A Character Analysis of Sir Lancelot Essay

In The Crucible by Arthur Miller, John Proctor, the protagonist, is a farmer in his middle thirties. The author gives little to no detailed physical description of him, but from Proctor’s speech, we can still picture him as a strong and powerful man who is able to keep every situation under the control, the kind of personality which earns him deep respect and even fear from the people in town. On the other hand, Abigail Williams, the antagonist, plays an inferior role as an orphan who has no social status in a place like Salem. Over the course of the play, John Proctor is absolutely awakened and transformed by Abigail Williams. In the end, he overcomes the crucible by releasing himself from his guilt of

In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.

In The Canterbury Tales, the knight is a modern type of knight. Although the description of this character’s personality is vague, it is not hard for modern day people to visualize him. In the prologue, it mentions that the knight follows the five basic ideals that a good knight should possess: “chivalry, Truth, honour, generousness, and courtesy” (Chaucer 4). The knight fought in the Crusades, wars in which Europeans traveled by sea to non-Christian places and tried to convert people’s culture by brute force, which was considered noble and brave hearted. From his love of the five basics ideals previously mentioned to his impressive military career, the knight is a perfect example of how a knight should be represented. Indirectly, the tale is discussing both the knight and the idea of how a knight should be. The tale does not describe much about the knight as in physical appearances and characteristics of this knight but as the tale comes to an end, the book starts to unfold how this story connects with this character. The tale itself is not important yet it’s what the tale represents that is important, such as pursuing courtly love, risking death, and respecting women. All of the previously mentioned attributes are ones that knights should possess to achieve expected standards.

Although it is hinted, one could say that King Arthur knew of the relationship between Lancelot and Guinevere but chose to look the other way in fear of losing Sir Lancelot. Sir Lancelot is an example of what a perfect knight would be in the True Knighthood. His honor to King Arthur is what King Arthur holds precious to himself. These three men want to stay loyal to one another and fight against what others are trying to say.

Sir Lancelot is the dominant figure in Le Morte D'Arthur who presents us with the theme of sin and redemption. Sir Agravaine and Sir Mordred expose the courtly romance or otherwise adulterous affair between Sir Lancelot and Queen Guenever. This sets in motion the conflicts and other events leading up to the death of Sir Lancelot and many other noteworthy characters. Sir Lancelot betrays both King Arthur and Queen Guenever. If he is truly a noble character as Sir Gawaine, Sir Gareth, and Sir Gaheris describe, would he have involved himself in such a treacherous act? Sir Agravaine says, “I marvel that we all be not ashamed both to see and to know how Sir Launcelot lieth daily and nightly by the queen, and all we know it so; and it is shamefully suffered of us all, that we all should suffer so noble a king as King Arthur is so to be shamed” (Location 12810). Sir Lancelot’s betrayal raises opposition between the knights and breaks up that which should remain united. His betrayal reaches beyond the king and queen. Thus, it is not a surprise that the consequences of his sin affect the lives of so many.

The movie First Knight fits the Medieval Romance Characteristics because it follows the marriage of King Arthur and Queen Guinevere and follows the adventures of knights, kings, and queens. Medieval Romance Characteristics also follows the conflict between King Arthur and Prince Malagant, who used to be one of King Arthur’s knights. First Knight takes place in an idealized world because it includes castles, kings, queens, and knights. When Lancelot gets into a sword fight with Prince Malagant, a supernatural event occurs. When Lancelot is just about to lose the fight from exhaustion, he notices King Arthur’s sword beside him and when he picks it up, there is a flash on the sword which fulfilled Lancelot with enough energy to win the fight.

In the novel Le Morte Darthur: The Winchester Manuscript, the author, Sir Thomas Malory, presents the reader with many diverse villains, one of whom is Sir Tarquin. Through Sir Tarquin’s remarks and conduct, Malory portrays Sir Tarquin as a malicious villain who despises one specific character, Sir Lancelot Du Lake. This built up anger and revulsion Sir Tarquin feels towards Sir Lancelot results in Sir Tarquin becoming one of the most dexterous and malicious knights in all of Christendom. He becomes such by searching out, challenging, and defeating many knights of the Round Table.

Ideally, a king has an old look, a great amount of power, and naturally rules his domain with an iron fist in literature. In the two works, Le Morte d'Arthur and First Knight see two different versions of how king Arthur is portrayed. Yet the honor and respect that a king should have remains undisturbed, much like how both are products of their time. First Knight is told as a modern retelling of the legend and Le Morte d'Arthur is a minorly altered, much older work. While the depictions of king Arthur are seen as the paramount backbone for arthurian times, these two works have also proven to exhibit differences and similarities, illustrate Arthur’s figure in character, and serve as preservation of the time period.

Both Dade and Julian where fixated on proving themselves right and defending their beliefs about

This is depicted by Lancelot “the knight of the carts,” underlying love of King Arthur’s Queen Guinevere. His love start as Queen Guinevere is

Malory's Le Morte D’Arthur isn't known to be classic just because of Arthur-but rather the themes of family, love, revenge, identity, loyalty and betrayal. As King, Arthur is put in many situations that test the people he surrounds himself with. Therefore, betrayal has become a reoccurring theme. Throughout the novel, people are seen betraying each other. Betrayal has become familiar in a way to the members of the round table, ultimately leading to it's demise. The acts of betrayal occur in various forms, whether it be through adultery or just going behind the other person's back. Regardless of how it happens it brings about serious disorder for all involved.

The stories of Lancelot (The Knight of the Cart) and Perceval (The Story of the Grail) within Chrétien de Troyes’ Arthurian Romances depict a world of Medieval Romance that is somewhat different from one that was depicted in earlier epics. These romances are more focused on the battle between love and honor rather than on war and valor, which were depicted in earlier epics of de Troyes’ time. The tale of Lancelot follows a star-struck knight who undergoes an inner conflict between both the lover and hero inside him. His intense commitment to rescuing the queen causes him to make rash decisions which inevitably restrain him from controlling his own fate. Perceval’s story exhibits a different purpose for love in a knight’s life. Unlike Lancelot, he accepts love only when he believes it can further advance him in becoming the perfect knight. The two heroes’ actions showcase an inner conflict between maintaining their honor as knights and the love for another. Through these two tales, Chrétien de Troyes shows that that idealistic love and conscious chivalry cannot necessarily successfully coexist, yet it is the unachievable idealistic view that these two ideals do coexist.

Obedience is another factor that constitutes courtly behavior in the story. Lancelot battles arduous combats and suffers severe wounds for the love of Guinevere. However, once throughout his voyage he falters in his obedience to her love, when he comes across a dwarf, driver of a cart, the dwarf tells Lancelot to ride in the cart in exchange for information on Guinevere’s whereabouts; Lancelot hesitates momentarily before leaping into the cart. Lancelot regrets this moment of hesitation and scolds himself, he argues “…Reason, who does not follow love’s command, told him to beware of getting in and admonished him…Love ordered and wished [he would ride in the cart]…; since love ruled his action, the disgrace should not have mattered.” 2 Lancelot is deeply ashamed and never falters

Loyalty is very necessary for a knight, and Lancelot shows it vividly. Lancelot is not in a position that he is proud of when the problem comes, but he still works for what he believes in. Lancelot is facing a public trial in Camelot. Suddenly, Camelot is surrounded by the army of Malagant. He threated King Arthur to give him the city, or everybody will die. King Arthur starts the battle with Malagant’s army, and he gets shoots in his chest four times by crossbow. Lancelot goes into the crown, and he fights with Malagant who is also really good at sword. It is a really tough fight, so both of them gets injured. He does not give up, and he kills Malagant eventually. Lancelot is not trusted by King Arthur at the time when Camelot is invaded, because he is caught kissing Guinevere. He may be killed by King Arthur, and he can just run away due to the enormous chaos in the city at that tie. But he remembers that he is a knight, and he cannot fail the people in Camelot. So he picks up a sword, and helps people to defend their city. When he is fighting with Malagant, he tries to save an old man under the brutal broadsword of a knight of Malagant. He gets injured because of this action. All Lancelot has done shows everyone that he has loyalty to the city, Camelot, and his lord, King Arthur.

It can be difficult to define the unifying themes of Sir Thomas Malory’s Le Morte d’Arthur ; it can seem a tangle of random adventures mired with magic and religion, love and fate. What is the purpose behind all the seemingly similar adventures of so many similar knights? And what is the place that the books of Sir Trystram hold? These books make up the longest section of the work, yet Trystram plays no role in the search for the Holy Grail or the downfall of Arthur. There are many parallels drawn between Trystram and Launcelot: they are both the greatest knights of their time, both the greatest lovers, both become mad for a short time, etc. What distinguishes Trystram from Launcelot;