A Career As A Music Educator

I stood up in front of a hundred curious, gleaming eyes. “Hey guys,” I began, “I’m going to show you why the trombone is the coolest brass instrument ever!” I immediately whipped the slide out and performed a series of sequential glissandos, each one with more vigor than the last. That morning, I was performing with my school’s jazz band at the KIPP Elementary Academy in Philadelphia. Over a decade passed since I had last stepped foot in a Philadelphia school, when I attended the James Dobson School in kindergarten, yet the cozy gymnasium and the children’s crisp uniforms instantly evoked memories of my childhood. But one thing I did not remember from the past was having the opportunity to experience jazz at a young age. Thus, I desperately wanted to display the awesome power of brass instruments that is the soul of jazz music and inspire the kids to partake in the timelessly euphoric journey of music that I am blessed to have taken.

Throughout the reading this week, the information presented in David Elliott and Bennett Reimer’s texts stressed the importance of music and more specifically, music education. “People everywhere find music rewarding, and everywhere we find people engaged in formal and non-formal efforts to teach and learn music.” (Elliott, 2014, p. 4)

Before even entering college, I have taught multiple students music weekly for free. It was a grueling experience as I also had to continuously study and learn new topics to plan ahead accordingly so that the students’ proficiency in music grow naturally so that their techniques would be engraved in their body and mind. Yet, even though it was an exhausting job, to this day, it is still one of the most invigorating experiences I have had as a high school student. This choice to teach has allowed me to continue teaching in different environments, and I now ultimately wish to a chance to teach in the JET program. Through my experience in teaching, teamwork, and music education I can bring an enjoyable school life for the Japanese students while sharing my experience as a foreigner that can pique interest for people of Japan.

Tanner started his freshman year playing in the second best orchestra of three in his school. Here, he excelled musically and made new friends with upperclassmen. By January, one of Tanner’s older friends had convinced him to join choir, so he decided to audition for the upcoming year. As a sophomore, Tanner sang bass in the top choir, even though he did not have any prior singing experience. The same year, he also auditioned into Symphonic Orchestra, the top orchestra of his school. While he was in both the top orchestra and choir, he started student conducting for the lower orchestras and choirs. By senior year, Tanner’s schedule was almost completely filled with music classes. Consequently, Tanner grew extremely close to his high school ensemble directors. It got the point where he could casually call his Symphonic Orchestra director “mom.” This inspired Tanner to make it a goal for himself to form strong relationships with his future students. Through his experiences conducting his high school orchestras, and choir, Tanner found that he really enjoyed teaching music and decided to study music

Imagine a third grader, small and blonde, standing on a stage that practically swallows her. She gazes in awe at the bright lights that seem to tower miles above her head; likewise, she follows with a stare, fixating on the hundreds of darkened faces that remain directly in front of her. Unlike her classmates who fidget with nerves beside her, she feels a rush of adrenaline. What may have seemed to some an ordinary choir concert in a dull auditorium, was, to me, a life changing moment. Ever since this day, for 9 years now, I have had an unwavering passion for music and performing. As I aged, I found myself excitedly learning how to play 7 new instruments, but even considering the vast number of bands, orchestras, choirs, and instrumental lessons that I joined, I noticed myself

I am a dedicated and conscientious student in class, and a key member in many extra-curricular activities. As a keen musician, playing violin, trombone and piano, I contribute to a number of musical ensembles in school and played an integral part in the organisation of our school’s summer concert. I am also a member of several local youth orchestras and bands, with whom I have toured abroad many times, most recently to Italy, France and Belgium.

In the first grade, I picked up a clarinet. It was my sister’s, collecting dust while waiting for me to play it. From the moment I produced my first sound, an ear-piercing squeal that frightened my dog, the path of my life took a turn for the better. I began teaching myself for the following three years, along with learning from my sister how to properly play the beautiful instrument. The music pushed me out of my comfort zone: concerts that forced me onstage, tests that made me play difficult songs, and teachers that pushed me to be an exceptional player. From the shy elementary school student I used to be to the outgoing band member I take joy in being today, music has shaped my everyday life.

Music has always been integral in my life. During my childhood, when I was four years old, I pressed my fingers on an oven handle like a piano. Throughout my childhood years I listened to my mom’s old-school mix CD’s, along with the Pandora music app on my old Kindle. In fifth grade, I picked up the piano. My alto saxophone studies began in seventh grade. When high school arrived, I turned my focus to guitar and voice. The more knowledge I absorbed, the more knowledge I craved. My decision to pursue music was also influenced by the inspirations I’ve encountered on my journey so far.

I can say I’m a multi-instrumentalist. I can play the harmonica, the trombone, the ukulele, the bass, the piano, the electric and acoustic guitar, and I’m probably forgetting one. But really I wouldn’t be where I am today if it wasn’t for her” (Montes). “One of the big things I teach my kids is how through hard work, you can accomplish anything. Whenever a kid shows up to a lesson, I always ask them if they practiced, and sometimes they say no because they don’t have a piano at home. It reminds me of the days when I couldn’t even afford a piano, but I push those thoughts away and work towards helping these kids fulfill their dreams as I’ve fulfilled mine. Music teaches the kids how to work through a tough song, and through time and practice, they always get it at the end” (LaBeau). Ronnie’s School of Music has performed annually for several of the city’s prominent events: the Arroyo Lighting at Christmas, Saint Anthony’s Fall Festival, Winter Texan festivals, and many more. LaBeau teaches students of all ages, from three to ninety seven. The majority of her students, however, come from Saint Anthony Catholic

I have always enjoyed music since I picked it up my first alto sax in the 6th grade. Of all the enjoyment music gave me and all its feelings it can create I could finally make some of my own. For the 7 years I have been playing in school it still remains a large part of my life. It gives me a great enjoyment to push myself everyday to do better. The dream of one day playing in a great college jazz ensemble propels me forward in my music because of the disadvantage of my school's jazz program. Playing saxophone in a classical and jazz context is what makes me a perfect fit for Sam Houston State University.

Across the United States many elementary school music classrooms are filled with simple and popular tunes such as Hot Cross Buns and The Ode to Joy, played on the recorder, while high school students may be playing collegiate or professional pieces of music such as Armenian Dances and Carmen Suites. I have been very fortunate to have gone on the journey of progressing through different music education programs within Fairfax County Public Schools. If I was never exposed to music while in elementary school I might not have ever found one of my greatest passions or been able to create such fond and unforgettable memories. While music education programs across the country appear large and strong, many schools are beginning to experience budget reductions. As a result, music is often the very first component of a school 's curriculum or programs to be cut or significantly reduced, but I believe this is not the right course of action. It is important to preserve and promote music education in public schools because of the proven cognitive, character,and academic benefits for students.

I chose to interview my trumpet instructor since, he’s a friend and a mentor to me. Claudio Osorio holds a Bachelor’s Degree on Dean’s List from University of Miami in Music Performance, and a Master’s Degree In Music performance from Manhattan School of Music. His teachers included Gilbert Johnson (Philadelphia Symphony and Curtis institute), William Vacchiano (NY Philharmonic and Juilliard), and Ray Mae(Orpheus Chamber Orch, Chair Juilliard Brass Dept), Claudio currently serves as full time Associate Professor on the faculty of Miami Dade College in the Arts and Philosophy Department, where he also is the Brass Ensemble Director, and the Jazz Big-Band Ensemble Director (http://symphonyoftheamericas.org/). Claudio teaches Music Appreciation

It all began on a not-so warm afternoon in March. After leaving one of my favorite classes, Science and I rushed to 5th hour Band class to put my Tenor Sax together. I heard the talk of who was better at one subject or better at playing their saxophone (and the normal ear-piercing playing) of Alto Sax players in the band storage room. Rolling my eyes a little and giving a small laugh to the small (yet loud) talk, I headed to my seat in between two other Tenor Sax players named Brogan and Austin. Our band director, Mr. Zielinski walked into the band room, giving the usual instructions about being quiet and smiled.

Becoming a music educator is not a brash career choice, but rather a fulfillment of the desire to insure the continuation of a love for music. While many claim to have a superficial appreciation for music, it is the educators who preserve and develop it. As a music educator, I would like to make my students feel secure in their abilities, create lifelong bonds with others dedicated and passionate about music, and contribute in the continuation and preservation of music.

The stigma associated with pursuing an education in the musical arts affects the decision of many musicians nationwide. The appeal of guaranteed financial and career stability of STEM and other paths of high demand jobs is very difficult to pass up, even by the most dedicated musicians. Then, the input and advice of outsiders come into play. These onlookers not only encourage study of the hard sciences and a foolproof path to success via university, but they also totally and blatantly discourage and belittle the intelligence, rationality and integrity of not just the paths of musicians, but all liberal artists. Don’t you want to make money? What do you mean you won’t have internships, don’t you want a job? How are you going to survive? This blitzkrieg of questioning and doubt, though theoretically peripheral to the bigger picture, is reasonably common, however, severely unjustified. Pursuing a formal college education in music is easily one of the best things you could do for yourself, regardless of whether or not this is the career path of your choosing. As a student of formal music education, you are actually being trained in more real world skills than most other majors, which will prepare you for many careers, making you stand-out amongst the masses. Being a music major, you learn more than just music, you learn problem-solving skills, how to communicate and collaborate, and how to overcome failure, which are all essential skills to have as a professional in today’s day