(500) Days of Summer (Webb, 2009) is a unique film that breaks away from the numerous conventions used in typical romantic comedies. The main theme is dealing with those small but significant moments between two people and taking a risk at love when uncertainty remains. Moments that can make someone wonder if the other person was feeling the same thing or if it was only an illusion. This is a different kind of love story as it is not told in a conventional way, yet still carries various conventional characteristics of a romantic comedy. (500) Days of Summer is about how romantic preconceptions can change the true understandings of relationships and how trying to recognize that the true nature of love is not something with a definite answer. …show more content…
The genre of the film misleads the viewers to believe that the narrative will be from both protagonists' perspectives: Tom and Summer. When in actuality, it is told through the eyes of Tom, who is the main protagonist male character. The film’s use of a male’s point of view rather than a woman’s, makes it very contrasting to classic romantic comedies, which are usually associated with women. However, due to the narrative perspective being in Tom’s point of view, Summer’s personal life remained a mystery to both Tom and the audience. There is no mention of friends, or life goals, or hobbies. All that is known about Summer Finn is that she seems to be a free-spirit who values fun and independence over stability and love. There were unconventional styles used in the film’s editing too, such as the use of black and white, which demonstrated flashbacks from Tom’s memory. (500) Days of Summer also makes use of subtitles in a scene where Tom describes in French how “his love feels like an intense foreign film.” (500 Days of Summer, Webb) The film also uses unconventional style in a scene where Tom is singing solo, sarcastically mocking musical type of romantic …show more content…
Unlike the usual romantic comedy that paints a perfect picture of romantic entanglements having a happy ending, (500) Days of Summer is a more believable love story with realistic complications. The film shows the actuality of relationships and the complications that come along with them. Tom is so in love with the idea of Summer that he completely ignores all of the things that she has been telling him. From the beginning, she let him know what type person she was and what type of person she wasn’t. Tom was too blinded by his own expectations to actually take in any of what she was saying. While romantic comedies tell us that Tom and Summer should be together, any person actually watching the movie would have realized that Tom and Summer are polar opposites. In Tom’s eyes, Summer is perfection, but perfection has no depth. Summer’s not a girl, she’s a phase. Tom was just too close to the image to see the complete picture. While the idea of soul-mates may be something straight out of the movies, one can very well be happy with different people. But then what happens when the relationship runs out of steam? Then you just have two people who really aren’t that compatible. In (500) Days of Summer that is exactly what happened. Tom is completely oblivious to it and instead Summer is forced to be the voice of reason. Summer is pictured as
Before beginning of this quarter, I had no formal education on the topic of love or cinema studies which made this course seem the most intriguing. This was a completely new topic to me. Through the many assignments and group discussions, I have a much greater understanding of the world of film and understanding love in east Asian countries. With the help of my peers reviewing my assignments and providing a different perspective on my essays, I have honed my abilities in writing and thorough film analysis.
Tom is envisioned as Puck in his role, from A Midsummer Night’s Dream. Tom is a unique individual, compared to Puck, he has similar magical powers. Tom has the ability to transform people by reviving love, can enliven people to a new insight on reality. The utmost evident example of his power is his task in the recovery of Coral, as he was the only one to foresee Coral as Kim Novak. “I knew who she was the second I saw her” (Act 4, Scene 2). Tom’s warmful attitude and friendly manner towards Coral has led to her confiding in him. He has
While Claudia is normally detached and unfriendly to most, Tom brings out the tender personality of Claudia. Tom unknowingly helps Claudia see all that’s good and beautiful. Claudia thinks, “I saw it through him and with him” (Lively 75). Claudia’s adoring persona comes into place when she falls in love with Tom. Tom has an effect on Claudia that makes her want things that she wouldn’t otherwise have wanted before.
“The purpose of this paper is to write about the similarities and difference of two movies: The Choice and The Notebook. Nicholas Sparks really knows how to set a romantic/emotional, but also creates a very predictable love story plot-line. You could predict the ending before the movie started with only knowing who the movie was based on a Nicholas Sparks novel. There is always a boy who falls for a girl and has to work extremely hard to get her. Then, something happens, but in the end they are always together. The Notebook and The Choice both show how life is about choices, you have to fight for what you love, and the good guy wins; but, in The Choice the ending will leave you wanting to know more about these characters and their story and that is why The
A romantic drama film is a genre that explores the difficult aspects that come with love. The plot usually includes two people that are in love that can’t be together the way they want to be due to obstacles. The obstacles in a romantic drama film can include a family 's disapproval, to forbidden love, to one 's own psychological restrictions. The Notebook is a movie based on a best-selling novel that was written by author Nicholas Sparks. This is a love story that is composed of a series of obstacles between two young people that are madly in love with each other. It perfectly fits and displays the criteria for a successful romantic drama film because it includes the complexity of love, and elicits emotions.
The romantic comedy is a subgenre that has as its central narrative the quest for love that almost always ends with a successful conclusion. It accents love in a light and upbeat manner while also frequently embracing sentimental or melodramatic story developments. Similar to every other genre, it has a set of characteristics or conventions that allow the audience to know what to expect. The key traits that allow one to recognize a movie as a romantic comedy are its realistic characters, traditional dating ritual, and slow story pacing. These conventions of romantic comedies can be further understood by analyzing the narrative functions of two films that depict positive images of true love and its power to transform one’s life: Roman Holiday and Notting Hill.
They both want something else for the most part but the time period in which they live is just not right. Tom and Daisy’s unlikely solid marriage is filled with affairs but neither will leave because the story takes place in a different time than today. Affairs have a large part in this book involving nearly every character throughout it. But Tom the most notorious for them almost needs
Love plays a crucial role in telling the story of Romeo and Juliet, clearly shown in the appropriated Luhrmann film. Using film as a new medium, cinematic techniques explore the love between Romeo and Juliet. The balcony scene is a clear example of how Luhrmann expresses this. To show his love for Juliet, Romeo decides to sneak into the Capulet mansion to confess his love for her. When Romeo sees Juliet through his window, light shines around her and he describes it as, “ the sun.” This suggests that Romeo is calling Juliet the brightness in his life. Luhrmann decided to portray Romeo
While some may argue that Tom really loves Daisy, Lois Tyson argues otherwise, saying : “Tom’s relationships with women, including his wife, reveal his desire
Tom had a double role in the play as both the narrator and a main character that lived through a recollection of what life was like living with his mother and sister before he abandoned them to seek adventure. Tom’s behavior in the play could lead to question if his memory is truly accurate. SparkNotes comments, “…But at the same time, he demonstrates real and sometimes juvenile emotions as he takes part in the play’s action. This duality can frustrate our understanding of Tom, as it is hard to decide whether he is a character whose assessments should be trusted or one who allows his emotions to affect his judgment” (SparkNotes.com). Through his behavior a person is reminded that memory can be flawed by emotions or time elapsing, this would need to be taken into account when analysis of such a character is done. Tom is full of contradictions as he reads literature, writes poetry, and dreams of an escape; however he also felt bound by duty to his sister and mother. Another contradiction was that while he professed to care about his sister as seen in his ending comments in the play, “…I tried to leave you behind me, but I am more faithful than I intended to be!...” (Williams), Tom never went back to reconnect with his sister. This could be because of the great shame he felt for abandoning his sister or because of another reason. He stated that he had been in several cities over the years but never speaks of going back to St. Louis, making it unclear if he
He likes Daisy not for true love but rather for a possession-type relationship. He cheats on her and is proud of it. When with Daisy, he rarely acts romantic because he is always preoccupied with his greed. He doesn't strive for her love because he knows his wealth will keep her with him. He has a very realistic approach on life. He sees things as they are. This allows Tom to stay happy and rarely be disappointed.
One boundless power in our universe is the power of love, which rips down barriers and creates a world where everything is in harmony. Love’s immense strength can be portrayed throughout literature. In Shakespeare's play, Romeo and Juliet, and John Green’s book, Fault in Our Stars, the theme that love overpowers everything is conveyed throughout the pages. In Shakespeare’s play, two-star crossed lovers fall in love despite the quarrel of their families. In John Green’s book, two cancer-stricken teenagers fall in love despite their limitations. The theme of love overpowering everything is evident in both stories through the external conflicts that failed to prevent their love, the lovers going great lengths to see each other, and deaths of the other lover.
Summer talks about the story of a young woman’s discovery of sexual desire. From the start, Charity is completely inexperienced when it comes to men. Charity is first attracted and is intrigued by Harney and starts to develop feelings for him as she spends more time with him. All she desires is sexual fulfillment. The novel opens with nothing going on in town and then she steps down from the buggy. As she looks at him through the bathroom window, she feels “All her old resentments and… confusedly mingled with the yearning roused by Harney’s nearness.” (chapter 7, page 3) And when they have begun their affair, she feels that “all the rest of life” (Wharton 1) has become the central glory of their passion. Charity waits for Harney in their secret
Most romantic comedy movies fulfil the viewers’ expectations of the perfect love story whilst incorporating comedic elements. Typically there is always a pretty girl who falls deeply in love with a male character, often less popular and less attractive, who makes multiple comedic attempts in winning her heart until eventually they both fall madly in love and live happily ever after, in this case a genre movie is expressed as “those commercial feature films which through repetition and variation, tell familiar stories with familiar characters in
Romantic Comedy has been around for many generations enticing the public with ideas of love and romance in a humorous way. According to Dictionary.com Romantic Comedy is defined as, “a movie or play that deals with love in a light, humorous way.” For all romantic comedies to make this happen, they follow three simple rules. Boy meets girl, boy loses girl, boy gets girl back. As Brian Finnigan from The Five Golden Rules of Romantic Comedy says, “Different but the same, He wants She Wants, turmoil, and learning curves”. Although these technical terms are different, they mean the same thing. Today that may look a little different but this is a staple part of romantic comedy that makes it different