A Bad Case of Inferiority Essay

She has been trained to trust in her husband blindly and sees no other way. He calls her “little girl” (352) and “little goose” (349) and states “She will be as sick as she pleases!” (352) whenever she tries to express her issues. Instead of fighting for what she thinks will make her better she accepts it and keeps pushing her feelings aside, while he treats her like a child. We get an instant feel for her problem in the first page when she says, “John laughs at me, of course, but one expects that” (pg 346). A woman shouldn’t expect her husband to laugh at her concerns. Even after briefly writing about her condition she remembers her husband telling her the very worst thing she can do is think about it and follows his instructions. This is when she begins to focus on the house instead of her problems and the obsession with the wallpaper starts. She has nothing else to think about alone in the home; they don’t even allow her to write, which she has to do in secret.

John’s views as a doctor forbid any type of activity, because he feels it will only worsen her fragile condition. She says, “So I take phosphates or phosphites- whichever it is- and tonics, and air and exercise, and journeys, and am absolutely for bidden to ‘work’ until I am well again” (Gilman 221). But the narrator believes she would feel better if she could write because she does not believe it to be “work”. “Personally I believe that congenial work, with excitement and change, would do me good” (Gilman 221). The narrator believes that writing would help her get better more than the rest cure. John addresses his wife as “‘little girl,’ and chooses the nursery rather than one of the adult bedrooms for his wife” (Griffin 11). The narrator has absolute no control over her own care, “she disagrees with her husband’s orders forbidding her to work, yet her opinion goes unrecognized.” (Griffin 11). He treats her like a weak, fragile child, which for the most part is what women were described as in that time period.

In the second part of the sentence, it seems as though the woman doesn't want to believe what her husband is telling her thus setting the stage for her rebellion. All her husband wants her to do is rest and sleep: he even suppresses her creative talent by not allowing her to write. She is in constant fear of being caught by her husband; "I must put this away, -he hates to have me write a word." It seems as though John is being more of a father than a husband and because of this, she feels that she should be a "good girl" and appreciate what he is doing for her even though she knows that his diagnosis is killing her. "He takes all care from me, and I feel so basely ungrateful not to value it more...He took me in his arms and called me blessed little goose..." This is a clear indication of someone trying to run another person's life. By him not allowing her to write he is causing her depression to worsen. If she had been "allowed" to come and go as she pleased, her depression may have lifted: "I think sometimes that if I were only well enough to write a little it would relieve, the press of ideas and rest me." Her husband is suppressing the one major outlet that will help her get better in her seclusion, "writing." By absolutely forbidding her to work until she is well again he is imprisoning her and causing her depression. John has made her a prisoner not only in their home but also in

“The Yellow Wallpaper” a short story about a mentally ill women,written by Charlotte Perkins Gilman at age 32, in 1892 is a story with a hidden meaning and many truths. Charlotte Perkins Gilman coincidentally also had a mental illness and developed cancer leading her to kill herself in the sixties. The story begins with Jane, the mentally ill woman who feels a bit distressed, and although both of the well respected men in her life are physicians she is put simply on a “rest cure”. This rest cure as well as many symbols such as the Yellow Wallpaper, her journal, and her inevitable breakdown are prime examples of the typical life of a woman in this time period and their suppressed lives that they lived even with something as serious as a

As a woman, the narrator must be protected and controlled and kept away from harm. This seemed to be the natural mindset in the 19th century, that women need to have guidance in what they do, what decisions they make, and what they say. John calls her a “little goose”(95) and his “little girl”(236), referring her to a child, someone who needs special attention and control. His need for control over her is proven when she admits that her husband is “careful and loving and hardly lets me stir without special direction”(49). John has mentally restrained the speaker’s mind, she is forced to hide her anxieties, fears and be submissive, to preserve the happiness of their marriage. When the narrator attempts to speak up, she is bogged down and made guilty of her actions. Her husband makes her feel guilty for asking, he says, “‘I beg of you, for my sake and for our child’s sake, as well as your own, that you will never for one instant let that idea enter your mind!’”(225-226). By making her feel guilty for her illness, John has trapped her mentally from speaking up about it, convincing her that she must be more careful about her actions. Men often impose the hardships placed upon women during this era. They are often the people reassuring them of their “womanly” duties, and guiding them

In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.

Charlotte Perkins Gilman is a woman who writes about personal experience, and in her short, “The Yellow Wallpaper,” we learn exactly who our author is based on the language and communication that appears throughout the story. “The Yellow Wallpaper” is a captivating tale, largely because the language and communication between characters translates to a feeling of near madness for the reader. The man, the dominant character in the story, has much to say about his wife’s mental condition and practically refuses to permit her feelings. Gilman explains how this story wasn’t made to drive people insane, but rather to save people from insanity. She realizes she has the power to create a powerful effect within literature and that is the thing that

Mitchell was predisposed to think that women did not need to leave there bed or even their homes when they were ill. The rest cure also exacerbated normal gender roles of that era. Men were the ones who belonged in the outside world; they were the bread winners. Men needed to be outside of the home and to take care of the needs of everyone in it. In contrast, women were supposed to inside the home of take care of the home. Dr. Mitchell ensures men were not feeling emasculated by being subject to the same treatment as women and be subject to their homes where they felt only women were supposed to be. The story “The Yellow Wallpaper” by Gilman, highlight the mental distress that the rest cure tolls on your mental state. Gilman wrote “The Yellow Wallpaper” because of her experience on the rest cure and she wanted to “save people from being driven crazy”. Another reason that Gilman could have written the short story is to show that women need intellectual stimulation as much as men and that living domestically and not doing things that express a person’s creative side could drive them insane.

Introduction: John’s domination over the Narrator is evident from the beginning of the short story. The Narrator remains unknown and takes the identity of John’s wife not an individual human being. This identity, further explored, becomes her personality because she obeys John’s every command.

In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

The woman “jane” believes she has a condition but her husband who is a physician does not take her illness seriously. In page 648 paragraph 1 the narrator states, “If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression - a slight hysterical tendency - what is one to do?” The narrators husband is talking bad about his wide to her own friends and refusing to take her serious and at the end as she repeats “what is one to do” clearly stating that she can not do anything about her husband badmouthing about her and making allowing her to understate herself as a woman. “John laughs at me, of course, but one expects that in marriage” (pg 647). The narrator as a woman are so used to people looking down at her and throughout the story she does not feel like herself due to her husband always shutting and controlling her make her insane that she cannot be in control of her body. Page 648 paragraph 5, “I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is think about my condition, and I confess it always makes me feel bad”, as the narrator talk about her condition and herself, she then recalls her husband’s instructions, the narrator has internalized her husband’s command to the point that she virtually aurally perceives his voice in her head, telling her what to think and do. The narrator is not even a person at this point, her brain is now programmed to follow direction, to think, to feel, what her husband has recommend, she has no self-conscience anymore and for that reason she feels

John, the narrator’s controlling, but loving, husband represents the atypical man of the time. He wants his wife to get better and to be able to fill the role of the perfect wife that society expected from her. John, being a doctor, did not quite believe that her mental illness was out of her control and insisted on

Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through

A glance at a few of the conversations between John and the narrator will help clarify the roles of husband and wife as the story represents them. Rather than see the husband and wife as equals, the story clearly places the wife in the role of inferior. Nowhere is this made more explicit than in the use of condescending names when referring to his wife. Early on, when the narrator complains of the unsettling décor in her room, John "called [her] a blessed little goose" (Gilman 2); later, when she cannot sleep, he calls her a "little girl" (Gilman 5). When the narrator protests that she is not improving under her treatment, John patronizingly states: "'Bless her little heart!' said he with a big hug, 'she shall be as sick as she pleases!'" (Gilman 5).  Such language use suggests that the narrator is akin to a child, rather than an adult partner of the speaker. Even the narrator herself, within the confines of her own writing, notes that one of her biggest disappointments is that she is unable to fulfill the obligations that come with marriage and motherhood: "It does weigh on me so not to do my duty in any way! I meant to be such a help to John, such a real rest and comfort, and here I am a comparative burden already!" (Gilman 2).