A Brief Look at Rashid Rana

Margaret Lazzari (Author),. "Exploring Art: A Global, Thematic Approach 5th Edition." Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 29 June

My analysis of how successful and how did this artwork affect the society and culture as its target

When I went to Museum of Metropolitan of Art, I saw many interesting works of arts. I was so amazed by all of the art-work. It was a tough decision to choose one work to focus on for my art paper, but there was one sculpture that caught my eye; it was Nataraja of Shiva (11th century) from Ancient Southeastern Art located on the 2nd floor of the museum. The main message of this sculpture is focused on the idea of the boundaries of cosmos and the destruction and rebirth of the world. This paper will employ close visual analysis of this sculpture and describe how the visual elements of the work relate to its main theme. In my opinion, this sculpture is very beautiful and I was so surprised to find it in the museum. As I was growing up in

"Exploring Art: A Global, Thematic Approach, 5th Edition. "Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 11 July

It is said that a picture is worth a thousand words, but maybe they are worth far more than that. Pictures, although seemingly simple in nature, are extremely complex. Far too often, people overlook what a picture truly is. When a person looks at an image, they most likely see only the image, nothing else. Many people do not look deep enough into an image to fully comprehend the true meaning of it. However, when an individual begins to truly study an image in an attempt to understand the true complexity of it, they will be surprised at what they overlooked before. As stated by French Realist Painter, Gustave Courbet, “Fine art is knowledge made visible.”

Artists use their artworks to communicate different meanings and transfer specific messages to the audience. Their artworks can be presented in different forms like architecture, drawing, painting, sculpture, pottery and many other forms. Each artwork contains a specific meaning which is usually based on the artist 's beliefs, culture, identity and the nature surrounding us. Rona Rubuntja from the Hermannsburg Potters, Bronwyn Oliver, Christo and Jeanne Claude each presented their art in different forms but they all communicate meanings and ideas to the audience. Rona Rubuntja who is a senior member of the Hermannsburg Potters and her famous pottery work ‘I 'm Black’ for the exhibition ‘Our Land is Alive’ at the National Gallery of

Farah Ahmedi is a poor girl looking for a better life. Walt Masters is a different boy doing the right thing by saving claims. Aengus is the god of love, curious and determined to obtain what he wants. However, all three of them are determined to complete the mission that they have undertaken because they were trying to make their lives and other lives better.

Paul Klee will always be remembered as one of the world’s greatest modern artists. Not only through his inspiring artwork that was trendsetting for many generations of artists to come, but also his writings and lectures that were extremely valuable to the world of modern art laying the ground work for mastering color, style, and simplicity; Klee was truly one of the all-time greats at what he did. Klee was also one of the first artists to recognize the art of the self-taught and mentally ill. Klee said: “Only children, madmen, and savages, truly understand the in-between world of spiritual truth”.

When we look at this piece, we tend to see the differences in ways a subject can be organized and displayed. This assemblage by Betye Saar shows us how using different pieces of medium can bring about the wholeness of the point of view in which the artist is trying to portray. So in part, this piece speaks about stereotyping and how it is seen through the eyes of an artist.

The author, Naheed Mustafa, starts out with two points of view others have of her, a “Muslim terrorist” or an oppressed woman (Mustafa 1). However, with these two points of view, Mustafa is suggesting that people only view her in these two ways because in their eyes a Muslim woman cannot be more. Then she introduces the hijab, a scarf which covers her neck, head, and throat, but explains that young Muslim women like her are “reinterpreting” the purpose of the hijab: give women absolute control over their bodies. According to Mustafa, the hijab does not only give women absolute control but freedom. Yet, others do not understand this concept or why a young woman who was born in a land that is free and full of opportunities like North America

While the Abbasids seized power on the Arabian Peninsula, the Umayyad leader Abd al-Rahman fled to the Iberian Peninsula and built a magnificent kingdom. When he reached Spain, he made it Al-Andalus, also known as Muslim Spain. He gained power by uniting the factions that were already there and defeating the ruling factions. Al-Andalus became a glorious kingdom in the Muslim empire because they had powerful leaders, a stable government, and effective tactics for expansion. The reasons for their decline will also be mentioned in this essay.

The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.

Anish Kapoor, one of the world’s most distinguished and significant contemporary artists, was born in Mumbai to a Punjabi-Hindu father and an Iraqi-Jewish mother. He has studied art at the Hornsey College of Art and Chelsea School of Art Design. In the 1980s he surfaced as one of the several British sculptors working in an innovative style and gaining global recognition for their work, like Tony Cragg, Richard Deacon, Anthony Gormley, and Bill

In this discussion I will be describing two works designed by British-Indian sculptor Anish Kapoor. This is followed by discussion of the two significant aspects of his work context and narrative. Born in Mumbai, India, in 1954, to parents of Punjabi and Iraqi heritage. Anish Kapoor moved to London early in his career to pursue studies in design. He first gained notoriety for his work in the 1980s for creating biomorphic sculptures and installations Revered as being “often profound, verging and inspiring”. Much of his work incorporates a modernist feeling. A modernist feeling of materiality with an interest for the control of structure and the view of space. His work consists of natural figures, using specific materials (for example, stone, limestone and marble). His models slowly extended toward more minimalist designs (later in his career). Kapoor uses rich tones, amazingly high-quality surfaces, and uses perspectives that create optical illusions. This shows deep thinking and understanding of space.

I went to The Art Institute of Chicago on a Thursday when it was free for Illinois resident and when there were different exhibitions going on. There was long line at the entrance near the museum at 6pm in the evening. I went alone because I thought I can have better focus on picking a good art work. I was ready to go through all the magnificent paintings for my art museum paper. As I walked through the museum, there were colorful Indian Modern art exhibited for the occasion. They were big and vibrant. The was also a special exhibition of Tarsila Do Amaral, one of the leading Latin American Modernist artist who paint like Cubism, Futurism and expressionism. Her artworks were childlike in terms of the painting style of objects and people. I was most fond of the modernist and contemporary part of the gallery with painters like Salvador Dali and Francis Bacon. I was fascinated with Salvador Dali’s Venus de Milo with Drawers. The drawers unnaturalistically located on a human body was intriguing. The depth of the human mind and subconsciousness are creatively represented by these drawers on Venus de Milo. Francis bacon’s work Figure with meat was not bad either. Figure with Meat is a disturbing depiction of Pope Innocent X sat in front of a cow carcass cut lengthways in half. (Gould) Like his other painting, the theme is dark and twisted. The carcass is included serve as a direct reminder that death will be at the end await