7 Deadly Sins Analysis

Martha Graham’s production of Night Journey is a unique and symbolic contemporary dance work. Graham bases many of her dance pieces on Greek myths and this is seen in her work Night Journey. Graham has manipulated elements of contemporary dance to communicate the emotion of the main character, Jocasta. Graham’s previous work focuses on depicting both the power and struggle of female idols in history. Graham has choreographed Night Journey to explore the perspective of Queen Jocasta, the main protagonist in the piece rather than the story of Oedipus. (Mueller, 2007) Graham has skilfully choreographed significant symbols and motifs to convey Jocasta’s emotions of grief, pain confusion and love through the manipulation of motifs and

The seven deadly sins, also known as the capital vices or cardinal sins, is a Western religious grouping and classification of vices. This grouping emerged in the fourth century AD and was used for Christian ethical education and for confession. According to the Catechism of the Catholic Church, a mortal or deadly sin is believed to destroy the life of grace and charity within a person. Though the sins have fluctuated over time, the currently recognized list includes pride, greed, lust, envy, gluttony, wrath and sloth. There is a parallel tradition of seven virtues.

The two live dance works viewed this year were “Emergence”, performed by Sydney Dance Company, choreographed by Rafael Bonachela, performed at the Princess Theatre and a recorded dance performance titled “Image”, choreographed by Jason Northam and Liesel Link. The two dance performances substantiated were exceedingly diverse and dissimilar. The two performances juxtaposed their intentions and interpreted opposing elements through diversity in movement vocabulary, structural devices and form, performance skills and technical elements.

Graeme Murphy, past artistic director of the Sydney Dance Company is known to be Australia’s greatest and most productive choreographer, of all time. Through the 30 years of being artistic director, Murphy has created outstanding pieces and inspired

Who: One choreographer that draw my attention is Martha Graham. Particularly, when I watched her dance ‘HERETIC’, I was emotional.

Naomi Lang was born in a small tribe in Arcata California (1)(2)(4), it is close to the Redwood National Forest (2). December 18,1978 Naomi was born in the Karuk Tribe (1)(2). Her Indian name is “Maheetahan” it means “Morning Star”(1). In her tribe there are about 3,096 members(4). Naomi started dancing at three years old (3). Naomi’s mother became ill and so Naomi’s family moved to Michigan to be with her (4).She started skating lessons in Michigan when she was eight (1)(2)(4). The Ice Capades inspired her to skate (2)(3). When Naomi was twelve she went to the Interlochen Arts Academy and the Grand Rapids Ballet Company to be a ballerina (2)(3). While Naomi was there she was awarded the ‘Outstanding Achievement in Ballet’ (3). Once she was sixteen she went from skating to dancing (2). At this point in her life her mother was very encouraging and supportive to her (5). Naomi Lang’s childhood and teenage years were filled with skating and dancing schools

Natalie Dukes is a good student who is an example we should all follow, not only for someone who wants to be famous, but also simply for any student who is ready to leap into their dreams and aspirations becoming a

On April 14, 2017, my friend and I visited for the first time Salt Lake City Community College dance company’s annual performance. The show was presented at the Grand Theater at the South City Campus of the college. The performance’s name “Moving Words” imply what the audience was about to experience. “Moving Words” consists of 18 different dances and each of those dances brought a unique feeling to the overall performance. I thought that the dancers and choreographers have done an amazing job. However, after seeing all the different dances there were two that stuck together with me, because of the ideas and the morals these dances introduced.

The influence behind the dance company is what makes them so “widely acclaimed” when they perform internationally, for their distinct and unique music, choreography, movements and costume designs. The choreographers inspire the dance pieces, by the traditional stories and movements of various Australian Indigenous communities. Some of their best works include the performance productions of Ochres, Skin and Our Land People Stories.

As a piece of choreography, “La Petite Mort” expresses the motifs of sexuality and death through the contrasts between levels of energy, confidence, and elevation. Translating directly from French to “little death”, the phrase “petite mort” also serves as a French idiom representing sexual climax. The comparison of the supposed pleasure of a sexual act, and act associated with creation, with death evokes strong emotions for both dancers and audience members alike. The piece runs for approximately seventeen minutes and consists of twelve dancers, six males and six females, and a wide array of symbolic props, including swords (foils), dresses that stand without support, and more. The tension and lack thereof between dancers and between a dancer and his or her prop can be felt palpably by the audience. Between sections of the piece, the male dancers carry an enormous cloth which glides through the air gracefully like a scarf, and the lights dim, creating a sense of mystery which is consistent with the feelings of the audience in trying to figure out how to deal with these two conflicting ideas.

Through her cultural influence on dance, as well as her impact on reinventing dance itself, Anna Sokolow has gone down in history as one of the great modern dancers. Her Jewish roots were a huge basis for the dances she would perform and the messages that she would try to get across, which is significant to me and my own similar religious views. It was important for dancers and choreographers to speak up for what they believe in and disseminate their message throughout the world of the arts, and Sokolow was one of those who did this with great success. Through her unique style of movement, her eye-opening piece Rooms, and her own personal connection to Judaism, Anna Sokolow’s inspirations and works come together to address a powerful issue

Save The Last Dance and How She Move are two dance drama films. The two films depict shared dreams and the trials which follow it, using dance and its genres as an outlet for expression and a channel to redemption. The films also use dance to unfold subtle themes of gender role stereotypes and gender inequalities which are present within society. Specifically, gender roles are portrayed in Save The Last Dance and How She Move within social norms and the affects it plays on the dancing bodies, the dance styles of ballet, hip-hop and step dancing as well as within the narrative. These gender roles in which females and males are expected to display have long been prescribed, often to fit the needs of society. This essay will discuss and analyze

Dance combined with film is a very interesting combination. When a dancer is being recorded on film, it is viewed a little differently than watching someone dance live. Dancing on film is recorded and it is not personally experienced, there are different emotions and messages that are sent in dance through film. This screening provides an arrangement of films presenting multiple ways of expressing feelings and thoughts through emotions. The list begins with works in which human bodies are shown in their beautiful state while dancing and conquering a variety of emotions in the older films, and transferring to more

The theme for this dance was about the relationship between people and they need to manage the imbalance relationship with each other. Different people encouraged other people to face with different difficulties. They need to know their relationships with others were not always settled and same as before. They were flouting. The theme was abstract.

1. There are many different sins not listed here. However, many of these great sins, like murder, adultery, stealing, etc., have root causes, like Pride. Pride was the devil's great sin, as he wanted to be like God, and rebelled. There are 7 basic kinds of sin that lead to all others, known as the Seven Deadly sins. It takes heroic virtue in most cases to overcome these. Most of us are afflicted greatly with at least one or two of these. And once you give in to one of these sins, the spirits of the other 6 will be only too glad to come into your soul also. All of these sins will lead you directly to hell.