The movie 300 was fairly accurate, as to where they fought. Only a small number of persians could come at them at a time.

When it comes to fighting, Achilles is the best. No man can best him, and any army with him in their ranks has very good odds of winning. On the other hand, his sense of duty is overshadowed by his arrogance. He fights for the Greeks, but doesn’t obey King Agamemnon as a subject. When Agamemnon steals his prize, Briseis, he gets upset and doesn’t fight, causing a loss in the Greek army. Achilles declares, “What a worthless, burnt-out coward I'd be called if I would submit to you and all your orders, whatever you blurt out. Fling them at others, don’t give me commands!” (Homer, 104) Though Achilles is the mightiest warrior alive, he is unreliable, compulsive to every whim and feeling of discontent. Hector, on the contrary, is

The Matrix Written and directed by the Wachowski brothers, ‘The Matrix’ is a science fiction film, which was released in the year 1999. It was the first film to use the now famous camera technique of ‘bullet time’ and also introduced wirework martial arts into conventional cinemas. Its vision of the future is similar to other science fiction films such as ‘Men In Black’ with the agents always wearing sunglasses and the idea of man vs. machine\evil. In the opening sequence of the film, I am going to analyse the effects of different camera shots, as well as other factors, which engage the viewers’ interest.

I found four major internal conflicts present in the film: Leonidas’ unspoken love for his wife, Captain’s unspoken love for his son, Ephialtes’ desire to be needed and wanted, and Queen Gorgo’s struggle to determine how far she will go to help her husband. I believe the film is meant to be symbolic for freedom and the need for people’s sacrifice in the name of freedom. In the film there are 300 Spartans standing up to Xerxes and his, supposedly, millions of soldiers. The 300 not only willing put their life on the line they consider it an honor to fight and die for the freedom of their city and its people. 300 also has bit of irony in it, too. The 300 Spartans quite possibly could have held back Xerxes at Thermopylae if it had not been for Ephialtes. Ephialtes felt betrayed by Leonidas so, he informed the Persian command of a hidden trail that would allow them to flank the Spartans and ultimately lead to their defeat. The film is able to make the characters very relatable. There are plenty of close-ups and intense scores of music during important moments to help build emotion. These moments allow you to feel what the characters are feeling and help you to experience their internal struggles.

This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful

This most fearsome warrior has proven himself from the youngest age as worthy of honor and respect. He is driven by his father's legacy of shame and has no use for unsuccessful men. But as he projects his image of strength, we

Throughout history is an endless list of great war leaders who have conquered great masses of land. So, it must take a great speaker to convince thousands of men to leave the comforts of their homes to risk their lives in war. In Homer's, The Iliad, two great nobleman Agamemnon and Odysseus are in the position to push exhausted soldiers back on to the battlefield. Each use different approaches to excite the men, however, it is Odysseus, not King Agamemnon, who succeeds. In order to persuade these drained men, Odysseus realizes what condition the army was in, and by using prophesies as support, status did not become an issue when it came to whom the men listened to.

They knew a lot about film theory and history but not a lot about film production. This allowed them to experiment and try new ways to make films. They also began to break traditional rules in filmmaking.”(Tu) At first audiences were confused by this new style, but now many of the innovative conventions of the French New Wave are normal cinematic devices that we all understand today, like the jump-cut, long take, voice over and handheld location shooting. The 400 Blows, is not a film one is going to understand while watching for the first time, that is where the true beauty lies. As Antoine grows up he will be able to understand his life with a reflective mentality, just as we the viewer will understand the film the more we think about it. The goal of the French New Wave was to have cinema become as worthy of academic study as any other art form. “Existentialism was also a major influence on the French New Wave. French New Wave incorporated working on location as opposed to in the studio. Lightweight hand held cameras were used. Available light was preferred to studio-style lighting and available sound was preferred to extensive audio dubbing. Following characters down streets, cafes and shops were done in the French New Wave just as was in this film 400 Blows. Also long takes like when Antoine was